Les amours d'une blonde

Andula is working-class girl living in a Czech town.She sleeps with a pianist called Milda after a party.When she doesn't hear from him, she travels to his parents place, where he still lives.Lásky jedné plavovlásky (English title Loves of a Blonde) from 1965 was the first big hit of Milos Forman.This Czechoslovakian film was nominated for the Golden Globe and Academy Award for best foreign film.In my country, Finland, it won a Jussi Award.Hana Brejchová is wonderful as Andula.Vladimir Pucholt is terrific as Milda.Milada Jezkova and Josef Sebánek are great as his parents.The dialogue is marvelous.Like when Andula and Milda are lying in bed and he explains to her how she's angular.That the woman is shaped like a guitar but she's one painted by Picasso.And there are some terrific scenes.The restaurant scenes are fantastic.Those men on their table are checking on the women on their table, trying to find a way to approach.And when Andula arrives at Milda's place and the mother can't deal with it.Great work from the Czech master.

Part of what was known as the Czech New Wave in the 1960s and this particular title a great favourite of Film clubs and societies back in my younger days. Director Milos Foreman, of course, left what is now known as the Czech Republic for the US where he made films as diverse as The People vs Larry Flynt, Amadeus and One Flew Over the Cuckoo's Nest. Before leaving he mad a trio of film in his native country of which this is probably the best although his similar and later film The Firemen's Ball had, perhaps even greater impact internationally being in colour. For A Blonde in Love Foreman uses mostly local people from the village where he shot with, I believe, only one professional actor who it turns out was as influenced by the non actors as there were by him. The young blonde of the title was the sister of the director's wife and gives a wonderful performance. Indeed the whole piece, barely a story, is a joy to watch despite the cringe worthy moments, on the dance floor in particular. A warm and caring film that is beautifully shot and despite an obvious air of austerity throughout still managing to convey a feeling of positivity. Lovely.

I don't think I've ever seen a movie that so faithfully captured the sense of place. I spent many months in the mid-60's in Czechoslovakia and Eastern Europe, and when I recently saw this film, it brought tears of nostalgia to my eyes. The scene in the parents' house, when the family was faced with the arrival of the unexpected stranger, is documentary in its portrayal of how a household would look in those times, complete to the smallest details of housekeeping and behavior. It is light-hearted without being slapstick, and it is poignant without being corny. Every character is right on the mark. On my very very short list of the greatest movies ever. In short, it is perfect. See this film, and take the whole family.

Milos Forman's "Loves of a Blonde" which he made in Czechoslovakia in 1965 way before "Cuckoo Nest" and "Amadeus" tells a very simple bitter-sweet tale about a teenaged girl who works in a shoe factory in a small town. With sixteen girls to one man - her chances to find a man of her dreams were not very high. One evening, she meets an attractive and young piano player who tells her about Prague and compares her to a guitar that could've been painted by Picasso. After they spend the night together, he leaves and she travels to Prague to find him. The film has been one of my favorites for many years and my opinion did not change after I saw it again a week ago - funny, sad, tender, and realistic film about searching for love, broken promises, shattered hearts, and universality of hope.

I hadn't seen any of Milos Forman's work before I saw this, and it really surprised me (pleasantly). It was a really funny film, with clever characters, very realistic interactions and some surprisingly cheeseless slapstick moments. Also has a movingly downbeat finale.

I doubt many people will make the effort to watch a little known black and white Czech film from the 60s, but those that do will be rewarded.