The Fat Spy

I am watching it as write and am amazed at how they actually got people to perform for this. I really don't think it is as bad as some of the other viewers have commented. True enough that it is basically a rip-off but if you paid under 10$ for this movie like I did then you should think of it as a bargain. kept waiting to see if Phyllis Diller was gonna do anything exciting with her riding crop. I have seen all of the Beach Blanket movies and find that this is actually a good comparison. Makes Frankie and Annette look really good. I will have to watch it again to see if I have missed anything. Sure I will find something interesting the next viewing. Take care and have fun watching.....

Really one of the worst movies I've ever seen. But funny in the same way "Plan 9 from Outer Space" is. The "musical" scenes are stunningly bad and the songs themselves are worse still. The acting is consistently horrific throughout. The plot and storyline impossible to fathom let alone follow. The 'actors' themselves seem to have no idea what the plot is. High point would be the 'musical' number near the end with Phyllis Diller and Jack E Leonard dancing around in some garden. But even though it's terrible from start to finish, it's watchable on some strange campy level. It's just so incredibly bad ... I kept wondering if it might eventually make some sort of sense before it was all over. But it didn't.

It would be impossible to write a spoiler of 'The Fat Spy' because even after watching it twice, I have no idea what it was about.

I found this on DVD at Wal-Mart for $2.00 CDN.

What was everyone thinking when they signed on for this one?

The Fat Spy has just about everything wrong with it, actors not motivated to act, jokes that just fall flat, a plot that makes no sense, and Jack E. Leonard.

I remember Jack E. Leonard from many viewings of the Ed Sullivan show in the Fifties and Sixties. He was the Don Rickles of his day. A roly-poly comedian who made his bones in burlesque, Leonard specialized in insult comedy.

For some reason someone thought he'd be good to star in a feature film. So The Fat Spy was created and we got two Jack E. Leonards. They're playing brothers, one of whom is involved with Jayne Mansfield and the other with Phyllis Diller. Talk about differing tastes, that is the funniest thing about The Fat Spy.

No one ever asked Leonard to star in another film. Jayne Mansfield would make two more and then be tragically taken from us. Phyllis Diller was better served by her appearances with Bob Hope. Brian Donlevy is Jayne's father in this film and he calls her Junior. Donlevy has a look of pain throughout the film, wondering if his paycheck was going to clear the bank.

Anyway a group of treasure hunting teenagers on Brian Donlevy's private island look like they might discover the fabled Fountain of Youth rumored to be there. As Shaw says, "youth is wasted on the young" so the older generation wants to chase the kids off and get the secret of eternal youth for themselves.

Johnny Tillotson who is a fine singer and songwriter made his one and only appearance in film as a character. Acting was not among his talents, but he got to run off with a mermaid.

Pass this one by unless you want to hear Johnny Tillotson sing.

"Off the Florida coast, teenagers (sic) come to a nearly deserted island, rumored to have 'The Fountain of Youth.' This island's owner is none too happy about that, and dispatches his daughter, Junior, to get rid of them. The island's only resident, Irving (Jack E. Leonard), is Junior's sweetie. He is sent to spy on the kids to find out what they know. Irving's twin brother and his girlfriend Camille (Phyllis Diller), are also headed for the island, with their own nefarious plans," according to the DVD sleeve description.

Baby-fattened Jayne Mansfield (as Junior) is introduced hiding her belly behind a bust of George Washington. But, the titular "Fat Spy" refers to "Bronx High School of Science" and "Fink University" stand-up comic Jack E. Leonard (as twins Irving and Herman). With a bald head, Mr. Leonard smooches Ms. Diller, while a toupee allows gets him some necking time with Ms. Mansfield. Her father is rotund Brian Donlevy (as George Wellington), who mutters something about "LSD 26"and speaks on a phallic telephone.

Hopefully, Mr. Donlevy had more blackouts than flashbacks regarding this appearance. Leonard and Diller were likely able to laugh it off. Also appearing, in a candy-striped swimsuit, pop star Johnny Tillotson (as Dodo Bronk) re-plays the "Mermaid" subplot from "Beach Blanket Bingo" (1965). None of the aforementioned cast members are seen at their best, but four stars must be awarded Jordan Christopher and the Wild Ones (Chuck Alden, Tom Trick, Ed Wright and Tom Graves) for the bathing suits and tight tunes.

"People Sure Act Funny" (an apt opener), "Nanette" and "Wild Way of Living" (the version nearer the end of the film) are highlights.

**** The Fat Spy (5/11/66) Joseph Cates ~ Jack E. Leonard, Phyllis Diller, Jordan Christopher, Jayne Mansfield

Let's not beat around the bush. This movie is terrible. Jack E. Leonard is just not funny. He's fat in a rather unpleasant-looking way, he tries too hard, and he's given nothing funny to do in playing TWO PARTS.

HOWEVER, for fans of the genuinely wrong-headed and insane, this movie has some appealing facets. The music is pretty doggone cool. The film begins very suddenly with two guys singing an acoustic rock number on a dock. Recorded live, they're just singing "People Sure Act Funny When They Get A Little Money", and it goes on for about 5 minutes and you don't know if it is part of the movie or what. It suddenly ends and shifts to a cool, cartoon mid-60s style of credits with a bouncy title tune.

Later the band, The Wild Ones, treat us to their song "The Turtle". It's the "slowest dance you'll ever do," replete with leering camera shots of the chicks in their skimpy suits writhing along. The song really rocks in an intense way. The lead girl character gets a song of her own, which would serve as a brilliant parody of Lesley Gore, if the filmmakers were smart enough. It is unbelievably catchy, but the basic theme is "I'm so glad I never get my way and you are a man, because you put me down the nicest way you can." On second thought, that's the actual chorus!

So these and a few other musical moments bring the movie to a level of disbelieving watchability. Fast forward through all the "comedy".