C'est la fête au harem

Colonel Tom Parker who usually took great care in the movie properties acquired for Elvis Presley must have cringed with the lemon he got Elvis stuck in here. IMDb says that Colonel Tom thought that Harum Scarum might have needed a talking camel so that there would be no question this was a comedy. Obviously the Colonel had the Road to Morocco in mind. But I'll go one better. Elvis the singer may have needed a comedian along with him, like Bob Hope.

Back when the Road to Morocco was made it was satirizing those sword and sandal desert epics that were popular back in the day. Usually those were about some mythical kingdom. We don't have mythical kingdoms any more, they're not in vogue in Hollywood. Poor Elvis was stuck in genre that was way out of date.

Also I don't think anyone had any doubt that when they went to see the Road to Morocco they were seeing a comedy. The gags here just fall flat. Now I doubt Elvis could have gotten Bob Hope, but a comedian of Elvis's generation to co-star might have brought off the comedy, but only might have.

Elvis is in good voice, but none of the songs from here are especially memorable. Certainly not like Jailhouse Rock or Blue Hawaii.

Harum Scarum belongs at the bottom of Elvis's movie credits. Only devoted fans of the King will like this and maybe not even them.

Widely considered to be Elvis' dumbest movie ever and the source of many prime gags in Top Secret, Harum Scarum is worth watching only for those Elvis fans interested in answering the question of what went wrong with his movie career. The answer was quite simply that, to Colonel Parker, Elvis was a carnival concession. He was getting million dollar offers to keep at the same old formula junk and since Parker had no idea how good movies were made he kept agreeing to the deals while the money was there. Harum Scarum shows the formula at its most derivative. Elvis himself looked bored and distracted at times on screen and even messed up some of his lip synching! The bulk of the songs are strictly for the Pat Boone set and badly out of date before the movie even came out. At a time of rapid change and great excitement in the music world (the Beatles made HELP around the same time) the music in Elvis' movies did not evolve or change, it just got recycled. The sets are also retreads, studio back lot leftovers from earlier better movies which look about as authentically middle eastern as a Moroccan restaurant in Brentwood. The costumes are a bad joke, and look like I Dream of Jeannie cast-offs. Elvis himself spends most of the movie looking foolish (and a bit like a Popsicle) in lime green pants. Add in a ridiculously predictable hand-me-down story about intrigue in the palace of the sultan and a few unfunny minor characters, and there is not much to like here, even for die hard Elvis fans. Even Elvis haters looking for a cheap laugh will find themselves bored by this exercise.

Now this was something, not really a good something but it was something nonetheless. Being a novice when it comes to the filmic work of 'The King' I approached this film and his others from a fresh perspective. I guess I was put off by the stigma of corniness that plagues his filmography. After checking out Jaihouse Rock, Paradise Hawaiian Style and Spinout I thought I'd give this relative b-movie a look.

I enjoyed the pseudo middle eastern soundtrack and expected the visual equivalent here, which essentially is what I got. The faux parody element of the film falls by the wayside pretty quick unfortunately and ultimately becomes another vehicle for Elvis' kung-fu, romancing and spontaneous song performances. Shake Your Tambourine and So Close So Far are the performance highlights and there is some overlooked snappy dialogue. The less said about the creepy Hey Little Girl sequence though the better. My favourite song, the Garage-lite Animal Instinct was sadly not featured in the film.

Its universally looked at as the bottom of the barrel in the career of Elvis but I think its a pretty fun 80 mins or so, there are far worse movies out there.

This was actually a much better movie than the critics say. It has an interesting plot and great actions. there are a lot of gorgeous women in this film. It's hard to believe that Sam Katzman produced a film this good, and also produced something as bad as Kissin' Cousins. This movie was the exact opposite of Kissin' Cousins, in Kissin' Cousins most of the songs were great, but the movie stank. In this movie, the film was great and most of the songs stank. There were still some good songs, like "Kismet", "So Close Yet So Far From Paradise". It's not that they weren't all good songs, they were just not good songs for Elvis.

For me, "Harum Scarum" is a prime example of different people having different opinions...I honestly don't think this is THAT bad, really. I'm an Elvis fan so I can be accused of bias, but I didn't think every film Elvis did was top notch. I'm not a western kind of guy so "Flaming Star", "Love Me Tender" and "Charro", but I think "Harum Scarum" is far more enjoyable and attention keeping than "Girls!Girls! Girls!", "The Trouble with Girls", "Tickle Me" and even "Blue Hawaii"...like I say, different people have different tastes. I know Priscilla Presley certainly doesn't like "Harum Scarum" she slates it in her autobiography "Elvis and Me" and even The King's Manager Colonel Tom Parker didn't like this and he was the man responsible for holding Elvis back in Hollywood. Once again, Mary Ann Mobley appears as the leading lady, looking even more beautiful than she did in "Girl Happy", as a king's daughter, while another beauty - actress and nude model Fran Jefferies also has a starring role as one of the villains. The director was the dancer and musical director Gene Nelson, and the set was used in a Laurence of Arabia type movie earlier. In "Harum Scarum", Elvis plays actor, singer and martial arts Hollywood star Johnny Tyrone, who is kidnapped by naive sheik's who believe Tyrone's movie skills where he can kill a tiger with his bare hands are real, and they want him to kill a king so they can take over control. Once held captive, Tyrone attempts to escape and return to America. En route, he meets and is smitten by Mary Ann Mobley and his escape plan soon makes way for plan B as he plots to save the King from the evil assassins and win the heart of his daughter. The soundtrack is not bad. They only song I'm not fond on is "Shake That Tambourine". "Kismet" and "Golden Coins" are fine songs, but all are nowhere near the sublime "So Close, Yet So Far (from Paradise)". A real hidden Gem from Elvis' movie soundtracks and one of my top 10 Elvis songs he ever recorded, it's a shame it had to appear in one of his most critically panned movies thus gets so criminally overlooked.