Quand l'inspecteur s'emmêle

Although "A Shot in the Dark" is really the second film in the Pink Panther series, in many ways it is a beginning, as the first film to showcase Peter Sellers' bumbling Inspector Clouseau as the highlight of the film, overcoming the first film's occasional shortcomings due mainly to devoting too much screen time to David Niven's jewel thief, when what audiences really wanted was more Clouseau. Well here, their wish came true as there are virtually no scenes in the film without Clouseau present, and it is all the better as such. There can be no doubt that Peter Sellers is one of the greatest comedic actors of all time, and he is the primary reason the film is so enjoyable.

Director Blake Edwards is wise enough to latch onto this fact, and indeed, the entire premise of the film is essentially just a series of opportunities for Sellers to make full use of his brilliant physical comedy skills wrapped around a twisty murder mystery, as Clouseau struggles to prove that the prime suspect, the beautiful maid Maria (Elke Sommer) is not guilty, despite an increasing load of evidence proving otherwise. Introduced here are also Pink Panther regular characters Commissioner Dreyfus (Herbert Lom) and Clouseau's lethal assistant Cato (Burt Kwouk), instructed to attack him when he least expects it to keep his guard up. (said instances including when in the bath, and in bed with Maria)

The storyline is admittably simple, with only a few basic twists to conceal the murderer's identity until the end, and mainly does exist to give Peter Sellers full reign to do what he is so very skilled at doing - evoking laughs out of the most ordinary situations or what would have been deemed immature and juvenile if attempted by another actor. (the primary reason Steve Martin's latest re-hash is almost certain to flop - he can never hope to compare to Sellers in his iconic role) And of course, Henry Mancini's unforgettable jazz theme music is a welcome addition to an already great movie.

It may seem strange that the only film in the series without the words "Pink Panther" should turn out to be the best in the series, but such is the case here. The film may seem somewhat dated, and perhaps not quite as witty as it would have been back in the 1960s, but Sellers' unique comedic talents assure that the entertainment value of the movie remains classic, even 40 years on.

-8/10

The second of the Pink Panther series, this is considered by most critics as the best of the lot, and for once I have to agree with them. It's almost a one-man show with Peter Sellers ("Inspector Jacques Clouseau") exhibiting his comedy talents, most of it the slapstick variety as he constantly runs into things and-or falls down. Some of that gets tiresome after a while but most of it works and gives the viewer a lot of laughs.

It was nice, after these years, to see the production in 2.35 widescreen. It made the photography a lot more impressive than the formatted-to-TV VHS. I had never realized how nice this movie looked. The sets in here - mainly George Sanders' apartment interior - were good, too, and Elke Sommer was always nice to ogle back in the '60s.

Sellers' boss, played by Herbert Lom, wasn't that funny but Burt Kwoul as "Kato," Clouseau's "trainee" is fun to watch in all his sneak attacks. Sanders was funny, too, and he didn't have to say a word to get a laugh. Just the deadpan looks on his face as he watched "Clouseau" bumble around were priceless.

This is a bit slow in the beginning, but once it picks up it's funny the rest of the way. From a film history angle, it was interesting to see how morals had begun to change and how rules were becoming relaxed. In here, director Blake Edwards went out of his way to show cleavage of Sommer and there was an implied sex scene you wouldn't have seen a decade earlier. Also, in the end - although played for laughs - it turns everyone was having an affair with somebody.

The popularity of Peter Sellers's Inspector Clousseau from the The Pink Panther it warranted the bumbling French detective getting center stage in what turned out to be a series of films. For the rest of his life Sellers was assured of movie profits by just making another Clousseau film.

A Shot In the Dark also introduced two new characters to the series, Clousseau's supervisor Chief Inspector Dreyfus played by Herbert Lom and his houseboy/karate teacher Kato who was played by Bert Kwouk. Dreyfus became almost as popular as Clousseau himself. Herbert Lom's career had been spent playing mostly villains and pretty serious and deadly ones at that.

Inspector Clousseau can best be described as a human train wreck. The slightest motion on his part is a recipe for disaster. Best to be about ten feet from him at any given time and even that won't always work. His klutziness drives Lom to the brink of insanity here and in future films, he crossed over the line.

But he's got instincts which is why I'm sure he remains an inspector of the Surete. He draws a case involving a murder at wealthy baron George Sanders's house and it seems kind of open and shut that the maid, Elke Sommer did it. But Sellers listens to his hormones talking and refuses to make the arrest. And as more dead bodies keep piling up around Sommer, the more Sellers listens to that voice south of the Equator.

With Clousseau, Peter Sellers joins the ranks of such great cinema clowns as Charlie Chaplin and Stan Laurel. Sit back and don't eat while watching A Shot In The Dark, you won't be able to hold it down.

A Shot in the Dark came out the same year as The Pink Panther, the film that introduced the world to the bumbling French detective Inspector Clouseau. In this second installment, a man has been murdered and all the evidence points directly to the beautiful Elke Sommer (including the murder weapon, which she's holding as she stands over the body!). Clouseau, of course, insists she's innocent and that he will prove it! Which just accelerates the process of driving his boss (Herbert Lom) insane. Clouseau, determined that Sommer is innocent, releases her from jail, thinking she'll lead him to the real culprit. Of course, other people die along the way, and each time Sommer's put back into jail, Clouseau doggedly releases her. The best part of the film? A scene in a nudist colony, where the bashful Clouseau must find Sommer and talk to her - when the police arrive to investigate yet another murder, they both leave the colony sans clothing. The sight of them driving through the streets of Paris completely nude (although we don't see anything naughty, of course) is priceless.

If you want to see Pink Panther films, do yourself a favor and begin with this one - it's as flawless as Clouseau is incompetent!

Based on the French play 'L'Idiote' authored by Marcel Achard and adapted to the American stage by Harry Kurnitz, 'A Shot in the Dark' features Peter Sellers in the lead role of an Inspector with such gifted detective instincts that if he says he can solve a case within "2 seconds", it requires him to experiment with his profound investigative prowess in a full-length feature film to solve it.

'Give me 10 men like Clouseau, and I could destroy the world!' Yes, this great one-liner, uttered by Chief Inspector Dreyfus in a great deal of dismay, indeed outlines the wacky character of 'Inspector Jacques Clouseau' played by Sellers.

'A Shot in the Dark' is the second installment of the 'Pink Panther' Series, and the funniest of them all. The plot is simple, and goes on like this. Inspector Clouseau is sent to the Ballon residence to investigate the murder of Mr. Ballon's Spanish chauffeur Miguel. The Inspector instantly falls in love with the charming maid, Maria Gambrelli, towards whom all the evidences point a finger. But, Clouseau strongly believes that someone else is the murderer who framed her for murder. He thinks she might know something about it. So he releases her from jail and spies on her. Ill-fated circumstances prevent the Insp from successfully spying her moves, and eventually more murders take place. Is she really the murderer? If not, who framed her? Why would anyone kill a chauffeur? And finally, the most important question.. Will Clouseau be able to solve the case?

As the great Inspector along with his assistant, Hercule LaJoy, solemnly embark on his mission to solve the case, peril seems to find its way one way or the other and ride upon his shoulders, except for when his boss, Chief Inspector Dreyfus, is around of course. To Dreyfus just the name of Clouseau is enough to ruin his day. He can't stand sight of Clouseau and hates "every little bit" of him for every time they meet, poor Dreyfus is thrown into the face of adversity within no time, and has to undergo tremendous agony.

All the actors performed well, but it is Sellers who stole the show as the inept detective fumbling and bumbling his way around solving murder mysteries, but mostly bumping into furnitures, snagging crucial areas of his clothes, falling out of windows, pursuing Miss Sommer to a nudist camp and what not.

There is nothing wrong with the Blake Edwards' direction and screenplay. Editing was also upto the mark. Henry Mancini's music, I must also add, is as sassy and frivolous as the film.

The only few minor drawbacks of this film are: Number one, Some portions are repetitive. Like for example, Inspector Clouseau got arrested more than a couple of times for not obtaining selling license in order to sell stuffs such as balloons, paintings, etc. Number two, few comic scenes were way too predictable. You could see them coming. And number three, the ambiguous ending which might leave some audiences wondering who actually murdered whom.

8/10