Spider Baby

"Spider Baby" is weird. It's demented. It's insane, and it's easily one of the creepiest movies you'll ever come across. Here's one movie that never comes up in discussions of low budget horror films, but really should. There are virtually no effects, few 'boo' moments, instead relying on classic methods like an intimidating house, creepy shadows etc.

The movie has a simple plot: a couple of distant relatives and their lawyer arrive at a spooky old house with a bad reputation to take control of the estate only to find three teens with 'Merrye' syndrome, a bizarre disease named after the family caused by generations of inbreeding. When the caretaker loses control of the three siblings horrific and hilarious results follow. The buildup is excellent, including the highlight of the film, a hysterical and very creepy dinner scene with several unorthodox menu choices.

The characters are memorable. Lon Chaney Jr. is great as usual in the role of the dangerous children's caretaker, but Sid Haig easily steals the show with a bizarre performance as the spider-like and mentally disturbed Ralph, who does a lot of fun stuff over the course of this movie, like passing off cat as rabbit. The ending shot is quite excellent as well.

All in all this is pretty much the definition of cult classic. It's fun and creepy and hysterical and though it has a following it hasn't suffered from overexposure. No, it's not the best film ever made on a technical or narrative level, but it's wicked fun and it's very, very unique. Enjoy!

From the moment the beginning credits role, you know that you're going to be in for one mental ride! The opening credits themselves are captivating due to the music and the voice over that plays over them, and the film never loses this eerie verve that it creates with the credits. Spider Baby is a captivating and fascinating trek through mental illness from beginning to end and it's quality certainly isn't justified by it's reputation. It's amazing how great and influential films such as this one can become lost and not often spoken of, while other, far lesser films, have gone on to meet wide acclaim. The influence that this film has had can be felt on many films, but most obviously the 70's exploitation classic - The Texas Chain Saw Massacre. The film has the added title 'The Maddest Story Ever Told', and while that may not quite be the case - this is indeed one very demented tale.

The story follows a family of inbreeds that have been afflicted by a genetic disorder known as 'Merrye syndrome', named after the family in which the disorder developed. This malady causes it's victims to enter a state of age regression that starts at the age of ten and continues throughout the remainder of the person's life, rendering them with the intelligence of a child. The final generation of the family has been entrusted to the care of the family chauffeur (Lon Chaney Jnr), and all is well for these odd people until a greedy branch of the family decides that they want to relieve the family of it's home. Mental illness has always, and will always be, a fascinating subject for horror movies as it probes into the unknown and Spider Baby makes best use of that fact.

The film works because it's extremely macabre throughout, and although we hardly see any gore at all - we always know that something bad is just around the corner, and the film features many nasty happenings, from one of the "children" playing 'spider'; a game which involves her wrapping her victim up in rope and proceeding to 'sting' them with a pair of kitchen knives, to the rotted corpse of the family father still lying in it's bed. The cast of characters are superbly odd, and this helps to create the morbid atmosphere that the film revels in. The two girls are the central focus of the film, and they make for two deliciously creepy leads. Their childlike tendencies make them macabre in a way that few horror villains have ever captured. Lon Chaney Jnr's chauffeur is another great piece of characterisation, which is portrayed by way of a great performance. He brings just the right amount of sorrow and love to his character, and provides the backbone of the movie. The black humour is rife within the film and this, and the setting - a rickety old farmhouse - only further helps to instill the morbidity into the viewer's mind. All in all; a very good and underrated horror movie that any and all horror fans would do well to catch if given the chance!

This creepy, little film is a minor masterpiece! I can't believe I never caught this one back in the 60's. Lon Chaney, Jr. gives a heartfelt performance as old Bruno and the rest of the cast is splendid. Especially Jill Banner as Virginia. What a strange story to be filmed. A 7 out of 10. Best performance = Lon Chaney, Jr. with Jill Banner a close second.

I'm no Jack Hill expert, but it sounds like he's made some interesting films in the 60's and 70's. I've never seen quite this combination of creepiness and black humor with stunning b/w cinematography. Track this one down for sure. The other two "kids" are marvelous as well. You don't have to like OR hate spiders to enjoy this flick (made in 12 days).

I first stumbled on this movie via some clips on the "Switchblade Sisters" laserdisc and immediately put it on my "wanna-have"-list. And I sure wasn't disappointed when I watched the complete film (no two weeks later).

Jack Hill creates a weird story circling about the strange Meryee family which suffers from some strange disease, causing their members to degenerate into primitive pre-human lifeforms (or something like that), or as Lon Chaney puts it out "rotting of the brain". Chaney himself, of course, is - in a fine performance - the loyal caretaker who suddenly has to deal with the fact that some relatives are trying to get their hands on the family estate (and heritage).

Besides great cinematography (under the given budget) and the genuine storyline one has to admire the characters, making the viewer think of something like "Addams Family" on Crack.

Classic stuff, with some bits which really are memorable (e.g. Chaney's groan "It's going to be full moon tonight" when the nerd hero and his love interest are discussing horror films in general and "The Wolfman" in special). And, last but not least, there's always Sid Haig...

Rent it, buy it, see it, believe it.

The film opens with one of the most horrific murders ever shown on film; the rest of the movie is never again quite this frightening or startling, but is enjoyable nonetheless as a horror-comedy of the same ilk as "House on Haunted Hill" or "Bucket of Blood." The story concerns a family of inbred Southern degenerates who were once proud and powerful but whom years of inbreeding have reduced not only to childlike idiocy but savagery; some distant relatives out for money decide to meddle with dire, predictable results. The movie, complete with a loyal retainer, cute but deadly kids, and some even deadlier aunties and uncles kept tucked away in the cellar is essentially an extended version of an Addams family episode (the drawn out dinner scene is a bit too sitcomish). However, there are enough funny-scary moments to keep things moving along: the more memorable of these being when bitchy ice queen Emily succumbs to brother Ralph's caveman charms and when sister Virginia, the spider baby of the title, gives her long dead father a good night kiss—a scene with a weirdly poetic quality like something out of Poe. Perhaps the best part of the movie is Lon Chaney Jr. in his touching portrayal of Bruno, the kindly chauffeur who is genuinely devoted to his savage and hopeless surrogate family.

A cult film that deserves its status.