La Bataille des Ardennes

VIEWED ON REGION 1 DVD FROM WARNER BROTHERS

This big, bloated epic re-creation of the battle which turned the tide of World War II manages to be on the most historically inaccurate and over-blown adventure pieces ever produced. It's also one of the most entertaining war movies to grace the big screen. The combination of heroics and history shouldn't work as well as it does.

Writers John Melson, Philip Yordan and Milton Sperling remain faithful to the broad outlines of the real battle, and then fill their story with several important fictional characters, and director Ken Annakin uses a combination of Hollywood heroics and historical accuracy to deliver an entertaining tale. The film relies solely on the excellently-shot action sequences and superb acting by the leads to hold it together.

Veteran director Ken Annakin knows how to make this film work. In the lead, Henry Fonda ("Midway") seems to be having plenty of fun as Colonel Kiley. He gets to argue with people, shoot at Germans, fly in a plane, and even help fend off a Panzer attack – not bad for a civilian-turned-soldier, eh? On the flip-side, Robert Shaw ("Force 10 from Navarone") is fantastic as the fanatical Colonel Hessler, a devoted Panzer officer who will stop at nothing to accomplish his mission. Hessler brings new meaning the Hollywood-Nazi-type: he's brutal, nasty and dedicated despite the fact that he knows Germany cannot win the war.

The supporting cast is filled with the familiar faces of Charles Bronson, Ty Hardin, James MacArthur and Telly Savalas – but the real star is Hans Christian Blech ("The Longest Day"). As Conrad, the war-weary, aging German Corporal, it's his best work in a war film. Conrad wants to go home and is devoted to Hessler, until he realizes that his commander's dedication sits precariously on the edge of madness. His facial expressions – bug-eyed outbursts, sad frowns, frightened glances at strafing airplanes – have never been more convincing.

This epic was shot for the big screen using Cinerama, and the only way to appreciate the action sequences is to see this movie in widescreen. Pan-and-scan prints cut it down from a 2.7:1 ratio to 1.33:1 - that's losing more than half of the image! It was shot on the vast plains of Spain, and although it looks nothing like the brutal winter in the Ardennes forest, this scenery makes from some very impressive landscapes for which to shoot colossal battle scenes. Annakin shows tanks facing off with each other on the plains and in the snow-encrusted woods and shows hand-to-hand fighting in the streets of a French city. These scenes are set to an excellent, rousing Ben Frankel score, which only adds to the excitement. There are hundreds of extras running about, as well as several dozen loud, clanking tanks. Annakin often places his camera on the front end of a tank, train or moving car to give the viewer a "you-are-there" perspective, a technique which is ruined with the pan-and-scan process.

The dramatic effect of the serious scenes is severely hampered by preposterous Hollywood heroics and some incredibly poor special effects. Quite often, the combat and destruction look incredibly real, but there are some truly laughable shots of exploding model tanks and roaring model trains, too. The battle scenes, notably a huge tank vs. tank battle and a conclusion involving an attempted German capture of an Allied fuel dump are incredibly corny and false-looking - first for their false-looking special effects, which looked bad even in 1965, and secondly for their placement in a desert rather than a snowy forest - which really destroyed the credibility Annakin had been working up to. A strong subplot involving an American tanker, Guffy (Telly Savalas, "The Dirty Dozen") and another, centering on the Malmedy Massacre, help to offset this cheesiness.

"Battle of the Bulge" is a true Hollywood epic in every sense of the word. It may not be historically accurate, but it's probably the most entertaining and engaging war film I've had the pleasure to watch. The characters are main fleshed out enough to keep the viewers interested, the scope is amazing and the direction often borders on brilliance as often as it fails miserably.

I love this movie. Great actors, great scenes. The song the panzer commanders sing is a great moment in movie history.

I read other reviews and many of them I don't understand. Some of them give one star because they say the movie is so historically inaccurate. Was the TV show Combat accurate? Was the popular movie Dirty Dozen accurate? If you want accuracy, stick to the History channel, and even then there will be debates. If you want an entertaining war flick, watch this one! There are none much better.

Another gripe I have with reviews on this movie is with those that question its title. There actually was a Battle of the Bulge in military history. But there never was a "Longest Day" battle. Titles of movies are meant to bring people to the theater, not teach history.

Lest you think I am not an educated reviewer, you should know I was an enlisted Marine, then an Officer of Marines 30 years ago. My family goes back to the Revolutionary War, the Civil War, WW1, WW2, the Korean War, Vietnam, and afterwards.

Even if I was a fly on the wall watching one of my ancestors participate in the Battle of the Bulge, that would not qualify me to comment on the entire battle. Watch the movie, you will like it for entertainment. Then read a book afterwards if you worry you have not been sufficiently educated.

A few years before this was released, there was "The Longest Day" - a movie version of the Allied invasion of Normandy in 1944. That was a very good movie with a star-studded cast. I'm guessing that "Battle of the Bulge" was an attempt to unofficially follow up on that movie. It's not as star-studded (although there's a bit of cross over in the cast, most notably Henry Fonda.) Truthfully, though, this movie is nowhere near as good as "The Longest Day."

It's supposed to be an account of The Battle of The Bulge, which took place in December of 1944. It was the last significant German offensive of the war, intended to break through the Allied lines and re- capture the port city of Antwerp, Belgium - thus throwing Allied supply lines into chaos. The movie gets some things right. The Germans did, indeed, get troops disguised as American MPs behind the American lines, and they were able to cause confusion and chaos. The Germans were also woefully short of fuel, and had targeted an American supply depot which would have given them access to a huge amount of gasoline for their tanks. The famous demand for the surrender of Bastogne, and the reply of the commanding American general to that demand - "NUTS!" - is accurate. But there are also a lot of problems with the historical accuracy of the film. First is that all of the characters are just that - characters. Composites, perhaps, but there's no portrayal of anyone who actually fought in the battle. There's also no mention at all of General George Patton's 3rd Army dramatically saving the besieged Americans at Bastogne. That's one of the better known incidents of the Battle of the Bulge, and why you wouldn't even mention it is beyond me. Many, of course, note the problem that the tanks used in the movie were of a much later vintage, and were't an accurate representation of the tanks that would have been used.

At best, I'd say that this movie was OK. Terrible if you're thinking that you're learning much history from it, but OK as a movie that's somewhat dramatic, and I thought it was a reasonable portrayal of the ugliness of war - the Malmedy massacre (the cold blooded murders of Americans who had been taken prisoner by German SS troops) was portrayed, for example.

I'd definitely say that if I were going to watch either again, I'd take in "The Longest Day." It's the better movie. This one gets a 5/10 from me.

A disclaimer on the end credits states, in effect, that the events and people in this picture bear no relationship to a battle by the same name that took place in WW II. Filmmakers have dealt with the problem of filming the big event in various ways; some show many fragments, following individuals here and there; some concentrate on the view of the generals, with long-shots of big battles; some opt for telling just a little part of the big picture, a microcosm. The solution here is to pretend that only a few dozen people were actually involved in the whole campaign.

One has to assume that someone had a cavalry western script but realized westerns weren't selling any more, so they sold it by doing a quick rewrite to make it a war movie. Henry Fonda is the grizzled scout who insists the Indians are about to attack, based on his reading of the signs in the dirt, and who pulls his boss, the general, out of the fire time and again. Yes, it's Hank who, in the first skirmish, moves up to see if the Indians have a cache of rifles, who recognizes their leader as an escaped renegade fighter-Indian, who discovers that the friendly Crows at the pass are actually deadly Apaches in disguise, who, at a number of critical points, goes out with his young partner to scout around and comes back to the campfire with vital information, who realizes that the big battle is actually a ruse for the Indians to send a party to the water hole to fill their canteens with badly needed water, and who, with an arrow sticking through his shoulder, singlehandedly leads a few raw recruits in a clever maneuver to keep the Indians from the water hole and saves the day. In the last shot, the Indians march back to the reservation across the desert. The Fonda character, in particular, seems to still be in that western. He isn't just A scout, he's THE scout, the only scout, and all intelligence info that's important to the battle is his. The other characters fit the western mold pretty well also, including Shaw's Nazi. Only the Savalas character is indelibly out of WW II (or, more accurately, out of the Bilko show).

It's December 1944. The Allies troops are confident to finish the war quickly. The Germans plan a major offensive to retake Antwerp. Former cop Lt. Col. Kiley (Henry Fonda) tries to warn his superiors about an imminent attack against the thin worn American lines but Gen. Grey and Col. Pritchard dismiss his concerns. Sgt. Guffy (Telly Savalas) is a tank commander who is more concerned with wheeling and dealing. Maj. Wolenski (Charles Bronson) commands a frontline position.

The start is mostly Henry Fonda investigating the planned attack with a good side story of German Col. Hessler being put in command of the Tiger tanks. The tanks are obviously wrong but I understand the difficulties. There are a lot of rewriting of history in this movie. Henry Fonda being at every important place gets way too coincidental. Essentially, a massive battle in the war is boiled down to an one-man crusade. The fuel depot fight looks silly compared to the other parts of the movie. Nevertheless this is a compelling old-fashion big-action war movie. The tank battles looks pretty good.