Le désir dans les tripes

I know this movie has it's fans, is considered a satire and is preferred to the slightly earlier, Lorna, but I just cannot agree. Certainly this has pretensions to seriousness with it's stance against the simple preacher and the easily manipulated lynch mob, but everything is so overblown all becomes simply crass. As for the bulk of the film preceding the melodramatic ending, tiresome might be the word. There is the crazy family where is Lorna Maitland is reduced to playing a bit part for some reason and the homestead that takes on the new hired hand. There is so much unwarranted screaming and hysteric laughter that I felt like switching off during the first twenty minutes. Sure there are some fine sequences, the rape and murder of the preacher's daughter is very powerful, but I think this loses direction and has a pat 'satirical' theme tagged on for want of something better. The characters are nothing like as rounded as in Lorna and as with the later, Faster Pussycat, Meyer is probably at his best with the themes kept nice and simple.

My friend and I sat down to watch Mudhoney on TCM. The first two minutes or so (before the opening credits roll) convinced us this was going to be a unique and well-paced movie. We were totally drawn in by the interesting camera work and tight editing. This is the way to open a film! We knew we were in for a worthwhile viewing experience, not just an exploitation flick. Hal Hopper's performance transcends the B-genre. Deranged, sadistic, degrading, mocking, taunting, conniving, violent--he commands the screen. (This guy was Jay "Dennis the Menace" North's father?) Lovely, seductive ladies, never shown gratuitously. They behave in a manner consistent with the film world Myer's has created (some label "gritty," which is the least of this small community's issues).

"Mudhoney" takes the gritty "realism" of "Lorna" one step further. It's downright nasty. Perhaps Meyer's best script and most satisfying narrative. Hopper is a down-on-his-luck alcoholic wife-beater who nearly succeeds at turning a Depression-era small town into hell. He even tries to take a shortcut through heaven. Fits nicely between "Lorna" and "Faster Pussycat! Kill! Kill!" as Meyer's mid-60's b&w peak.

Excellent piece of trash cinema by the maestro. Hal Hooper's performance as the husband who beats and rapes his wife and uses the preacher to get at the drifter is awesome -- one of the most memorably pieces of acting in the history of B movies. Lots of excellent T and A shots, with star Maitland showing. Great photography in black and white.

This film is a classic and brilliant Russ Meyer effort which shows talent and creativity, delivering an ultimately jolting and outrageous picture. It has a perfect mix of sex and violence and a great central character who's a complete degenerate who gets his comeuppance in the memorable conclusion. Moonshine liquor, nudity, religion, set in the backwoods of Missouri during the Depression, populated by bizarre somewhat stereotypical characters a seasoned viewer of Meyer's films might expect to see, there isn't a wasted minute, as the film unleashes a variety of assaulting and memorable scenes that follow one after another.