Je suis une légende

This one seems to be less well known than others in Vincent Price's filmography -- possibly because the title makes it sound more like a romantic comedy.

In this first filmed version of Richard Matheson's superb short novel "I Am Legend", though, Price really shines in one of the best performances of his career. Far superior to its 1971 remake "The Omega Man" -- as if we needed yet another "Charlton Heston vs. the subhuman hordes" outing after "Khartoum" and "55 Days In Peking" -- the script follows Matheson's book almost scene-for-scene, but then, I think the author always wrote with one eye on the movie or TV rights.

Morgan (Vincent Price) is the only survivor of a worldwide plague that kills its victims, only to resurrect them as zombie vampires. (His own immunity was conferred by the bite of a vampire bat infected with a weaker version of the virus, when he was doing research in South America.) By day, he systematically searches out the plague victims and destroys them in the traditional Van Helsing manner, retreating to his fortified house when darkness falls and the vampires come out to play. Worst of all, his best friend Ben -- now a vampire -- is part of the crowd that nightly besieges his house, thirsting for his blood.

Unlike "The Omega Man", very little of this film is devoted to Morgan's one-man war against the vampires, who as others have noted have a kind of "Night Of The Living Dead" ambiance, minus the gore. Instead it focuses on his utter isolation, both physical and spiritual, his mission as an exterminating angel the only purpose now left to his life.

A large part of the movie is taken up by a flashback to three years previous, to the beginning of the plague, as his friend Ben arrives at a birthday party for Morgan's daughter bearing an armful of presents. Against the background of the children's shouts and laughter the adults worriedly discuss the appearance of a new virus. The world then proceeds to fall apart in a quietly terrifying re-enactment of the Black Death, complete with National Guard "bring out your dead" units and a 24/7 immolation pit for the anonymous, canvas-wrapped corpses. Morgan's wife and daughter succumb to the virus in a sequence that is quite stunning in its low-key, almost clinical lack of the standard histrionics.

The black-and-white cinematography is as stark and minimalistic as the story (and, admittedly, the budget). The exterior scenes set in a deserted Los Angeles -- well, actually Rome, shot in the early morning -- are often quite effective in mirroring his internal desolation. Cast and crew alike do an excellent job with the material, despite the monetary constraints. Unlike so many in our current "bash you over the head" school of film-making, the real horror of the situation is allowed to speak eloquently for itself.

If you're expecting the high camp of one of Price's Roger Corman flicks, you'll probably be bored stiff by this movie. If instead you're looking for a surprisingly good adaptation of a great story, you can't do much better than "Last Man On Earth".

"The Last Man on Earth" is an English language, Italian production of Richard Matheson's classic horror tale "I Am Legend", starring the great Vincent Price in the titular role.

This story was also done with Charlton Heston as "The Omega Man", and "I Am Legend" with Will Smith.

This is probably the best filmed version of this story I have seen. The black and white photography is fantastic, as is the direction, which really makes you believe you are witnessing a post-apocalyptic scenario. Above all, Vincent Price is surprisingly well cast as the titular last man, haggard, face drawn, less an action hero than a scientist trying to solve the problem of apocalypse.

The creatures in the movie are apparently vampires - they cannot go out in the day time, and they must be "staked" - yet they behave much more like the kind of zombies that George Romero would change the horror landscape with a few years later. I wonder if he was inspired by this film.

My goodness, this movie holds up well. First watched it some 5 years ago, watched it again tonight, and I am beginning to realize how influential it is. As observed by many other posters, many films/directors are in debt to this movie. The list would begin but not end with "Night of the Living Dead", "Omega Man", "28 Days Later", and "Day of the Dead". There is also that very good Australian (?) movie, "This Silent Earth." That is to only mention the good movies. Countless crappy movies also owe their profits to this woefully unknown gem. Sure, as a Vincent Price fan I am biased. But the quality of this movie - from the script to the photography to Price's glorious intonations - is hard to deny.

The Last Man on Earth is a great film to watch alone. Horror veteran Vincent Price plays Dr. Robert Morgan, a desperate and lonely man who's left alone in an apocalyptic world; A world ruled by zombie-like vampires as a result of a widespread plague. These vampire zombies are highly reminiscent of George Romero's walking dead in Night of the Living Dead. Price does a remarkable job interacting with practically nothing. He's alone throughout the majority of the film. His performance largely carries this low budgeter. When you watch the movie alone, you really feel where his character is coming from and a sense of hopelessness is established. The Last Man on Earth is really a thought-provoking, creepy classic. I recommend it be watched with Charlton Heston's The Omega Man to see another take on the same story (both were based on Richard Matheson's "I Am Legend").

I never read Richard Matheson's novel 'I am Legend' but I'm particularly intrigued by (science fiction) movies with an apocalyptic theme. And this adaptation simply is one of the most fascinating stories of an already brilliant decade for this type of films. Much more than a grim horror film, this is a gripping drama with an excellent (as always) Vincent Price as the sole and devastated survivor of a deadly plague that exterminated the entire human race, including his own wife and daughter. Price is Dr. Robert Morgan and due to his immunity to the lethal germs, he's the only one to fight victims who return in the shape of vampire/zombie-like creatures. Even though it has already been 3 years, Morgan desperately continues his search for other survivors…This is one of the most impressive performances Price ever gave away, and a lot more difficult than his usual roles of villains and madmen. Judging by today's standards, I guess the film looks very dated and you can't really refer to the tame 'vamp-zombies' as threatening anymore. But the empty streets and depressing cities, shot in unsettling black and white, still are the ultimate in eeriness! I love it when a film makes you feel miserable and worried…and the lower the budget is, the more efficient this effect is reached!

Like several of my fellow-reviewers already pointed out, this also was an immensely influential film. You can't watch 'Last man on Earth' without being reminded of George A. Romero's milestone genre film 'Night of the Living Dead'. If you then realize this movie was made 4 years before Romero's classic, you can't but reckon the underrated brilliance of this film. The same hopelessness-aspect that made Romero's film so tense features HERE first, in 'Last Man on Earth'! This production offers an ideal proportion of frights and sentiments, luckily without too many tedious scientific speeches or faked drama. 'Last Man on Earth' has to be seen by every SF/horror fan on this planet. For some reason this is one of the most underrated genre efforts ever, and that urgently has to change.