La 317ème section
- 1965
- Tous publics
- 1h 40m
IMDb RATING
7.3/10
1.8K
YOUR RATING
In Vietnam, 1954, a French platoon isolated behind enemy lines tries to come back. It is led by the inexperienced, idealistic sous-lieutenant Torrens, and by adjutant Willsdorf, a WWII veter... Read allIn Vietnam, 1954, a French platoon isolated behind enemy lines tries to come back. It is led by the inexperienced, idealistic sous-lieutenant Torrens, and by adjutant Willsdorf, a WWII veteran of the Wehrmacht.In Vietnam, 1954, a French platoon isolated behind enemy lines tries to come back. It is led by the inexperienced, idealistic sous-lieutenant Torrens, and by adjutant Willsdorf, a WWII veteran of the Wehrmacht.
- Awards
- 1 win & 1 nomination total
Featured reviews
In keeping with his experience as a war correspondent/photographer, Pierre Schoendoerffers does not waste any screen time here on preliminaries but launches us straight into the action and establishes the two principal protagonists from the outset. The dynamic between the archetypal young idealist of Jacques Perrin and the grizzled veteran played by Bruno Cremer is impressive and both actors excel.
There are no gung-ho, macho, mock heroics here but a grim depiction of human beings in extremis. By all accounts the director was demanding of his cast and the making of it on location in Cambodia must have been distinctly unpleasant although not nearly as unpleasant as the real thing!
A film such as this would have been far less effective in colour and Schoendoerffer's masterstroke here is in utilising the services of one of France's greatest lighting cameramen Raoul Coutard whose bleak, monochromatic cinematography gives the effect of newsreel footage.
At a time when nations are having to come to terms with and face the consequences of their colonial past this film is ripe for rediscovery.
Despite its controversial nature and the French public's weariness with colonial conflicts this film did surprisingly well at the box office.
Brilliant military historian Antony Beevor has declared this to be the greatest war film ever, an opinion few would share. However, judged on its raw power, immediacy and an overwhelming sense of 'being there', it must surely take high rank.
There are no gung-ho, macho, mock heroics here but a grim depiction of human beings in extremis. By all accounts the director was demanding of his cast and the making of it on location in Cambodia must have been distinctly unpleasant although not nearly as unpleasant as the real thing!
A film such as this would have been far less effective in colour and Schoendoerffer's masterstroke here is in utilising the services of one of France's greatest lighting cameramen Raoul Coutard whose bleak, monochromatic cinematography gives the effect of newsreel footage.
At a time when nations are having to come to terms with and face the consequences of their colonial past this film is ripe for rediscovery.
Despite its controversial nature and the French public's weariness with colonial conflicts this film did surprisingly well at the box office.
Brilliant military historian Antony Beevor has declared this to be the greatest war film ever, an opinion few would share. However, judged on its raw power, immediacy and an overwhelming sense of 'being there', it must surely take high rank.
In 1954 Vietnam, at the time of Diên Biên Phu, a French unit on patrol under the command of an inexperienced lieutenant is gradually depleted by Vietminh until only an ex-Wehrmacht Alsatian adjutant remains. He is to die, a title informs us, in Algeria in 1960.
Semi-documentary in style, this is an effectively low-key appraisal of the difficult choices with which war confronts its soldiers. As so often in Vietnam films the enemy is only glimpsed from a distance, the camera remaining a disembodied observer among the group. Bertrand Tavernier acted as co-writer on the film.
Semi-documentary in style, this is an effectively low-key appraisal of the difficult choices with which war confronts its soldiers. As so often in Vietnam films the enemy is only glimpsed from a distance, the camera remaining a disembodied observer among the group. Bertrand Tavernier acted as co-writer on the film.
10zablotf
This movie is so close to the reality that, in the French Army, it is still used for the instruction of the young infantry platoon commanders. Notably the management of the NCOs, usually older and more experienced than the Lieutenant fresh from the Academy, is an interesting issue. And nearly all the basics of the infantryman on the battlefield are there. Keep in mind that Schoendorffer was a war correspondent within the French Army in Indochina at that time. The DVD version of the movie is now available (at least in France). Charlie Bravo (1980) is another French movie that depicts a similar story, but with less talent and less realistically.
America made many movies about the Viet Nam war, good ones and bad ones. On the contrary, France didn't make films about the Indochina and Algeria wars. But "la 317e" is not only rare because of this, but also because it shows war as it was really fought, not by Rambo-like superheroes, but by simple men, some courageous, some not... Besides, Shloendorffer is a great film maker, and you can feel during the film that hes was really there, that he shared tragic hours with these men.
10apisan
I saw this movie some 35 years ago on TV and its memory has been with me ever since. My father and I happened upon it late one night and were stricken by its integrity, clarity of message, and visual beauty (note: B/W).
The melancholy of men in a desperate cause has haunted me ever since. The unwinnable pursuit paints a picture of doom that my generation would forever associate with Vietnam and later with other military endeavours; the name of Dien Bien Phu would be associated with this party that dwindles as it traverses the jungle. No other film on the Vietnam war has reached the same effect for me; not "Platoon", none of these. Bear in mind that this comment comes from outside the US.
Memorable phrase, for some maybe not so relevant reason, the men at the hand-cranked dynamo radio (a huge affair) calling their no more responding party, "Alo, Alo, Lima Bravo." Would be glad to know of reliable source for a VHS or DVD copy.
The melancholy of men in a desperate cause has haunted me ever since. The unwinnable pursuit paints a picture of doom that my generation would forever associate with Vietnam and later with other military endeavours; the name of Dien Bien Phu would be associated with this party that dwindles as it traverses the jungle. No other film on the Vietnam war has reached the same effect for me; not "Platoon", none of these. Bear in mind that this comment comes from outside the US.
Memorable phrase, for some maybe not so relevant reason, the men at the hand-cranked dynamo radio (a huge affair) calling their no more responding party, "Alo, Alo, Lima Bravo." Would be glad to know of reliable source for a VHS or DVD copy.
Did you know
- TriviaAbout 30 minutes into the film, part of Macbeth Act 5, Scene 1 (the Lady Macbeth "out, out damned spot" sleep-walking scene) is overheard playing on the radio.
- ConnectionsFeatured in Truands (2007)
- How long is The 317th Platoon?Powered by Alexa
Details
- Runtime1 hour 40 minutes
- Color
- Sound mix
- Aspect ratio
- 1.66 : 1
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