Les arpents verts

When I watch "Green Acres" I can't help but think that this is what Vaudeville must have been like. There's Oliver Wendell Douglas in his three-piece suit and Phi Beta Kappa key standing in front of an obviously painted backdrop with the most pathetic looking stalk of corn "growing" nearby. Then comes onstage a series of the finest comedians doing their standup routine with Mr. Douglas as the straight man: Mr. Haney (Pat Buttram) with an endless supply of wacky things to sell; Hank Kimball (Alvy Moore) as the oh-so-forgetful farm agent ("Ah, Mr. Douglas! I have a message for you." "What is it?" "What is WHAT?" "The message!" "What message?" "MY MESSAGE!" "You have a message?"); Eb the farmhand (Tom Lester); on and on and on.

Love it.

I once heard "Green Acres" described as being "Twin Peaks:the sitcom," which isn't too far off base if you take away the darker elements of "Peaks."

I'm not sure it's the best television series either, but it certainly my favorite, and the best thing about it is that it was funny when I was four years old, still funny when I was a teenager, and even funnier now that I'm in my late 30's and can sit and watch the show with my young sons.

Eddie Albert and Eva Gabor should have won multiple emmy's. The writers stand alone as some of the funniest sitcom writers of all time. Jay Somers and Paul Henning are geniuses. The amazing thing about this show is at a time when most shows were star driven, this show gives all of the actors great lines and showcases for their talent.

Of course, Oliver and Lisa are my favorite denizens of Hooterville, but I have a lot of fondness for Eb (who is endlessly funny), Mr. Haney (who my kids think is the funniest person ever!) and Mr. Kimble (who ALWAYS cracks me up!).

"Green Acres" really is the place to be. It's funny, it's family friendly and it is one of the best shows of all time!

The DVD is great too, but I would have loved some extra commentaries from some of the surviving cast members!



David Cox Independence Missouri

Watching this as a child during the late 1960's I didn't like this show. I didn't find it funny because it frustrated me! With all of the locals frustrating Mr. Douglas endlessly, they frustrated me too. Stumbling upon the show years later, the frustration was gone and I could finally enjoy the humor of it all. This was light years ahead of the tame (and boring) "Pettycoat Junction." This was life with "The Three Stooges." I always loved the on-going home improvement projects with the closet doors opening to the outside, the telephone poll phone, the over-blown big chic New York City furniture stuffed into a little farmhouse, Lisa's pink appliances, her cooking, Arnold the pig and many more. When they say they don't make 'em like they used to, they don't, and that's a darn shame.

When I was a kid, back in the 60's, there were two shows that I never missed. "Lost In Space" was one, and "Green Acres" was the other. Funny that both were on CBS, and I remember that my parents watched CBS's national news, too.

I always loved Mr. Haney, and when Mr. Douglas begins some story about "The American Farmer", and the patriotic music begins playing in the background. On one episode, the other actors begin looking for where the music is coming from. Priceless gag.

I am looking forward to the DVD of this series. I hope that they are cleaned up, as what we see on TV now are fairly faded prints of the show.

This programme was traditionally thought of as just another of the cornpone country comedies that CBS used to be noted for, like "Petticoat Junction" or "The Beverly Hillbillies". But with its button-down straight man, Eddie Albert, surrounded by a wild assortment of extraordinary oddballs, "Green Acres" looks both backwards to the screwball comedies of the '30s and ahead to the Bob Newhart series of shows which followed a similar premise.

I am a fan of the British absurdist tradition, as exemplified both by university humour, like "Monty Python" and "Fawlty Towers", with its basis in the antics of the Goons (and Alfred Jarry), and by John Lennon's disassociated imagery, with its basis, probably, in Edward Lear (and Hilaire Belloc), but I personally happen to believe that this particular show belongs to a distinct comedy continuum, one that's entirely American. But I do agree completely that where these two styles are concerned, fans of one are bound to appreciate the other.