Cyclone à la Jamaïque

For those who have written in the "User Comments" that they cannot find "A High Wind in Jamaica" anywhere, they are correct that the movie has not yet been released on DVD or video -- a true disappointment, since this is a fine film -- but fortunately the cable channel American Movie Classics (or "AMC" as it's more commonly known) periodically runs the movie. It was last shown by AMC, in fact, in December 2003, and no doubt it will be again in the future, as all the great movies in their archives are. At their website, a search engine allows viewers to find out when the next showing of a specific film will be, if the scheduling is firm enough in the short term to be included in the search. I hope this helps everyone who admires the film.

I had watched this eons ago on Italian TV but had long forgotten it - the film does come across as somewhat unmemorable at the end of the day, but this offbeat pirate-adventure-with-child-interest has a beguiling charm all its own. That said, the film's very low-key nature might not win it much approval among action-film fans...

Curiously enough, half the film is actually spoken in Spanish (without the benefit of English subtitles!) - and, while it tends to wander because of this, also gives the proceedings a welcome air of full-blooded vividness! Anthony Quinn is his usual larger-than-life self, but his befuddled interaction with the kids endears him to viewers even more here. James Coburn is very amusing as Quinn's second-in-command, who can't speak a word of Spanish and is often at a loss as to what is going on around him (though I would have liked some form of an explanation as to his incongruous presence there). Dennis Price has a notable cameo towards the very end as a solicitor leeringly prying into the children's 'experience' with the pirates, while "guest star" Gert Frobe only appears in one crucial scene as a wounded Dutch captain (but who eventually has a huge bearing on the plot resolution); the film also features Nigel Davenport as the children's father and Lila Kedrova as a 'tavern-keeper'.

The opening hurricane sequence - which gives the film (and the novel it is based on) its title - is extremely well done, though the climactic courtroom sequence and its outcome (the willful execution of the pirates) is rather too rushed to be as effective as it needs to be. The antics of the children, of English and Spanish origins, are fun to watch - but Deborah Baxter leaves the best impression, as she is the one to bond most with Quinn. Larry Adler's lovely score subtly accentuates Douglas Slocombe's colorful widescreen imagery.

Alexander Mackendrick was an American-born/Scotland-bred director who made his name at Britain's famed Ealing Studios and went on to have a very brief but often brilliant career; this was actually his penultimate work. Incidentally, the two films of his I've yet to watch - MANDY (1952) and SAMMY GOING SOUTH (1963) - also feature children as their protagonists.

I first saw this film as a child, and was surprised that I remembered so much of it over 30 years later. It is an unusual story of children who end up on a pirate ship by a quirk, and their relationship with the pirates, who regard them as unlucky. Which turns out to be true, in an unforeseen way. Anthony Quinn, as pirate captain, is superb, as are all the cast, especially the actress playing Emily, the oldest child.

Forget any preconceived ideas you might have about the plot. This is a haunting, unforgettable story.

Very good adventure , a pure entertainment movie based on a novel written by Richard Hughes , shot in Jamaica and Pinewood studios . In the late XIX , during Victorian time , a hurricane destroys the house of Thorton family and the children are sent England . But their ship is attacked by a pirate vessel captained by Chavez (Anthony Quinn) and the second-in-command (James Coburn) and they are taken aboard . The kids view it as a lark, and one of them, a girl named Emily , develops an unusual bond with Chavez, the pirate captain. But the kiddies reveal their basic natures aboard of the vessel and the problems emerge , discovering the innocent savageries of childhood. The superstitious pirates can't wait to unload the children at the first harbour and things go awry when an unfortunate tragedy takes place .

This enjoyable pirate movie contains sensitive moments , wonderful seafare exteriors and thought-provoking theme with psychological studio of childhood in which the peculiar relationship with kiddies takes a fateful twist . It packs comedy , adventure, drama and tragedy , all of them are ironically balanced by an intelligent screenplay written by Stanley Mann and Ronald Harwood . Excellent main cast , such as an exceptional Anthony Quinn as the pirate captain and James Coburn as a good buccaneer . Good supporting cast such as : Nigel Davenport , Lila Kedrova , Dennis Price , and brief role for Gert Frobe . Nice musical score directed by Philip Martell and composed by virtuoso harmonica Larry Adler, including some catching songs . Colorful and evocative cinematography by Douglas Slocombe in widescreen who reflects splendidly the Caribbean outdoors . The motion picture was stunningly directed by Alexander Mackendrick who directed ¨Sammy going South¨ also about a childhood issue . Rating : Well worth watching , better than average . The picture will appeal to Anthony Quinn and James Coburn fans.

I had never even heard of this movie before. Probably wouldn't have watched it...but it was on AMC tonight and nothing else was on. I'm glad I didn't miss this one; this movie is very close to what "real" pirates, corsairs and privateers were like in their waning days. Of course there is a bit of artistic license, but the makeup of the crew, the scenes at the Port of Tampico, and the general feel of the film make it good fare, considering the constraints put on motion pictures in the year it was made. Many things implied, and understood behind the PG-rated facade of most scenes. The acting I found very good, the actors showed their contempt, inhumanity, decency, evil etc. (the facial expressions and acting of the madam in Tampico shows the ugliness behind the gilded facade beautifully) without having to "talk down" to the audience. Overall a very pleasant surprise for me, and I won't miss this one the next time it's on.