Sangam

I have seen this movie during quarantine occurred in COVID 2019. So, basically was going through many memes of being an introvert or an extrovert. And what i found in this movie is two lead actors Raj Kapoor (Sunder) and Rajendra Kapoor (Gopal) of the movie are extrovert and introvert respectively. And this nature of human created Chaos in the lives of three including Vjjayantimala(Radha). The extrovert one was obviously so much open but he never tried to get the minds of his friends and an introvert was obviously not expressing his thoughts of love to either of his friends. This gives turn to the life of three but it hitted hard to the character of Radha. She not being introvert or extrovert but a woman whose life gets direction after men or family of her own. It is confusing that how she did not opposed Sunder when she had to. So, she has no option but to choose whatever comes in her way and she finds happiness in it. The songs played nice role in the movie. "Har Dil jo pyar karega wo gana gayega" is best for all of us who have fallen in love. The people from this era of movie had good tour of Europe from the honeymoon scenes of the couple. Because those were days when we even could not wander through our own country. Due to this, length of the Sangam has risen but it was ok with the 60s. O mehbooba song shooted in Ooty is eye vitamin as it has shown beautiful nature.

Indeed, a love triangle with two friends falling for one beautiful lady is one of the most tedious plotlines and not just in India, but this one is different thanks mainly to the script and Kapoor's excellent direction. In Kapoor's able hands, what could have been a bland love story becomes a poignant story of love and sacrifice, a true portrait of friendship and marital conflict, and altogether pure classic entertainment. It's not perfect - some of the parts, particularly in the first half, including the entire track of Kapoor's character disappearing, being mistaken for dead and then reappearing in the most predictably convoluted of film twists - just don't ring true. Then the usual naiveté of his character and him not ever realising that she doesn't love him got on the nerves. One also wishes the film was just a little bit shorter, although it's a petty complaint, particularly for a Hindi film. The film's runtime is more or less decent for the story it tells but then the show is so engaging and entertaining that not much patience is required for the most part even if some parts drag a bit.

The reason that some of the flaws are easily forgiven is that Sangam is greater than the sum of its parts. It might be great in the eyes of many viewers for reasons related to its nostalgic value, but I dare any uninvolved party to dismiss its technical brilliance. Some of the shots are just breathtaking and too good to be true (for the time when it was filmed). The sound is as great and the high production values, coupled with the beautiful sets, costumes, and the overall quality feel of the film, make for a true visual treat. But it's not just all gloss, the film is meaningful and substantial in its emotional effect, some of the dialogues are phenomenal, particularly when the drama grows. And it indeed grows in the second half, much to the point of looking like a different film in each of its virtual episodes. Even the songs, pure classics of Indian cinema including "Har Dil Jo Pyaar Karega", "Bol Radha Bol", "Ye Mera Prem Patra", "O Mehbooba", "Buddha Mil Gaya", and "Dost Dost Na Raha" - all fantastic and beautifully shot, but they contribute to the narrative and are always situationally relevant.

As a mainstream Hindi film made at a time when films started gradually losing their sense of realism, often relying more on the melo- than the -drama, the film still manages to tread that fine line to create a film that is as credible as it is sentimental. The actors, as part of this deliberate choice of style, work well opposite one another. Raj Kapoor is better as a director here but acts well although something in his lack of awareness of the girl's feelings towards him (or lack thereof) was annoying. His initial demeanor explained in a way why she didn't want him, but similarly his change explained her change of heart. Rajendra Kumar is the more interesting, reserved character, and he is excellent in a heartbreaking performance. Obviously though, it is Vyjayanthimala who steals the show as the centre of attention - the love interest, the lover, the conflicted wife. Her transformation throughout the story is the most interesting, and she shines all through. By the end, despite all the melodrama, I was surprised by how moved I was and how deep and affecting the story turned out to be. A Raj Kapoor classic.

Still very popular movie. Good story with excellent photography by Radhu Karmakar and good direction by Raj Kapoor supported by good acting by Rajkapoor, Vaijyanti Mala and Rajendra Kumar.

All the songs composed by the magical duo, Shankar Jaikishan were super hit.. still very popular.

Dost Dost Na raha, Har Dil Jo Pyar Karega, O Mehbooba., Yeh Mera Prem Patra, Bol Radha Bol, O Mere Sanam and Is Liebe dis..

All were quite hit, written by Shailendra and Hasrat.

A very stretched film, still makes compulsive watching. Beautiful songs, beautiful cinematography and very beautiful colours. And of course, the beautiful Vyjayantimala. With only three principal characters moving on screen, the director in Raj Kapoor still manages to avoid boredom with amazing skill. Hats off to him.

The story is a little contrived and the acting melodramatic, but the songs make the movie. The songs are really very well situated amidst the beautiful and breathtaking scenery. Vyjantimala's spontaneous dance in the European hotel has never really been successfully duplicated in Indian cinema. It is a classic that was shot in one take I believe. The songs are really and truly memorable and are still heard today in the collections of Mukesh. Also, Raj Kapoor's acting was so effortless and natural in the boat scene where he captures Vyjanitmala and pulls her into his boat. The song is Mehbooba and is terrific. Another excellent song is Mere Prem Patra and the location shot is absolutely stunning and very colorful.