Les espions

If I think back to all of it, this show started it all. For some viewers who have not watched it, and best remember Bill Cosby from The Cosby Show. When ever this show will be shown in re-runs on T.V.Land. Just might find this show very enjoyable. Bill Cosby and Robert Culp were perfectly cast has Alexander Scott and Kelly Robinson two undercover agents going on dangerous missions and enjoying sight seeing. This show in many ways tried not to be to serious or to silly. It is a great blend of action and humor.

This is definitely one of *the* best TV series ever made. It broke the mold of conventional television in several ways: It was the first series to do actual location work around the world. It was the first series to feature a black lead. It was the first series to feature a multi-racial cast and guest-cast on a regular basis.

Culp was definitely wanted by Sheldon Leonard (creator). Culp offered Bill Cosby to play his partner, Alexander Scott. The networks reluctantly agreed, but Cosby instantly proved that the network's apprehension was unfounded.

Fortunately, some TV stations are nice enough to re-air the series (KDOC in California aired it three years ago, with some [mostly minor] syndication cuts. WFTC in Minnesota is currently running it, with no syndication cuts. Obviously I'm very happy right now!) Even better, "I Spy" has some new episodes released on video and on DVD (what, no laserdisc?) With luck, "I Spy" will regain some popularity as these episodes really are timeless and should be more readily available for all.

Apparently only one comment a year is allowed for this show, so here's 2002's.

The misgivings that I've got about the Eddie Murphy/Owen Wilson take on "I Spy" would seem to be justified by most accounts (even allowing for the presence of the scrumptious Famke Janssen), and now that Carlton Direct has closed down it's unlikely repeats of this fine spy show will be back on British television in the near future. Too bad.

Unlike most other series, the adventures of Kelly Robinson and Alexander Scott (spies under the guise of a tennis player and his coach, played by Robert Culp and Bill Cosby respectively - the latter won three Emmys in succession for his performances, which are indeed easier to take than his subsequent incarnation as the endlessly self-adoring Dr. Cliff Huxtable) benefitted from actual location shooting around the world and from intelligent scripts, some by Culp himself - though not "To Florence With Love," a two-part story which had a most unusual ending in part one; our heroes are trying to get information from someone by threatening to cover him completely in plaster of Paris, and it ends with the would-be stooge about to be totally closed up. (He cracks at the start of part 2, obviously, but there's no doubt that they really would let him suffocate if he hadn't.)

The chemistry between Culp and Cosby and the great theme music by Earle Hagen (plus scores from him and Hugo Friedhofer - bless Film Score Monthly for issuing a CD of music from the series) are two more reasons this plays well on TV today. If you take care with a product, it'll be good forever; which is why "The Cosby Mysteries" won't be fondly remembered 30 years from now. If ever.

"I Spy" cannot be denied its contributions to history, both in television production and the Civil Rights movement. As documented in the book, "I Spy: A History of the Groundbreaking Television Series," this was the first series to cast a black actor opposite a White, with equal status and billing. And, by doing so, Bill Cosby become the first Black to win an Emmy - and he would win three in a row, as Best Lead Actor in a Drama for his work here. During that first year, show business trade magazine Variety wrote that "I Spy" was a "test show," putting NBC southern affiliates "on the spot," and that the series would show "which way the winds were blowing in Dixie." The door swung open in September 1965, and, within one year, black performers were finding regular work with non-stereotypical roles on "Mission: Impossible" and "Star Trek," and, just a couple years after that, being cast as series leads, with equal or greater status than Whites, in shows such as "N.Y.P.D.," "Room 222," and "Julia." TV, and the world, changed that quickly.

"I Spy" was also the first series to shoot around the world, introducing the technology needed to achieve this. And many believe that this is where the "buddy picture" began. Series such as "Starsky & Hutch" and "Miami Vice," and even movies like "Butch Cassidy & the Sundance Kid," certainly took their lead from "I Spy."

This historic series proved that sometimes television can do more than just entertain.

This show was very unique when it comes to spy shows that were on television at the same time. Of course, the fact that it was one of the first shows to feature an African-American in a non-demeaning role made it unique as well as the humor, but there were other factors that helped make this show one of the most memorable of the 1960's. First, it was probably the only spy show that didn't rely on any special gadgetry as was the norm on shows like Mission: Impossible, The Man From Uncle and even the Wild Wild West. The two spies had to rely on their wits in order to take on their weekly antagonists. The second thing that was very unique about the show was that it relied on heavily on characterization. The characters of Kelly and Scottie were probably the most fleshed out characters on not just shows dealing with international intrigue, but of any show in that era. However, the most interesting aspect of this show was the fact that the characters actually questioned why they were in the business. Of course, this was in the middle of the Cold War, where loyalty was never an issue on the various spy shows, but this was probably the first one where the characters actually would question why they were being sent on these missions.