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6.9/10
7.8K
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When a hypochondriac believes he is dying, he makes plans for his wife--which she discovers and misunderstands.When a hypochondriac believes he is dying, he makes plans for his wife--which she discovers and misunderstands.When a hypochondriac believes he is dying, he makes plans for his wife--which she discovers and misunderstands.
- Director
- Writers
- Stars
- Awards
- 1 win & 1 nomination total
John Alban
- Commuter
- (uncredited)
Don Anderson
- Country Club Member
- (uncredited)
Shirley Anthony
- Country Club Member
- (uncredited)
Herschel Bernardi
- TV Announcer
- (voice)
- (uncredited)
Paul Bradley
- Country Club Member
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
One early morning around 1:00 AM I was seeing what was on TV and I started to watch Send Me No Flowers. I had no idea what it was, but when I saw Norman Jewison's name in the opening credits, I made a point to keep it on the channel. So then it gets to the wildly creative opening scene, with Rock Hudson in bed, looking miserable. There's a voice over asking questions about his ailments, and it comes off like a cough syrup commercial from 40 years ago. That one scene was creative enough to make me think "I don't care if the word 'flowers' is in the title, I'm going to watch this thing!" The story is funny as well. Hudson plays a hypochrondriac who thinks he's going to die. He decides to try and set his wife up with a new man in the few weeks that he believes he has left to live. I had never seen a Hudson/Day/Randall movie before. I enjoyed the chemistry between the three of them a lot more than any pairings in romantic comedies of today. It was also interesting to see an earlier movie from Norman Jewison. It has nothing in common with his later movies, but the always original Norman Jewison style still shines, even in this, a somewhat formula based movie of it's time. The dialogue was clever and the actors deliver it beautifully. My only complaint would be that occasionally the comedy gets kind of silly and sitcom-like. The rest of the movie is so smart and well written that the sillier scenes feel out of place. I since have also seen Pillow Book, but I think I prefer Send Me No Flowers. I hope one day soon I catch this on TV at 1:00 in the morning again.
I stumbled across this movie one morning. I don't usually like comedies from this era, but I really liked this one. It is very cute and funny and just perfect. The three are a great team and Tony Randall is especially funny. I recommend it to all.
Another self-opinionated reviewer bites the dust. Having blithely pronounced "Lover Come Back" to be the best of the three Day-Hudson comedies without even having seen this one, I now willingly eat crow and and say I was wrong. "Send Me No Flowers" is the best. "It's a honey!"
This is a wonderful suburban world of lawns and yards, bridge games and country clubs, commuter trains and divorce rumours. George Kimball (Rock) is a malade imaginaire, and Judy (Doris)is ... well, blonde. Tony Randall is at his considerable best as the nerdy neighbour Arnold who gets entangled in the Kimballs' misunderstandings, with delicious comic consequences. Paul Lynde turns in a marvellous cameo as Mister Akins of the funeral parlour, and the annoyingly perfect Bert Power is played with breezy confidence by Clint Walker, TV's Cheyenne (the incidental music gives him a witty little cowboy theme).
"My hypochondria has finally paid off," announces George after hearing (and misconstruing) his doctor's talk of impending mortality. Arnold prepares a eulogy which mentions George's 'unfailing good humour', a phrase which could stand as the movie's subtitle. Hudson is masterly as the doom-laden George, showing how assured he can be when the material is strong. This well-crafted script is derived from a Broadway play, and its quality shines through. Doris wears a very prominent wig and, in true Doris style, keeps her bra on under her negligee.
Made in 1962 when television had clearly won the battle against the cinema, the film uses TV's ascendancy in a very knowing way in the opening gag.
Verdict - Near-faultless domestic comedy with great work by Hudson, Day, Randall and Lynde.
This is a wonderful suburban world of lawns and yards, bridge games and country clubs, commuter trains and divorce rumours. George Kimball (Rock) is a malade imaginaire, and Judy (Doris)is ... well, blonde. Tony Randall is at his considerable best as the nerdy neighbour Arnold who gets entangled in the Kimballs' misunderstandings, with delicious comic consequences. Paul Lynde turns in a marvellous cameo as Mister Akins of the funeral parlour, and the annoyingly perfect Bert Power is played with breezy confidence by Clint Walker, TV's Cheyenne (the incidental music gives him a witty little cowboy theme).
"My hypochondria has finally paid off," announces George after hearing (and misconstruing) his doctor's talk of impending mortality. Arnold prepares a eulogy which mentions George's 'unfailing good humour', a phrase which could stand as the movie's subtitle. Hudson is masterly as the doom-laden George, showing how assured he can be when the material is strong. This well-crafted script is derived from a Broadway play, and its quality shines through. Doris wears a very prominent wig and, in true Doris style, keeps her bra on under her negligee.
Made in 1962 when television had clearly won the battle against the cinema, the film uses TV's ascendancy in a very knowing way in the opening gag.
Verdict - Near-faultless domestic comedy with great work by Hudson, Day, Randall and Lynde.
7tavm
Different from their previous two film teamings, Doris Day and Rock Hudson are actually husband and wife throughout instead of just getting married by the end of their other ones. And third co-star from those same two movies-Tony Randall-is also married this time though we never see his wife or offspring here! Anyway, Hudson mistakenly thinks he's about to die due to some selective overhearing of his doctor when he's in the rest room and only Randall knows initially. That premise drives much of the plot with Randall, especially, getting some good laughs from his behavior from that point on. Ms. Day, herself, has some amusing moments at the beginning and some good slapstick scenes though one sequence involving an out-of-control golf cart was, perhaps, a little too much. Hudson, well, he seems even more comfortable doing comedy scenes than his previous two films with Day and Randall and partly seemed to really have a ball here, that's for sure! There's also good supporting turns from Edward Andrews as Hudson's doctor and Paul Lynde as a funeral director who seems too enthusiastic for his job! My mom and I really enjoyed this one so that's a recommendation for Send Me No Flowers.
Very good screenwriting here and a very good example of early sixties suburban lifestyle.Very funny and this movie is one of the best comedies of all time.The cinematography was splendid as well.Comedy fans please watch this one!
Did you know
- TriviaGene Kelly was originally signed to direct, but exited when he failed to get Warren Beatty and then Bobby Darin to star.
- GoofsWhen Dr. Morrissey is delivering fish to Judy, she mentions that George is dying. Dr. Morrissey starts laughing and sits down, taking his glasses off. In the next shot the glasses are back on.
- Quotes
George Kimball: When a man's wife thinks he's having an affair, how can he convince her he's not?
Arnold Nash: He can't.
George Kimball: But I'm not having one!
Arnold Nash: Doesn't make any difference.
George Kimball: Isn't a man innocent until proven guilty?
Arnold Nash: Look, you're dealing with your wife. You can forget the Constitution.
- Crazy creditsOpening credits prologue: "The desire to take medicine is perhaps the greatest feature which distinguishes man from animals." Sir William Osler
- ConnectionsFeatured in The Beverly Hillbillies: Jed Becomes a Movie Mogul (1964)
- How long is Send Me No Flowers?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- Send Me No Flowers
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $9,129,247
- Runtime1 hour 40 minutes
- Color
- Aspect ratio
- 1.85 : 1
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Top Gap
By what name was Ne m'envoyez pas de fleurs (1964) officially released in India in English?
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