Séduite et abandonnée

In Sicily, the fifteen year-old Agnese Ascalone (Stefania Sandrelli) is seduced by the youngster Peppino Califano (Aldo Puglisi), who is the fiancé of her older sister Matilde (Paola Biggio). When her father, Don Vincenzo Ascalone (Saro Urzì), discovers that Agnese is not pure anymore and is pregnant of Peppino, he visits his parents to arrange the marriage between Peppino and Agnese. Further, he makes arrangement with the decadent Baron Rizieri Zappalà (Leopoldo Trieste) to be Matilde's new fiancé. But Peppino refuses to marry Agnese and flees to a hideout in a convent. Don Ascalone seeks out his cousin that is a lawyer and they plot a scheme to kill Peppino. Don Ascalone sends his stupid son Antonio Ascalone (Lando Buzzanca) to gun down Peppino, but Agnese leaves home and tells the Police Chief Polenza (Oreste Palella) that Peppino will be murdered because she had been seduced by him. Now Peppino must marry Agnese otherwise he will go to prison. But Agnese does not want to marry him anymore.

"Sedotta e Abbandonata", a.k.a. "Seduced and Abandoned", is a tragicomic comedy about honor and family in Sicily. The Sicilians probably do not like this bitter movie since the story shows a hypocrite and retrograde society in the 60's, with gossipers and people interested in keep up appearances despite the feelings of the next of kin. Unfortunately the conclusion is quite disappointing. My vote is eight.

Title (Brazil): "Seduzida & Abandonada" ("Seduced and Abandoned")

It is so rare to watch a funny masterpiece with so many insights! Sicily in the 50's appears obsessed with a twisted concept of honor, or, better, of an impeccable APPARENT reputation. No other movie I have seen is able to give such a vivid idea of the double morality for men and women that ails the "cultura machista". The character I love most in the movie is the extremely naive sister of the protagonist, who lives in her romantic world and does not realize what kind of tragicomic events are happening around her. In a word, truly a masterpiece.

Criterion Collection was generous enough to introduce me to Germi's works, first starting with Divorce, Italian Style. It was only natural that I followed up with Seduced and Abandoned, since I was blown away by Divorced, and had a newfound love of contemporary European cinema, especially from French and Italian filmmakers. I know it's relatively simple to find out about little gems of work from foreign directors (using IMDb, for example), but I'm grateful for a company like Criterion to steer me in the direction of fantastic films and the visionaries that create them. Saves me a lot of time and effort, haha.

Now, I'm just some random nobody in his early 20's, born and raised on the prairie of Western Canada. In a sense, I may not be as "culturally perceptive" as someone hailing from a direct Old-World European background. But to discover a film such as Seduced and Abandoned, it was a guaranteed shock to see the enormity of differences between the values, traditions, and customs of Sicily compared to what I grew up in, astonishing since these worlds are separated only by a couple generations! Then again, forced marriage might be as frowned upon nowadays as if someone from that era might look into the future and see the overwhelming divorce rate of ours! It's really a subjectivity of time, where a brilliant, neorealist director, not unlike Germi, of our time will be able to capture a kind of absurdity in the way we deal with (or possibly lack thereof) now common principles and practices, such as infidelity, polygamy, same-sex unions, etc.

I'm rambling. Seduced was a depressingly good movie. Sardonic and whimsical at the same time, this one had the ability to leave a bittersweet taste with me afterward, to not dismiss the ideals held in Sicilian culture a couple generations ago, but to ponder them, to compare them to the beliefs and mores of our generation.

Sandrelli was phenomenal, as always. And I'm glad Germi cast Saro Urzi as the father instead of some North American counterpart, like Borgnine... Added to a certain authenticity that I wouldn't find if that'd been the case.

Lando Buzzanca as Antonio, and Leopoldo Triste as the Baron were amazing as the kind of actors that kept the comedic ball rolling in this type of film; although Seduced is known as a key player in the Comedia d'all Italiano, without these laugh-out-loud performances, the film would be a depressing portrayal of old Italian values and nothing but.

I look forward to the day when a company like Criterion will release more of Pietro Germi's film works (undoubtedly his 1950's dramatic working class oeuvre), to an international audience...

Until then.

The Italians are masters at laughing at themselves. I wonder if Iraq had developed that kind of self parody the world wouldn't have turned a much different place. I mention Iraq because, based on the tale told in "Seduced and Abandoned", the only difference between Sicily and Iraq is the name of their God. The great Pietro Germi designs a grotesquely comic masterpiece of such ferocity that the line between comedy and tragedy is indeed very thin. As is typical in a Germi film, the cast is uniformly sensational. Here, besides a very young and extraordinary Stefania Sandrelli, there is a superlative performance by Saro Urzi, the head of the family threatened by a devastating scandal. Ignorance and hypocrisy dissected with a refined, elegant hand. Observed with the acute, unsentimental eye of an outsider and yet, Pietro Germi, was an Italian who looked with affectionate horror at the cultural ties that kept his Country trailing behind the rest of the western world. Not to be missed.

The late Pietro Germi was one of the most gifted comic directors of the post-50s period. He is the man behind such wonderful movies like DIVORCE, ITALIAN STYLE; ALFREDO ALFREDO; SERAFINO; THE CLIMAX; THE BIRDS, THE BEES, AND THE ITALIANS. This hilarious movie, which may be his very best, is a loving yet deadly satire of Sicilian customs. The dejected heroine Agnese (played by Stefania Sandrelli) is seduced by her sister's fiance while she is chaperoning her snoozing sister during the sultry Sicilian siesta hours. She becomes pregnant and must succumb to a shotgun marriage demanded by her father. Problem: Sicilian seducers do not accept unchaste wives. It does not matter that HE seduced the girl. He has his honor. The father has honor too. This corpulent apoplectic domestic tyrant must also protect his family's "onore". For Verdi's Falstaff honor is a mere word. For this proud Sicilian father it is the foundation of our lives. Saro Urzi's performance as the father must be seen to be believed. Everyone else in the cast of this brilliant film is unforgettable as well. Carlo Rustichelli's musical score, like the one he provided for DIVORCE,ITALIAN STYLE is fabulous.