Maxwell Smart, a highly intellectual but bumbling spy working for the CONTROL agency, battles the evil forces of rival spy agency KAOS with the help of his competent partner Agent 99.Maxwell Smart, a highly intellectual but bumbling spy working for the CONTROL agency, battles the evil forces of rival spy agency KAOS with the help of his competent partner Agent 99.Maxwell Smart, a highly intellectual but bumbling spy working for the CONTROL agency, battles the evil forces of rival spy agency KAOS with the help of his competent partner Agent 99.
- Won 7 Primetime Emmys
- 11 wins & 13 nominations total
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Featured reviews
Get Smart stands as the single most brilliant television comedy EVER. Before Hot Shots!, before Frank Drebin, before Airplane!, before Kentucky Fried Movie, before Young Frankenstein, and before Blazing Saddles, there was Get Smart, the creation of Mel Brooks and Buck Henry. This show, which would go on to inspire Police Squad!, arguably the second most brilliant television comedy ever, presented in Maxwell Smart the most completely asanine leading man thus far in television history, and as a result provided for more stupid jokes than ever before. Perhaps the first moment in television where comedy did not require a laugh track (though it did USE one, it would have flown fine without one), this show would inspire nearly every film by Mel Brooks and Zucker-Abrahams-Zucker. Can we really imagine Hedley Lamaar from Blazing Saddles without Maxwell Smart having preceded him? Can we really imagine Frank Drebin without Maxwell Smart having preceded him? The answer to these questions MUST be "no." Get Smart was a rare moment in television comedy history, and it has given us a truly rich comedic tradition ever since. Thank you, Buck, Don, and Barbara!
"Get Smart" is one those 1960's sitcoms that was all about really crazy predicaments and blowing peoples' minds (think "Bewitched", "Gilligan's Island" and "I Dream of Jeannie"). It follows Maxwell Smart (Don Adams), an inept spy with the organization CONTROL who always has to foil the plans of the dastardly rival organization KAOS. With him are Agent 99 (Barbara Feldon) and The Chief (Edward Platt). Even if you know nothing about espionage or such things, the whole show is still a laugh riot. Whether it's the Cone of Silence (which always proves to be a Cone of Destruction) or Max's shoe-telephone, things always go completely wacky, forcing Max to say "Sorry about that, Chief." It's too bad that currently, no channel is rerunning "Get Smart", but hopefully, it will soon come out on DVD. You'll love it!
I can safely say that in my eyes, there are only four true supers pies: James Bond, Derek Flynt, Harry Palmer and Maxwell Smart. This show is absolutely magnificent...and hilarious.
I can safely say that in my eyes, there are only four true supers pies: James Bond, Derek Flynt, Harry Palmer and Maxwell Smart. This show is absolutely magnificent...and hilarious.
Its writers/creators included Mel Brooks and Buck Henry.
'Nuff said.
But, since IMDb won't let me get away with saying just that, I'll just have to write more.
How can you go wrong with something by Mel Brooks and Buck Henry? It's obvious that the actors are thoroughly enjoying themselves in this show, and this enthusiasm was infectious. I was a very little girl in 1965, and I used to sit up with my father to watch TV after dinner and the nightly installment of whatever book he was reading to us. We sat together and watched Get Smart, Hogan's Heroes, McHale's Navy, among others, all of which are now considered classics. Why? Because, while the shows themselves were very topical (Get Smart was about the Cold War - as is Bullwinkle -- and Hogan and McHale fought in WWII which had ended barely 20 years earlier), the humor itself did not rely on specific current events. They were just out-and-out funny.
They still are.
'Nuff said.
But, since IMDb won't let me get away with saying just that, I'll just have to write more.
How can you go wrong with something by Mel Brooks and Buck Henry? It's obvious that the actors are thoroughly enjoying themselves in this show, and this enthusiasm was infectious. I was a very little girl in 1965, and I used to sit up with my father to watch TV after dinner and the nightly installment of whatever book he was reading to us. We sat together and watched Get Smart, Hogan's Heroes, McHale's Navy, among others, all of which are now considered classics. Why? Because, while the shows themselves were very topical (Get Smart was about the Cold War - as is Bullwinkle -- and Hogan and McHale fought in WWII which had ended barely 20 years earlier), the humor itself did not rely on specific current events. They were just out-and-out funny.
They still are.
The funniest but rarest episodes were those that involved Hymie the robot who delivered wacky lines deadpan like....er...a robot. He fell in love with another robot - a soda vending machine and his wooing line was: "I like you so much because.....you are so simple." How about The Claw, the FuManChu-like or Dr. No doppleganger, who was about as inept as Maxwell himself. He tells his factotum to show the captive Smart the bamboo under the fingernails torture and starts screaming "Aaaaa! Not on me, you fool!."
At one time, Smart was assigned to solve a case of a spate of kidnappings of blond young women. It turns out that The Claw was just after one blond woman. He explains to Smart: "Unfortunately to us orientals, all blond women look alike."
Unfortunately, the movies were not as funny as the original season episodes.
At one time, Smart was assigned to solve a case of a spate of kidnappings of blond young women. It turns out that The Claw was just after one blond woman. He explains to Smart: "Unfortunately to us orientals, all blond women look alike."
Unfortunately, the movies were not as funny as the original season episodes.
'Get Smart' holds a special place in the hearts of Australian kids growing up in the 1970s. Throughout that decade it was on almost continuous repeat, and at least two generations of couch potatoes almost had the whole series memorized by the time they graduated high school. But you know what? Watch it today and it's STILL the funniest TV show EVER!
Nobody but Don Adams could have played Maxwell Smart. He IS Maxwell Smart! Adams comic timing and expressions are superb. It's a pity he hasn't gotten the recognition he deserves. Surrounded by the first rate Barbara Feldon ('99') and Edward Platt ('The Chief'), supported by a fabulous group of comic actors (particularly Bernie Kopell as Siegfried), and some talented guest stars (most unforgettable - Larry Storch as 'The Groovy Guru'!), and with consistently funny scripts, this show set a standard in comedy that is as good as, if not better than, much more "respected" shows like 'M.A.S.H.', 'Taxi' and 'Cheers'.
Forget the reunions, movies and attempts to revive 'Get Smart'. Just stick with the original and best "grooovy baby" Super Spy! There's nothing as hilarious as this show at its best! One of the greatest TV shows of all time.
Nobody but Don Adams could have played Maxwell Smart. He IS Maxwell Smart! Adams comic timing and expressions are superb. It's a pity he hasn't gotten the recognition he deserves. Surrounded by the first rate Barbara Feldon ('99') and Edward Platt ('The Chief'), supported by a fabulous group of comic actors (particularly Bernie Kopell as Siegfried), and some talented guest stars (most unforgettable - Larry Storch as 'The Groovy Guru'!), and with consistently funny scripts, this show set a standard in comedy that is as good as, if not better than, much more "respected" shows like 'M.A.S.H.', 'Taxi' and 'Cheers'.
Forget the reunions, movies and attempts to revive 'Get Smart'. Just stick with the original and best "grooovy baby" Super Spy! There's nothing as hilarious as this show at its best! One of the greatest TV shows of all time.
Did you know
- TriviaWhen Don Adams was negotiating his salary, he had his choice between more money per week and no ownership stake in the show, or less money per week and part ownership. Adams chose the ownership deal and never regretted it considering the series' durable popularity in syndication gave him a regular income even as he struggled with being typecast by it.
- GoofsIn the closing credit sequence, one of the double doors fails to merge completely when it closes.
- Quotes
Maxwell Smart: [running gag, after being warned by the Chief that his next assignment will be the most dangerous yet] ... And loving it!
- Crazy creditsThe opening credits are a sequence of Maxwell Smart going through a seemingly endless series of doors to reach CONTROL headquarters.
The closing credits are of Smart leaving CONTROL through the same doors, but he changes his mind about leaving and starts back toward the CONTROL entrance. The door nearest Smart closes and injures his nose.
- ConnectionsFeatured in A Secret Agent's Dilemma, or A Clear Case of Mind Over Mata Hari (1965)
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- Runtime25 minutes
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