Les inséparables

This film intends to be wacky, I think, but ends up being nothing more than annoying. Where is the comedy in this comedy? Comedies should be fun. This one saunters through some boring situations, with lackluster performances, and expects laughs, apparently.

Frank Sinatra plays the role of the married man, firmly entrenched in responsibility, with a family that doesn't appreciate him. He goes through the motions, except when it comes to his job.

Dean Martin is best friend and bachelor--another cliché of the mid-sixties. He is constantly juggling the attentions of sexy women, providing a stark contrast to his "square" buddy, Frank.

Deborah Kerr's talents are wasted as Frank's wife--feeling unfulfilled and starved for attention.

The entire story revolves around a reversal that is as unfunny as it is improbable--Dean mistakenly marries Deborah. Oh, what will they do? How can they possibly extricate themselves from this situation that is filled with life lessons and comic banter?

I cannot recommend this film to anyone. It is mirthless.

I love this movie; wish I could get a video tape of it. It's lite, funny, sad and has wonderful actors/actresses in it. It's a good movie to just sit back and veg out to!. Dean and Frank just ham it up and Deborah Kerr just fits right in and goes along with it. That's what makes it so good!

Complications arise after an unhappily married couple are "accidentally" divorced whilst on their second honeymoon in this amiable comedy with echoes of Hitchcock's 'Mr. & Mrs. Smith'. The film takes quite a while to build up to the "accident" and the resulting humour is hit and miss, but a perfectly cast Deborah Kerr and Frank Sinatra keep the film afloat. Both were well past 40 at the time and they capture two complete flip-sides well; Sinatra has become complacent, all too settled into life, whereas a high-strung Kerr is in the midst of a midlife crisis, worried by the very certainties that Sinatra finds comfort in. The supporting characters are not terribly interesting; as his best friend, Dean Martin is too much the polar opposite of Sinatra and while John McGiver, Cesar Romero and Hermione Baddeley have their good bits, they never register strongly. Martin's bachelor pad is something else though, and -- alongside the likes of 'Under the Yum Yum Tree' -- it is a testament to the imaginativeness of early '60s interior decoration with jutting stone walls, several indoor plants and a fireplace in the centre of the living room. The nightclub sets are nifty too. Of course, excellent sets alone are not reason enough to watch a motion picture, but they are certainly an extra delight in this big screen showcase for Kerr's comedic talents. Her very proper and refined British vocal mannerisms render her indignation all the more amusing, and imperfect as the film may well be, it certainly offers an acute look at a middle aged couple both learning to reevaluate what they want in life.

The only reason this film gets as high as four is for all the talent involved. If Frank and Dean had sung in this film it might have rated higher. But the plain fact is that Marriage on the Rocks just ain't that funny.

Frank Sinatra and Dean Martin are best friends and partners in an advertising agency. Sinatra is married to Deborah Kerr with two kids and a mother-in-law in the house. Dino is a carefree bachelor and all around swinger and boozer. Basically these two really play themselves so there's no great stretch of any thespian talent.

Through an odd combination of circumstances, Sinatra and Kerr whose marriage is going through a rough patch go to Mexico on a second honeymoon and through the machinations of divorce attorney Cesar Romero they get an instant Mexican divorce. Then when Sinatra can't make it back to Mexico, he sends Dino back to pick up Kerr and offer an explanation and Martin winds up married to Kerr.

Now their roles are reversed and Martin is now a stepfather to Nancy Sinatra and Michael Petit and Sinatra's having a whale of a good time leading a swinging, ring-a-ding life. Of course all gets righted in the end.

We've seen it all before from Frank and Dean. This would be their last joint film appearance for 17 years until Cannonball Run II. Mainly because of the critical roasting this film got. Both of them just walk through the parts here. Dean Martin was just starting his highly successful television series which would be his main venue for the next decade and Frank was doing some very nice television specials around that time.

It would have been nice if both of them had sang some more on the big screen, but no more movie singing for them, except for Dino in the first Matt Helm film.

In any event the Rat Pack was breaking up as the two of them plus Peter Lawford, Sammy Davis, Jr. and Joey Bishop all started doing their own thing more and more.

Deborah Kerr looks like she's wondering how she got there with the boys, she certainly doesn't have the right spirit to be a Rat Pack broad like Shirley MacLaine or Angie Dickinson or Barbara Rush.

In fact Marriage on the Rocks is one colossal waste of an incredible assembly of talented players.

It's a marriage merry-go-round when Deborah Kerr rather inadvertently divorces workaholic hubby Frank Sinatra while on vacation in Mexico; when he fails to make things right, she (once again) inadvertently winds up hitched to boozy best friend Dean Martin. Made during the time when films had become second priority to Ol' Blue Eyes. It quickly becomes apparent his heart isn't in this...and how could it be, really, with such a leaden script? Although plush and well-produced, the movie is just a throwaway--a shame since the premise did have some interesting possibilities. Nancy Sinatra (barely out of her teens) and Tony Bill add some appeal as the youngsters in love, but the rest is a snooze. Happy Hour for the Rat Pack is over...closing time, guys! *1/2 from ****