User reviews

It's 1890 San Francisco and a killer is on the loose. Brett Kingsford (Leslie Nielsen) is a rich Sherlock-like sleuth and an expert in the supernatural. Nikola is his diminutive man-servant and Evelyn Lang is his fiancée. Brett follows the tiny figurines found at the murder sites to an oriental demon. His friend Robert Vandenburg (Mark Richman) is disturbed with surprising connections to the murders.

This theatrical movie is only an hour long. It does feel shortened as a full length movie. It's too bad because I was going along on the ride. It turns out that it may have been a pilot for a never-developed show. I can absolutely see it as a modern supernatural mystery series. Nielsen is great as a Sherlock Holmes like character. It's set up for an intriguing early supernatural TV show and a missed opportunity.

This title is now available via Sinister Cinema. The print is in great shape with just a few frame jumps scattered throughout the film. This pilot plays out like you would expect it to. The script is tight to keep the film to @60 minutes. It does have the feel and pacing of a television episode but is done well. The acting is good and the film is very atmospheric. I was surprised to see Leslie Nielson in the lead role. He has a rather evil looking dwarf for a manservant. I kept looking for Werner Klemperer as I noticed his name in the opening credits but must admit he got by me. I only found him by checking the acting/character names at the end of the film. He is in heavy makeup while on screen and even his voice is not recognizable. One negative note is the soundtrack composed by Lalo Shifrin. It contains some mighty cheesy organ playing and detached female vocalizing not unlike the original Star Trek theme! Catch this if you can. It's a neat little thriller and you could do a lot worse.

Atmospheric TV movie about a Sherlock Holmes type (Leslie Nielson) who occasionally assists the San Francisco police with serious crimes. Set in 1890, the whole thing feels very Jack the Ripper-ish, and there is a Mr. Hyde styled monster running loose in town seemingly killing people at random. Nielson's breezy private detective eventually puts two and two together, and realizes the creature has something very specific in mind with each murder. Mark Richman plays a troubled acquaintance who may hold the key to the mystery, and Werner Klemperer of all people plays the Mr. Hyde-ish killer. Tame by today's standards, this low-budget but fanciful tale still packs a punch. Later released theatrically. Too bad it wasn't shot in color. Nielson, whose hair was still dark in those days, is an absolute hoot.

Leslie Nielsen is energetic, to say the least, as Bret Kingsford, ostensibly a playboy to everyone he knows in late 19th century San Francisco. But there is more to him than meets the eye. He is an expert on the occult, and secretly helps the local police force when a horrible string of murders are committed. Somehow his soon-to-be-married friend is involved, and Bret suspects someone or something not quite human is at the bottom of it. Leslie dons disguises to meet with the police chief to protect his social status, his victorian mansion has secret doors and passageways, and he plays at being uninterested while mentally taking notes and then disappears, leaving his guest staring at an empty chair. He's somewhat miscast in this film as a playboy, but when he throws off that persona he's fantastic. The foggy atmosphere of San Francisco is used to great effect to enhance the supernatural aura of the film.

This was a failed pilot produced by Jack Laird, who went on to produce "Night Gallery" a few years later, and was released theatrically at a few theaters. It's impossible to find, but deserves to be seen as the unique production it is. In some ways it is a clear precursor to "Kolchak, the Nightstalker", and also to the wonderful demon-themed TV movie "Spectre".

Dark Intruder is directed by Harvey Hart and written by Barre Lyndon. It stars Leslie Nielsen, Gilbert Green, Charles Bolender, Mark Richman, Judith Meredith and Werner Klemperer. Music is by Lalo Schifrin and cinematography by John F. Warren.

A murderous fiend is terrorising San Francisco 1890, so supernatural expert Brett Kingsford (Nielsen) takes special interest in the crimes.

A pilot for a TV show that wasn't picked up, Dark Intruder is a whole bunch of spooky fun. Clocking in at just under an hour in length, the pic makes up for what it lacks in mystery inventiveness, with sheer schlocky shenanigans. Moody courtesy of the period setting, complete with lots of fog, shadows and gaslights, the narrative indulges us in gods, oriental mysticism and Sumerian demons, whilst a dwarf, a sinister fortune teller and a mandrake plant all add quirky qualities to the play. There's even a kicker at the finale, so as to not rest on its laurels.

Recommended for sure. 6.5/10

"Dark Intruder" stars the incomparable Leslie Nielsen as Brett Kingsford, an occult expert who is brought in to help the police investigate a series of ritualistic slayings. In each case, an ivory carving of a gargoyle is left at the scene. Brett has a friend, an importer named Robert Vandenburg (Peter Mark Richman), who is deathly afraid that he might be responsible, given that he is prone to blackouts.

Set in San Francisco in 1890, this decent spook show was a busted pilot for a proposed TV series, which then ended up playing in a number of theatres. Therefore, it's not exactly highly cinematic, but it's certainly a respectable effort, just the same. It makes one think that any series that might have resulted would at least be fairly entertaining. Director Harvey Hart ("The Pyx") gives it superb atmosphere and suspense, and the period recreation is reasonably impressive. Granted, the story (credited to Barre Lyndon) falls short in terms of the mystery quotient, but overall this is fun and a painless way to kill just under an hour.

Nielsen is fun, as usual, playing an unflappable hero with a sense of humour. Richman delivers the standout performance as the story's ultimately tragic character. There's a show stopping role for Werner Klemperer as the mysterious Professor Malaki, an energetic portrayal by Judi Meredith as Roberts' fiancée Evelyn, solid work by Gilbert Green as the police inspector, and an appealing performance by Charles Bolender as Bretts' diminutive butler Nikola. Character actors Vaughn Taylor, Peter Brocco, Bill Quinn, and Richard Venture lend some valuable support.

Punctuated by a shuddery score by Lalo Schifrin, "Dark Intruder" is definitely good of its kind, and worth a look for any fan of genre TV of this period, or Leslie Nielsen completists.

Six out of 10.

This takes place in 1890 San Francisco. A series of vicious murders has been happening with a mystical statue is left next to each of the victims. The police call in Brett Kingsford (Leslie Nielsen) an occult expert to help them. This was originally a pilot for a TV series but no one bought it. So they added some footage to make it a short (59 minutes) but feature length movie and released it theatrically. It LOOKS great--beautiful sets and costumes and plenty of eerie atmosphere. Also Nielsen is great in his role. However the script is heavy-handed and convoluted with some truly questionable plot twists. However it's been praised to the high heavens by many critics. Use your own judgment.

This was another last-minute inclusion in the ongoing Halloween Horror challenge, and one which also proved among the most rewarding viewings so far. I first knew of it from Leonard Maltin's *** capsule review in his esteemed "Film Guide", where the piece's TV origins ("Black Cloak" was actually the working title) and "one-of-a-kind" nature are mentioned. I was surprised to find it a period piece, but the end result still elicits a definite "Twilight Zone" feel – while anticipating, in concept and abrasive hero (ideally cast Leslie Nielsen and, who, incidentally, has a midget for valet/assistant!), the "Kolchak" series from the early 1970s. Despite the obvious low budget at the director's disposal, the film evokes a flawless Gothic atmosphere throughout. The fascinating plot involves a "House Of Wax"-type disfigured 'monster' – given an appropriately creepy make-up and played, of all people, by an unrecognizable Werner Klemperer of "Hogan's Heroes" fame! – causing havoc in fog-bound San Francisco (the attacks are quite vicious for a film of this kind), whose dual identity is gradually disclosed. There is, however, a method to his madness: a calling-card is left at the murder sites in the form of a mystical spoke-wheel; the period between each killing gets proportionally smaller; while the victims are eventually revealed to have been involved in his back-story. The level of suspense (and action) is considerable – especially in view of the film's very brief duration, a mere 59 minutes! – notably Nielsen's own numerous brushes with the monster (including one in which the hero spells out his suspicions to the Police Chief after yet another murder unaware that the villain is still present in the room with them!). The final twist, then, is the icing on the cake – with the tale having already reached a satisfactory conclusion, the script is seen to have one more ace up its sleeve. As can be expected, given the film's rarity, the print utilized could do with a restoration – but, really, this is no more than a minor quibble, when all the various components had come perfectly together to produce a classy (and memorable) show.

I like all of the Leslie Neilson comedies; he is a talented satirist. I believe this must have been one of his last dramatic roles before he realized he would be much more comfortable in comedy than in drama. There is even (spoiler alerts) a line from this film that predicts that event "Can't you be serious for even one minute?" The answer, of course, is no. There are a number of hilarious lines in this film that have more ham and baloney than a large German deli. One of my favorites is one from the police detective who actually says ".... Hmmm. One third of three is one". I swear to God he says this. More spoiler alerts: Neilson is cast as an 1890s sort of Bat Masterson occultist. That is funny in itself. The plot revolves around a Chinese/Indian/Mideast (they left nothing to chance) occultist, who is an evil twin. Now, try not to laugh at that. An Englishman plays an aged Chinese gentleman, which is both hilarious and racist at the same time. The evil twin looks like the Elephant Man on steroids. I can just imagine this film as a midnight special cult film at one of those revival houses in Greenwich Village. People could come dressed up as 1890s men and women, wear claws like the monster, and utter all the inane, silly, and fairly hilarious lines from the film with its pseudo-Taoist-Hindu malarkey. Real Taoist and Hindu philosophy has nothing at all to do with this baloney. So much fun to watch, I am going to see it again.

Strapping bon vivant in gaslight San Francisco (played with self-amused assurance by Leslie Nielsen)--an apparent specialist in demonology--is called upon by the police commissioner to help with a serial killer case making headlines. It seems the cloaked strangler stalking the fog-enshrouded streets leaves behind a gargoyle head with his victims, causing the detective to think demonic possession may be involved. "Dark Intruder" (awful title!) isn't really an occult thriller at all; the explanation of the mystery (delivered in two parts!) is actually more outlandish or absurd than supernatural. Meant as a TV pilot (with a 59-minute running time), the movie is sloppily-directed, over-decorated and features numerous genre clichés (a brazen claw clasping a railing after our hero has walked passed, the shadow of the monster looming over a door, etc.). However, Nielsen is good, the sound effects are creepy, a fight scene at night is well-staged, and there's a decent (if familiar) visual at the end featuring an elaborate make-up effect. Charles Bolender (as Nielsen's impeccably-dressed little person manservant) is a terrific addition, but Judi Meredith's nervous bride-to-be is useless (and she sounds dubbed to boot). Not terrible, but really only for curious thriller-buffs. ** from ****

Long before he became an immortal slapstick icon with his role as Frank Drebin in "The Naked Gun" (and became typecast as such until his death), Leslie Nielsen actually was a pretty versatile actor and appeared in numerous cult movies. He starred in the classic fifties Sci-Fi movie "Forbidden Planet" and in the schlocky seventies eco-horror flick "Day of the Animals", for example. Very few people know, however, that Leslie was also the star of this unsold and meanwhile long forgotten pilot episode of a supernaturally themed period series entitled "The Dark Cloak". The pilot film – with an extremely short running time of barely 59 minutes – takes place in the year 1891 in the moody and fog-enshrouded streets of San Francisco. Nielsen is Brett Kingsford, a rather eccentric private investigator specialized the occult. He has a midget butler named Nikolai and doesn't want the world to know that he collaborates with the police, so he disguises whenever they meet to discuss a case. The city is plagued by a series of violent killings, seemingly committed by a monstrous being. Robert Vandenburg, a personal friend of Kingsford who's about to be married, fears that he commits the murders in a sort of trance, but our paranormal investigator suspects there is another explanation.

The Brett Kingsford character is intelligent and slightly arrogant, like Sherlock Holmes, and Nikolai often acts like a miniature version of Dr. Watson. The monstrous murderer is very much like Mr. Hyde (the malicious other side of Dr. Jekyll), while the timing and decors immediately remind you of numerous movies about the infamous Jack the Ripper stories. Most likely these are all the reasons why the TV-series never came and "Dark Intruder" remained an independently released feature film. It's too reminiscent to a lot of other movie franchises and potential sponsors probably didn't want to get accused of being derivative and/or unoriginal. But it nevertheless remains a damn shame that "Dark Intruder" became so obscure, as it's a splendid mystery/thriller with a compelling and convoluted plot, witty and creative comical elements and great performances. The murders as well as various other sequences are tense and hugely atmospheric. The script contains some delightful dialogs, like: "I sense strong psychic indications in this room. Yeah, try using that in court!" and the climax has a nice unexpected twist in store.

As a second feature in 1965, this arrived with little fanfare and was probably dismissed by most viewers. Since it was a discarded pilot for a series called " The Black Cloak'' that was never picked up, the studio probably figured they could a make a buck or two on it. But then when people saw it they realized that like the 1966 Chamber of Horrors ( which had some similar plot elements) , this was a little masterpiece of moody economical horror. Mark Richmond and Leslie Nielsen are terrific as the villain and hero. The creepy black and white photography is atmospheric and the tone is one of dread and impending doom. I saw this once in the theater 41 years ago and I would love to see it again. Why not release this on DVD ?

Reading through the viewer reviews, I was surprised to see that no one picked on the obvious Lovecraft references. So many movies that vaguely touch on his themes are described as "Lovecraftian" but apparently not this one. Besides the obvious - references to Azathoth and Dagon - this is a loose adaptation of H. P.'s "The Thing on the Doorstep." Also, unlike those other movies, this one captures the essence of Lovecraft, the only difference being that the protagonist (Nielsen) is light hearted and chipper unlike Lovecraft's usually gloomy narrators. This how you do it, folks. If you are a fan of the master or not, this is a heck of s good movie.

Dark intruder was supposed to be a pilot of an upcoming TV series produced by Alfred Hitchcock's studio which never materialized and I'm hugely disappointed it didn't because I sure liked this little 58 minute movie and I'd love to see more of such an unusual character as Brett Kingsford.

Leslie Nielsen plays Brett in a manner both diverse and everyday but keeps it cool also. He is kind of a private investigator and an occult expert who gets himself into a serial killer's case and helps the commissioner dig down to the truth who's behind the murders and uncovers some pretty horrific things for 1960s cinema.

The movie itself, although billed as horror, mixes many other genres in it: a little bit of psychological thriller, a whole lot of mystery, some eclectics, some romance and a couple of ounces of comedy - brought solely by Nielsen himself. His Brett is a charismatic protagonist, a little arrogant but self-aware and confident, he knows exactly what he wants and how to get it and it's a joy to follow his character around this hour.

Spooky, darkened cinematography and menacing music score by Lalo Schifrin sets you perfectly for a ride you will not forget. The movie's only flaw is that the narrative is too rushed and incomplete and it feels exactly like a TV pilot but not a full-fledged motion picture; had it been made with additional 20-30 minutes of runtime where the viewers get to really know who Brett Kingsford is and where he comes from plus additional scenes setting up secondary characters, it would have been one of the best horror movies ever but we have what we have.

This movie has haunted me for most of my life. I saw it when I was a teenager. I am now 69. I haven't seen it since it was released in 1965. I would like to see it again. I've searched for it. It's not anywhere. There are so many 1950 style B movies that are available. Dark Intruder is so much better than the material being offered on channels like Crackle. If someone had the power, please make this movie digitally available.