In the early 20th century, heroic Leslie Gallant and his despicable rival Professor Fate engage in an epic automobile race from New York to Paris while enthusiastic suffragette Maggie Dubois... Read allIn the early 20th century, heroic Leslie Gallant and his despicable rival Professor Fate engage in an epic automobile race from New York to Paris while enthusiastic suffragette Maggie Dubois enters the race to report on every step of it.In the early 20th century, heroic Leslie Gallant and his despicable rival Professor Fate engage in an epic automobile race from New York to Paris while enthusiastic suffragette Maggie Dubois enters the race to report on every step of it.
- Won 1 Oscar
- 3 wins & 14 nominations total
- Barfly
- (uncredited)
- Barfly
- (uncredited)
Featured reviews
Jack Lemmon steals the show as the deliciously despicable Professor Fate. Lemmon brings melodramtic greatness to what would normally be the Terry Thomas role (and I love Terry Thomas). His partner in crime is Peter Falk, as the harried, but loyal Max. Together, they make this film great.
Tony Curtis is the perfect true-blue hero, even if that becomes a bit obnoxious. He's so great that you just can't wait for Prof. Fate to get one up on him.
Natalie Wood gets a bit annoying, too, as Maggie Dubois. Her strident proclamations about equality start to get on your nerves fairly rapidly. She's not quite intrepid enough for Nellie Bly, and not quite smart enough for Gloria Steinum. She has some good comedic moments, though.
The film is episodic in nature and a bit uneven, but there a great moments throughout. Scenes to look for: The early daredevil rivalry between the Great Leslie and Prof. Fate, the saloon brawl in Borracho, the Prisoner of Zenda send-up, and the pie fight.
Hollywood doesn't make great slapstick farces like this anymore. Humor now revolves around groin injuries and stupid one-liners and catch phrases. We don't see great character pieces anymore. It's a shame as these kinds of movies hold up well; especially as family fare.
The DVD is pretty bare-bones. It would have been nice to have some commentary from Blake Edwards and Tony Curtis. Warner Brothers has but out some pretty substandard DVD packages, this one included. Still, it's worth the price just to watch the movie.
They don't make this kind of simple comedy devoid of crudity any longer. That's what makes a film like "The Great Race" something to keep coming back to and enjoying again and again.
The Great Leslie (Tony Curtis) and Professor Fate (Jack Lemmon) are competing daredevils at the turn of the 20th century. Leslie is the classic hero, Fate the classic villain. Leslie proposes an around the world automobile race and Fate sees this as a chance to - finally - best Leslie by fair means or foul. Complicating matters is a suffragette (Natalie Wood) who insists on entering the race so she can report on it. Arthur O'Connell plays the newspaper editor whom she comically browbeats - and shocks - into employing her.
The most impressive aspect of The Great Race is the lively performance by Jack Lemmon who dominates the film in every frame in which he resides. Lemmon had done comedy and drama up to this point, but it was a departure for him to do farce and do it as the villain, although there are plenty of spots where he is humanized to the point that you don't really think of him as such. He also had tremendous support from the sidekick role of Max as played by Peter Falk. While Tony Curtis and Natalie Wood may have been considered the leads of the film, in the end it was Jack who stole the whole show.
It is simply one of the funniest movies I have ever seen! The whole cast shines (especially Lemmon, who should have won an Oscar for Best Scene Stealer). Besides the great slapstick, there are a million subtle details that you don't notice unless you are really paying attention. This is why the movie is still great after several viewings: each time you watch it, you are bound to catch some little joke you didn't see before.
Everything about this movie cracks me up. The contrast in character between Tony Curtis and Jack Lemmon is just great, the chemistry between the different characters is great, the movie parodies are great, the sets are great, the slapstick is great, and the dialogue is great. Even the MUSIC is funny... every time that goofy theme music for Professor Fate starts playing, I start laughing.
If you haven't seen this, I highly suggest you rent it. Yes, it is long, but it is one of the few comedies I have seen that keeps up the laughs consistently... it never sags or has dull moments. It is downright hilarious from start to finish.
And to top it all off, it has some very cool cars.
Did you know
- TriviaThe pie fight scene lasts only four minutes but took five days to shoot and is the longest pie fight sequence in movie history. At first, the cast had fun filming the pie fight scene, but eventually the process grew tiresome and dangerous. Natalie Wood choked briefly on a pie which hit her open mouth. Jack Lemmon got knocked out a few times: "A pie hitting you in the face feels like a ton of cement." At the end of shooting the sequence, when Blake Edwards called "Cut!" he was barraged with several hundred pies that members of the cast had hidden, waiting for that moment.
- GoofsIn the final sprint to Paris, Maggie's costume changes. Since her costume changes at a regular rate throughout the film, this was probably intentional.
- Quotes
[On a melting iceberg]
Leslie: [measures the base] 37 inches to go.
Fate: Oh, 37 inches to go. Huzzah! At the rate we've been melting, that's good for about one more week!
Leslie: You'd better keep it to yourself.
Fate: Oh, of course I'll keep it to myself.
[Leslie walks away]
Fate: [muttering] Until the water reaches my lower lip, and then I'm gonna mention it to SOMEBODY!
- Crazy creditsJack Lemmon is only credited as Professor Fate and not for his second role as Crown Prince Hapnik.
- Alternate versionsThe Great Race has been re-released in France in 1996. However, after the race starts, all scenes involving people from the newspaper in New York have been cut. The French authorities or distributors took them as a mockery of the French suffragette's, feminist's and women's lib movements.
- ConnectionsEdited into Lo schermo a tre punte (1995)
- SoundtracksThe Sweetheart Tree
Words by Johnny Mercer
Music by Henry Mancini
Performed by Natalie Wood (dubbed by Jackie Ward) (uncredited)
Robert Bain guitar accompanist (uncredited)
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- What happened to the cars driven by The Great Leslie and Professor Fate? Were they real cars? Are they still around?
Details
- Release date
- Country of origin
- Languages
- Also known as
- La carrera del siglo
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $12,000,000 (estimated)
- Runtime2 hours 40 minutes
- Aspect ratio
- 2.35 : 1