Les chevaux de feu

Good news/bad news. The good news is that Shadows of Forgotten Ancestors (Shadows), a truly exceptional film, is out in DVD format—and, the color reproduction was well worth waiting for. It's based on a masterpiece novel of the same name written by Ukrainian author (late 19th-early 20th centuries) Mykhailo Kotsiubynsky.

Journey into the past and experience the world-renowned Ukrainian Hutsul folklore and folkways that encyclopedists, historians, and authors depict by way of words and the film gives credence to via imagery, moods, symbolism, and sounds. Avenues you'll travel will branch off, giving you exposure to artistic embroideries, folk music, folk songs, ornate costumes, religious ceremonies, and traditional rituals (such as a traditional Hutsul wedding and a traditional Hutsul burial), along the way.

Folklife comes alive as you float down a river in a unique wooden raft, partake in Christmas festivities, encounter a sorcerer, and lots more--all against a backdrop of the magnificent Ukrainian Carpathian Mountains, where trees' shadows silhouette straight as they stretch for the stars and for the skies, where horses dress in tassels as they meander meadows and highlands, where Hutsuls converse across Carpathian Mountains via trembitas--and, where Ivan cannot forget his true love.

Shadows isn't your typical feel-good film--it's for the connoisseur of fine arts. If you want your senses stimulated, your imagination enlivened, and your knowledge of Hutsul culture expanded, then, this is the film for you!

Film director, Sergei Parajanov, was an Armenian born in Georgia. He insisted on filming Shadows in the Ukrainian language and refused to dub it into Russian. In his lifetime, he was persecuted by the Soviets, was arrested several times, spent years in prison, and his subsequent works were banned.

Later renamed Wild Horses of Fire for most foreign distributions, Shadows was Parajanov's first major work, and earned him international acclaim for its rich use of color and costume--it won six international film festival awards: London, San Francisco, Mar del Plata, New York, Montreal, and Thessaloniki.

Wikipedia states that Carl Sagan and Ann Druyan borrowed the title of their book, Shadows of Forgotten Ancestors: A Search for Who We Are, from the movie of that same name, which they state has little in common with the "haunting 1964 film."

The bad news is that a number of descriptive entries are inaccurate. Reading the misleading descriptions on the VHS/DVD covers give the impression that the film is Russian. This film is licensed by Kino from the Russian distributor Ruscico, which is probably why the descriptions refer incorrectly to Russian rather than Ukrainian.

1. The descriptions on both the VHS and DVD covers state, in part, "depiction of the harsh realities of Russian regional history...." The phrase "Russian regional history" is incorrect and should read: "Ukrainian regional history." Not only is the film in the Ukrainian language, the Hutsuls are Ukrainians living in the Ukrainian Carpathian Mountains, and the film is based on a novel by Ukrainian author Mykhailo Kotsiubynsky (1864-1913).

Update: This has now been changed to good news on Amazon.com: the copy now reads "Ukrainian regional history." However, anybody looking at the actual VHS or DVD covers will still see these erroneous descriptions; thus, these points still need to be highlighted as incorrect.

2. Correction is also needed in the reference: "And although its unsentimental depiction of the harsh realities of Russian (sic—as referenced in no. 1 above) regional history forced visionary director Sergei Pararadjanov (The Color of Pomegranates) into direct conflict with bureaucrats then controlling the Soviet film industry...."

Director Parajanov insisted on filming his adaptation in the Ukrainian language and refused to dub it into Russian--that's what caused his conflict with Communist authorities--not his portrayal of the "harsh realities of Russian (sic—as referenced in no. 1 above) regional history." However, anybody looking at the VHS or DVD covers will still see these erroneous descriptions; thus, these points still need to be highlighted as incorrect.

To see 45 photos depicting Hutsuls while learning more about their culture, please visit Amazon.com and click on "images" in Mandrivnyk's book review of Shadows of Forgotten Ancestors.

Shadows of Forgotten Ancestors is a must see/must own DVD--at the very least, it should appear worldwide on library shelves and in personal collections. This DVD definitely deserves 10-stars!—Mandrivnyk

P. S. To see over 650 photos (with notes) of Ukraine that I took in 1993 and 1994, please visit the profile page of Mandrivnyk (Arlington Heights, IL) on Amazon.com. Visit each review (to view the photos in sequential order); if you visit the image gallery, you'll see the photos in random order. They'll enhance your knowledge and understanding of Ukraine and Ukrainians.

This is one of the best movies ever made!!! I don't think even that describes how strongly I feel for this movie and its director. In a world of cinematic rubbish Paradjanov stands as a warrior fighting for long lost cause; making a movie that actually transcends the viewer to the world the director is trying to create. It has the most unique camera angles and shots that were made in most amazing proximity. The richness of its photography will take you to the Carpathian Mountains and leave you astonished. This movie is full or drama, folklore and above all, it surpasses all the cinematic standards ever set for a motion picture. Made in the sixties, during Soviet regime, this movie was banned from the screen for it's symbolic context and references to religion. Starting from the opening scene to the very last one, it will keep you on the edge and it will exceed every expectation you have for it. You won't only watch it but you'll live it. If you're a true cinema lover watch this film...it'll change your life.

I had no expectations going into SHADOWS OF FORGOTTEN ANCESTORS, mostly because I knew very little about it beforehand. What I can say now is that it was more interesting from an artistic point of view than the actual story it tells. The basic plot is about a boy, Ivanko, who falls in love with a girl, Marichko. However, fate conspires to keep them apart and a fateful turn of events sets Ivanko down a course that changes his life forever. The elements I liked about the film, and what makes it stand out, are the cinematography, use of color, costumes, and the occasionally poetic image. The camera-work was rather improvisatory and free-moving with lots of high-angle shots, often pointed at the sky. There was also a conscious choice in one sequence to film in black-and-white for narrative reasons, to visually depict the protagonist's emotional state. As for imagery, there were a few sequences which stood out. One early scene showed blood dripping over the lens as a way to show someone dying, transitioning respectively into red horses and some kind of red plant. There was also creative use of double exposure in a scene where the characters are overlaid onto religious iconography. All of this was engaging and unique in a way that the story wasn't. I have a feeling that more familiarity with Ukrainian culture and folklore would have made the story a little more accessible, but I don't really think that the story was entirely the point. In fact, the acting in the film really isn't that good, and the film often felt like a filmed stage play where the intended audience is already familiar with the character archetypes and tropes. It also doesn't help that the film is episodic, with awkward and occasionally jarring scene transitions. Overall, this film's value (to me, at least) lies in its images and music. I don't really see the average film-watcher taking the time to see this, but this could potentially be worth it for the more adventurous person.

´Shadows´ is one of the best movies i´ve ever seen. The filming is so beautiful that it constantly makes you wonder how they did it, remind you, it was made in 1964. The way the lead characters feel is constantly expressed in color and camera movement, in a way i´ve never seen before. Notice how the colors are full in the first, happy part of the film, and how they get faded more and more to an almost black and white teint along with grief of Ivan, the male lead. At the end it turns to a blood red fury and then there is nothing but the dead. The folk music, with very poetic lyrics also contributes a lot to the sphere in this film. Again, i never saw something like that before, normally i hate folk music, now it fitted perfectly. And then the ending,it´s so sad, i almost cried my eyes out. What an archievement, it´s the most beautifullest thing i´ve ever seen.

The first great film from the greatest director in post-war Soviet Union. The experience is almost like being strapped to a malfunctioning rollercoaster, as a relatively straightforward story - young man falls in love with neighbour; she dies; he mourns; remarries; still loves dead mate (Wuthering Heights anyone?) - is violently attacked by hurling camera movements that reveal the most vertiginous spaces, both exterior and interior; bizarre angles (eg from a falling tree); a restless mix of music from Kusturica-like horn blowers, shards of modernism and thrilling Romanticism; content that blends myth, dreams, legends, folk tales etc.; and editing that bewilders and disrupts rather than matches and connects. A brilliant recreation of a forgotten culture and times that was a dangerous two-fingers to totalitarianism.