La bataille de la Villa Fiorita

While this should have been a rousing success given the stars (Richard Todd none other in a support role) it is lamed by a hopeless script in which a selfish woman (O'Hara) runs off to have an affair pursued by her pretty awful kids. The lover has a daughter (Hussey) who for some reason joins in the plot to separate the lovers and falls in love with the boy. The whole thing is unpleasant and it is difficult to know who is worse, the kids or the adults, so when Hussey gets a (well deserved) spanking from her father you just want to boot his backside to wake him up to his own responsibilities. All together a complete waste of time.

Watching The Battle Of The Villa Fiorita I was struck at how similar this was to another Maureen O'Hara film, The Parent Trap. This is a great example of how one can take the same plot situation and treat it either comically or quite seriously. In this case the comic treatment was far better.

Maureen O'Hara is a 40 something wife and mother who experiences a mid life crisis. While part of a welcoming committee for concert pianist Rossano Brazzi the two of them begin an affair that breaks up Maureen's home and hearth, the one she shares with husband Richard Todd and children Martin Stephens and Elizabeth Dear.

Todd's not happy, but willing to let things go. But the kids are determined one way or another that the Brazzi/O'Hara marriage will never take place. Curiously enough when they hitchhike to Italy they find a willing ally in Olivia Hussey who is Brazzi's daughter. Brazzi is a widower, still Hussey wants no one taking her mother's place.

The kids use all kinds of wiles and strategies to break their parents up. Nothing with any parent trap like cuteness, this film never would have been done for Disney. It ends with an uncertain future for all concerned.

If there's a message here it misses the mark considerably. If you think you'll be seeing Maureen O'Hara after reading the description in another Parent Trap than The Battle Of The Villa Fiorita will disappoint you greatly. It doesn't quite cut it as drama either.

Delmer Daves created some of the great lush romantic dramas of my youth such as A Summer Place, Parrish and Rome Adventure all starring Troy Donahue, and then also at WB directed Spencer's Mountain starring Henry Fonda and Maureen O Hara. Daves then cast the beautiful Maureen in this film shot in Italy. In her book 'Tis Herself Ms. O Hara said she was simply aghast when seeing the rushes she noted that her face was shot with shadows. At first I did not believe a major star would be photographed against her wishes and that the veteran renowned cinematographer Oswald Morris held a grudge against the lovely star because of a football bet! Whether this is true or not, the fact is that La O Hara one of the cinema's great beauties has some scenes that back up her complaint.

I thought the film was fine and the casting of Ms. O Hara with Rosonna Brazzi who was in Daves' Rome Adventure as well- also very fine. The location shot were gorgeous.

I liked the movie mainly for the picturesque views of the lake,( Lake Como?) the surrounding area, and scenes of the villa itself. So much of the architectural style is remincient of the paintings done by Maxfield Parrish in the early part of the 20th century. You sort of have to look around the actors in the various scenes to get glimpses of ornate retaining walls, stairs and elaborate ballusters around and into the lake. There is an elegance about marble (or granite, or just old concrete?) stairs going down into the water. And old world gardens full of flowers. Itn reminds me of the book "Italian Villas and their Gardens" by Edith Wharton, 1907, Which was illustrated by Parrish. And yes, the children in the movie steal the show; All three have a much stronger determination to achieve their goals than do any of the adults. It's a good story line , dated for the sixties. And is'nt this Olivia Hussey's first feature film?

Maureen O'Hara has a perfect husband (Richard Todd) and two lovely children, a boy and a girl, in a splendid estate outside London, when she falls in love with an Italian (Rossano Brazzi) and decides to leave her family with him. He brings her to his fabulous estate by the Lago di Garda in Italy (with Gabriele d'Annunzio's working place in sight), where they lead a luxurious life in splendour, until we learn that he also has a child, a daughter (Olivia Hussey in her first part), whom he brings to the villa, shortly after Maureen O'Hara's two children have come there on their own, on a special mission to fetch her back to their father in England, entirely on their own initiative - we never learn that Richard Todd was ever informed about it. Now, what is wrong in all this? That's what the battle of the Villa Fiorita is about, the children fighting hard to separate their parents from their lovers, and they will go to any length. This provides the drama of the film, which actually reaches rather critical heights. Rossano Brazzi, this great invincible lover and he-man, has to finally admit, that the children (especially Maureen's very determined daughter) won the moment they showed up at his house. The film is beautifully made, with gorgeous music all the way by Mischa Spoliansky (Rossano plays a successful composer and pianist, and it's Spoliansky's music he is playing,) with splendid colours and cinematography, but the interesting part is the acting of the children. They take charge of the film and their parents and lead them right, in spite of their almost equally determined resistance. It's a great film and story for child psychology, and as all true and good parents know, children always know better.