La mission de mister Manning

This movie is one of those that's great to watch in the dark with popcorn, on a rainy night, or come to think of it, pretty much anytime. The actors are great, and the mood is very intense. Whitman was early in his career, McDowell does his usual stellar work, and Lauren Bacall gives one of her best performances as someone who belongs in the asylum, not running it. This is a great old flick that deserves a lot more recognition that it gets. If you watch it, and like it, tell others about it so the word can be spread. This deserves to be released on DVD if it hasn't already, and should be mentioned with the other great Hollywood thrillers.

If you ever have a hunch that a movie you saw in your youth was good, give your memory the benefit of the doubt, because you may be surprised once or twice: now, 52 years after its release in cinemas, I have bought a copy of "Shock Treatment" that was made in Germany (with Spanish subtitles!) with above average quality, and I found out how good it is. No wonder I had not forgotten this movie, even if I could not remember the plot. It is definitely not a serious drama, for it mixes a touch of camp and humor in a story that borders on horror and science-fiction, played with gusto by everybody, especially Lauren Bacall as a wicked psychiatrist. On the other hand, if you approach it as a straight psychological drama, you will find that scriptwriter Sydney Boehm was quite sincere and treated the "psychic elements" of the story with all the respect you could expect in 1964, to add as much realism and credibility as he could to such a wacky tale. Everybody in the cast seems to be having a field day: Stuart Whitman was in his best years doing his usual hunk hero number, Roddy McDowall was quite effective as a psycho killer with loads of homoerotic sensibility, Carol Lynley has more than enough screen time to portray a troubled girl whose natural sensuality was repressed by her mother, and Bacall is wonderfully mean as the highly unethical head of a mental hospital. Director Denis Sanders had a very curious career: he did everything, from bee girls' horror to documentaries about Elvis Presley and soul music, and the compelling war drama "War Hunt" with John Saxon as a schizophrenic soldier, plus two works that have been declared National Film Registry by the US Congress: the moving Civil War short "A Time Out of War" and the documentary "Czechoslovakia 1968". Here he is also in good shape, effectively handling the story and immensely helped by Sam Leavitt's beautiful black & white / wide-screen cinematography. Jerry Goldsmith, who had worked in "Freud" in 1962, composed here another good score for "mental matters". In fact, 1964 was an excellent year for Goldsmith, who also wrote great dramatic music for "Rio Conchos" and "Fate Is the Hunter". If you do not sit waiting for a masterpiece, turn off the lights, ignore your cell phone and take it as fun, as a tale of greed and nutty plans, with fantasy solutions played by good actors, and you will probably enjoy "Shock Treatment" as much as I did.

This is a very unusual role for Stuart Whitman, who was more at home as cowboys, western heroes and partners with John Wayne, but here he has for once a very interesting role, as an actor who is paid to act a lunatic at an asylum to investigate murky business there, like hiding a million dollars, which the doctor, Lauren Bacall in one of her best parts ever, suspects one of the patients to have hidden away. That patient is Roddy McDowall, and the best scenes are with him and Stuart Whitman together, one really mad and the other acting mad just to get the right information, which finally the doctor (Bacall) finally succeeds in extorting by her medicines and psychiatric tricks, all three are at their very best in acting, but Lauren Bacall actually takes the prize. I have seldom laughed so heartily as at her grand finale, while this actually is a very serious and moral tale, about the vainglory and futility of money. All three are magnificent, and although there are some really revolting scenes hard to digest, the actor does get the better of the actor (Whitman), while that million dollars finally actually is found, exactly in the very condition which Roddy McDowall all the time has insisted, and yet not in quite the expected form.

Stuart Whitman is a money-hungry actor who is hired to fake insanity in order to find $1 million in "Shock Treatment." The film also stars Lauren Bacall, Roddy McDowell, Carol Lynley, and Ossie Davis. When asked about this film, Lauren Bacall commented, "You have no idea what Roddy and I went through making that movie." I don't, and frankly, it's a little hard to tell what the problems were from the filming. It seemed pretty straightforward. She plays a doctor who would have found a good home on Josef Mengele's staff. McDowell is a patient in the asylum who killed his wealthy boss and then supposedly burned her money. No one believes that, and Whitman is hired to find out where he hid it.

It turns out, he's not the only one interested, and things become pretty dangerous for him. The movie seems to meander along, and then becomes rather exciting toward the end. It was directed and filmed in an uninteresting way, so it's not as good as it could have been.

Funny that I watched SHOCK CORRIDOR last week and read ONE FLEW OVER A COCKOO NEST again two days ago. I did not foresee this program. The two best stories ever about mental institutions; but I am sure there are some more, unknown, from Eastern Europe countries for instance. Anyway, this film starring Stu Whitman and Lauren Bacall, is very good too. Bacall is excellent in this role of the evil woman, she is effective at one hundred percent, but her character - AND NOT HER PERFORMANCE - is not as powerful as Louise Fletcher's one in Milos Forman's masterpiece. The role of the female master, the Devil's sidekick in charge of the lead actor and the mental institution. Yes, this film, though not being on the same scale of the other two is worth watching, even less depressing and gloomy too. I don't know if it was released in France. Not sure. You can prefer THE SNAKE PIT, from director Anatole Litvak, psychiatric institutions shown from another angle.