Énigme à 4 inconnues

I recently saw this on TCM and was surprised that I had never seen this before. Based on the novel by popular novelist/writer Evan Hunter who wrote such classics as The blackboard Jungle and the screenplay for The Birds this was adapted for the screen by Hunter and Dale Wasserman. this is the story of an amnesiac (James Garner) who wakes up on a Central Park park bench with no idea who he is. Dressed in a gray suit he discovers only two possible clues to his identity, a ring with the initials G.V. inscribed and a piece of paper with a telephone number on it. He has the name of Grace in his mind who he assumes must be his wife and so with the lack of a name of his own his creates one on the spur of the moment in Sam Buddwing and begins his search through Manhattan of himself and of Grace. His adventure brings him to several memorable characters in Angela Lansbury as the loose woman with a kind heart Gloria, Suzanne Pleshette as actress Fiddle Corwin, Katherine Ross as the pretty and studious Janet, Jack Gifford as restaurant owner Izzy Schwartz, Joe Mantell as the 1st cab driver, George Voskovec as a shabby old man who calls himself God and Jean Simmons as the high society blonde out on treasure hunt for a party. This film was nominated for two Academy Awards for Best Black and White Art direction and Best Black and White Costume. It has a gritty New York location feel and frequently uses hand-held cameras and is photographed by cinematographer Ellsworth Fredricks. Directed by Delbert Mann best known for directing such classics as Marty, Desire Under the elms and Separate Tables this is not one of his best but it's quirky and interesting and hold your interest thanks to great on screen performances by the fine cast. Garner is better served as an actor when he has some light comedic roles and he falls a little short in this straight dramatic role where he only smiles once briefly in the entire film. The ending falls short too but all in all it's a different film and I would give it a 7.5 out of 10.

Th is was a cool offbeat film. The real treat is the actresses. They are all lovely and give good performances. They truly elevate the material.

There are also some really cool shots of mid 60s New York, some of which no longer exist.

There is something deeply touching and oddly disarming about this wonderful film, but as the above poster comments, the film does not quite fulfill its remit.

I have watched this film on a number of occasions because of its sombre dream-like quality - the juxtaposition of slap-in-the-face reality and those almost womb-like immersions into Buddwing's memories.

The score is brilliant, the lighting dramatic and memorable.

The cast - brilliant, but it pains me to say this as a massive, massive fan of James Garner - he shows his limitations as an actor in this one.

Note the self-naming scene. "Bud.....wing.... I..have a name" too dozy, and that crying scene after he faced off with the madman who claimed he was god. Poor Jimmy looked like he'd be pepper-spayed.

However, because of Garner's form, I like this film even more. Garner's character should be vulnerable, extremely so, because of his predicament. To see Garner himself vulnerable and out of his league in the role works almost better than great acting would. And what was that look on his faced when Grace-2 asked him if was "one of those AC/DC types" ??

There's still something magical about Garner's presence. He's a winner.

The film comes across as a stage play adapted for film - a piece of beat poetry acted out by conservatives. Strange, half realized, surreal, and finally a flawed gem.

James Garner is "Mr. Buddwing," a man who wakes up in Central Park and can't remember who he is in this 1966 film directed by Delbert Mann. Taking the name Buddwing off of a Budweiser truck and the wing of a plane, Garner has a train schedule for a Harlem line, a phone number, and a ring with a crack in it from "GV." Gradually things start to come back to him as he meets various women throughout the day, all of whom he thinks are named Grace. Through them, he relives different stages of his married life: Katharine Ross, a college student; Suzanne Pleshette, an actress; and Jean Simmons, as a drunken blond on a scavenger hunt. Angela Lansbury plays a blowsy woman whose phone number Buddwing finds in his pocket - or thinks he does.

The film is made in an interesting way - one minute, Garner will be talking to Pleshette, for instance, in the present, and then a second later, he's talking to Pleshette as Grace, at some time in the past. The film is like that all the way through, as Buddwing's memories come back. Despite its stylishness and the '60s New York City scenes, "Mr. Buddwing" moves somewhat slowly. Garner does a good job, portraying the man's confusion and frustration well. Both Pleshette and Simmons are excellent; Ross has the least showy role.

A dark movie, worth seeing.

Great jazz score. Memorable dialogue. Fascinating characters. Even small parts are interesting. Vulnerable male lead (unlike cardboard cutouts). Ladies with personality. Wonderful performances even by bit players. Gorgeous black and white photography. New York streets. Camera that isn't afraid to dare. Pure gold performance by Pleshette as an ever-aspiring thespian. This movie IS a jazz score. It is about life, midlife and city life. It's suspenseful, but the suspense isn't its central element. Mood is. This movie is perfect from every angle, in every department. Not much more can be expected from images on a screen. A movie with an attitude that presents life as style. Voila.