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5.1/10
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A crackpot artist kills various people to use their blood as his new crimson red color for his paintings.A crackpot artist kills various people to use their blood as his new crimson red color for his paintings.A crackpot artist kills various people to use their blood as his new crimson red color for his paintings.
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This is the final film in the infamous Blood Trilogy from director Herschell Gordon Lewis and producer David Friedman. The trilogy also includes superior films "Blood Feast" and "Two Thousand Maniacs". While "Color Me Blood Red" is the most inferior film in the trilogy, it is still worth at least a one time viewing. The film does lack one thing that the other 2 films in the trilogy have and that is an original score. Both of the previous entries include a soundtrack that was scored by Lewis himself but for some odd reason he decided to use "canned" music for this one. The gore effects are also inferior to the other 2 entries...there aren't as many but one effect in particular is especially grotesque (this would be the scene where a woman is shown strung from the ceiling with her intestines dangling out and the villain squeezes the blood out of them in order to finish his painting). All in all this is one of the least entertaining of Lewis' gore films but is definitely worth a peek.
And the Bronze medal goes to... Color Me Blood Red, the third goriest, third most entertaining, and, the third installment of the legendary, Blood Trilogy. Sure, it wasn't as groundbreaking or gory as Blood Feast, or as flat-out entertaining as Two Thousand Maniacs, plus, the presence of a Thomas Wood and/or a Connie Mason might have helped a little, but I still consider the unwanted step-sibling of the Blood Trilogy to be a bit underrated. Color Me Blood Red has pleasant Sarasota beach locations, and not to mention, Adam Sorg is a lot more convincing as a killer than Fuad Ramses, or any single one of the 2000 Maniacs. just A hell of an actor, although, that's not what we're after. Color Me Blood Red also stars several attractive women, some of which not nearly as young as the roles suggests, this film just didn't seem to try all that hard to entertain us, not quite as ambitious as the first two. The so-called humor would seemingly fit more in something from a decade earlier, if ever. F stands for Farnsworth wasn't any funnier the second time Sorg said it, and Holy Banana's just doesn't express the horror and confusion one would feel after finding a girls leg. I suspect this movie inspired the Florida Bore of Scream Baby Scream, that sure doesn't make me feel any better about it. All sarcasm aside, Color me Blood Red is the final entry in , the legendary Herschell Gordon Lewis's Blood Trilogy, so, naturally, it's worth a look, and I'll probably give it a higher score than it deserves. As good as Color Me Blood Red could have been, it does fall short in certain areas as there are absolutely no likable characters, unlike in 2000 Maniacs, where everyone was likable. Also, as half-assed as everything is, you'd think they' would have doubled up on the gore so at least it could be known as the goriest one of them all, they just didn't seem to put their hearts into this one. Color Me Blood Red is not the best Florida Gore has to offer, but certainly not the worst, although, I can't really think of one Florida Gore Film from the 60's that was worse. Hopefully, this one will never be known as "the original" Color Me Blood Red, but we all know it's inevitable. On one last positive note, Color Me Blood Red has tolerable acting (like it matters), as well as a decent, little score, as well as, a modest amount of gore, but mostly, innocent, teenage hi jinx, or at least something similar. Not terrible, but not too terribly interesting. Recommended to anyone who digs Lewis, but something like Moonshine Mountain, or The Wizard Of Gore would be recommended a whole lot more. 5/10
Herschell Gordon Lewis and producer David F. Friedman ditched softcorn porn in the early 60's to create a series of gory horror films designed specifically to cater to the increasing demands of the Southern drive-in movie market. The first three of their horror ventures, BLOOD FEAST (1963), 2000 MANIACS (1964) and this feature from 1965 made up what was later to be called their "Blood Trilogy." COLOR ME BLOOD RED is easily the least shocking, least entertaining and least memorable of the bunch, but it does have it's moments...
Adam Sorg (Don Joseph) is a Florida based struggling artist living in a beach house who has not yet been able to break through on the snobbish local art scene. That is, until he stabs his bickering girlfriend and discovers that all his paintings needed were a touch of red...blood red. His new morbid creations suddenly become the craze on the art scene, so he must kill more people for more blood to make more paintings.
Lewis must have really liked "aquacycles," some incredibly slow-moving bikes with floating tires, cause he puts these hilariously dated things in every possible scene. Adam and his girlfriend take a ride on them before he kills her, then a young couple steals them ("Oh, come on! He won't notice!"), prompting Sorg to impale the guy, then kidnap the girl, tie her up in his house, cut open her stomach and squeeze blood out of her guts directly onto a palette!
This film (briefly known as MODEL KILLER) is now noteworthy mainly as a vintage curio, complete with primitive gore FX, dated fashions faux pas and colorful lines of dialogue like "Come out to the patio, daddy-o!"
All in all, a decent watch.
Adam Sorg (Don Joseph) is a Florida based struggling artist living in a beach house who has not yet been able to break through on the snobbish local art scene. That is, until he stabs his bickering girlfriend and discovers that all his paintings needed were a touch of red...blood red. His new morbid creations suddenly become the craze on the art scene, so he must kill more people for more blood to make more paintings.
Lewis must have really liked "aquacycles," some incredibly slow-moving bikes with floating tires, cause he puts these hilariously dated things in every possible scene. Adam and his girlfriend take a ride on them before he kills her, then a young couple steals them ("Oh, come on! He won't notice!"), prompting Sorg to impale the guy, then kidnap the girl, tie her up in his house, cut open her stomach and squeeze blood out of her guts directly onto a palette!
This film (briefly known as MODEL KILLER) is now noteworthy mainly as a vintage curio, complete with primitive gore FX, dated fashions faux pas and colorful lines of dialogue like "Come out to the patio, daddy-o!"
All in all, a decent watch.
Just what does a teenage boy bursting with testosterone say, while with his bikini-clad girl, they discover a dead girl in the sand? "Wholly Bananas ! It's a girl's leg!" of course. That is just one example of the laughable dialogue contained in this thoroughly un-artistic look at a painter who uses blood to create his art. He starts by using his own, then moves to girl models for their hemoglobin, corpuscles, and plasma for his creative inspiration. Color Me Blood Red is the third film contained in what is typically known as the Blood trilogy directed by that world renowned director of gore...Herschell Gordon Lewis. Yep this film has all the Lewis trademarks. Poor direction...it has it! Cheap sets too! And that acting only Lewis seems to inspire...so bad it is funny. Many of the performers in here are so awful that one wonders how they were ever chosen, although the lead, Gordon Oas-Heim(Don Joseph) as Adam Sorg shows signs of mediocrity at times. For a Lewis film, Color Me Blood Red is a fun picture. It has some good honest to Gosh belly laughs(99% unintentional), and a story not too unlike Roger Corman's A Bucket of Blood. And the lead actress...Candi Conder does more than AMPLE justice to a very nice swimsuit! I had fun watching it...never took any of it serious and, for a Lewis picture, it has minimal gore(only four deaths). It gives new meaning to the phrase that life is a canvas!
Color Me Blood Red (1965)
** 1/2 (out of 4)
The third film in director Herschell Gordon Lewis' "blood trilogy," this one here centers on a crazed painter (Goron Oas-Heim) who finally reaches his breakthrough when he realizes that human blood is the perfect red for his paintings. This here is pretty much a re-working of the Roger Corman classic A BUCKET OF BLOOD with the biggest difference being that this here is in bright color, which perfectly shows off the various bloody scenes. Look, if you're wanting some sort of masterpiece or brilliant filmmaking then this here certainly isn't going to be for you. With that said, film history has all sorts of items that remain important and there's no doubt that Lewis' blood trilogy is one such thing. The movie contains some awful acting, a silly script, lame dialogue and there are countless other things that you could pick on but in the end the picture is at least fun. While I'm sure all the shots of blood were shocking back in 1965, when viewed today they're more campy fun than anything else. The movie managers to move at a very good pace, which is certainly important as there's nothing worse than one of these films that just drag along. Another important thing is that the lead actor at least keeps you entertained in everything. Yes, the performance isn't great or even good. It's over-the-top and rather campy but this here is actually very entertaining. The supporting players don't come off as well but I'm sure director Lewis wasn't too worried about performances. As for the red stuff, it's cleverly done and especially the "big" sequence early on when a woman is tied up and the painter has to use one of her organs to fill up his paint cup. COLOR ME BLOOD RED doesn't come close to the same level as BLOOD FEAST or TWO THOUSAND MANIACS but it's still a nice entry in the series.
** 1/2 (out of 4)
The third film in director Herschell Gordon Lewis' "blood trilogy," this one here centers on a crazed painter (Goron Oas-Heim) who finally reaches his breakthrough when he realizes that human blood is the perfect red for his paintings. This here is pretty much a re-working of the Roger Corman classic A BUCKET OF BLOOD with the biggest difference being that this here is in bright color, which perfectly shows off the various bloody scenes. Look, if you're wanting some sort of masterpiece or brilliant filmmaking then this here certainly isn't going to be for you. With that said, film history has all sorts of items that remain important and there's no doubt that Lewis' blood trilogy is one such thing. The movie contains some awful acting, a silly script, lame dialogue and there are countless other things that you could pick on but in the end the picture is at least fun. While I'm sure all the shots of blood were shocking back in 1965, when viewed today they're more campy fun than anything else. The movie managers to move at a very good pace, which is certainly important as there's nothing worse than one of these films that just drag along. Another important thing is that the lead actor at least keeps you entertained in everything. Yes, the performance isn't great or even good. It's over-the-top and rather campy but this here is actually very entertaining. The supporting players don't come off as well but I'm sure director Lewis wasn't too worried about performances. As for the red stuff, it's cleverly done and especially the "big" sequence early on when a woman is tied up and the painter has to use one of her organs to fill up his paint cup. COLOR ME BLOOD RED doesn't come close to the same level as BLOOD FEAST or TWO THOUSAND MANIACS but it's still a nice entry in the series.
Did you know
- TriviaDirector Herschell Gordon Lewis cited Roger Corman's Un baquet de sang (1959) as the main inspiration for Color Me Blood Red.
- GoofsAfter blood leaves the body and dries, it turns brown in color. Therefore the amazing red in the paintings would have in reality been brown.
- ConnectionsFeatured in Terror Tape (1985)
- How long is Color Me Blood Red?Powered by Alexa
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- $50,000 (estimated)
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