A murder mystery involving several high-profile Londoners being bumped off near a Soho nightclub by a masked killer.A murder mystery involving several high-profile Londoners being bumped off near a Soho nightclub by a masked killer.A murder mystery involving several high-profile Londoners being bumped off near a Soho nightclub by a masked killer.
- Director
- Writers
- Stars
Emil Feldmann
- Papa Red
- (as Emil Feldmar)
Bryan Edgar Wallace
- Self
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
In the 1960's two German studios were grinding out thrillers based on the works of Edgar Wallace and his son Bryan.This particular studio finally gave the field over to Rialto in 1964 after Monster Of London City.
This is a better than average film in the series as many at this point had become unwatchable.A hooded killer is disposing of clients of a seedy strip club.Government officials are heavily involved.A white slavery ring and revenge tie into the plot as well.The usual red herrings abound and the killer seemingly comes out of left field.Still worth a look.
This is a better than average film in the series as many at this point had become unwatchable.A hooded killer is disposing of clients of a seedy strip club.Government officials are heavily involved.A white slavery ring and revenge tie into the plot as well.The usual red herrings abound and the killer seemingly comes out of left field.Still worth a look.
A German film taking place in England. A nice little plot with some entertaining policemen. The fun is in the investigation, though it does become muddied at times. For some reason, I knew the ending. Maybe I've watched too many movies. Still, there are some nice, stuffy performances and it is a pretty good whodunnit. If there is a criticism, it is editing and pacing. At times you just want to yell, "Get on with it!" But the plot does revolve around a crime for money and it really makes good sense when it is all over. The dubbing isn't bad. Whoever did voice overs did a nice job of trying to match the current scene.
First off I recommend the Retromedia release as it is struck from a very good print. I might add this is the uncut version of the film. It contains two topless strip scenes and knife kill closeups that are usually missing from other prints. The dubbing is impressive. What I enjoy most is the agile and imaginative camera direction of Gottleib. The camera is almost never static.We are often treated to scenes which begin overhead then move down and envelop the actors. The scene involving the knife throwing act where the camera revolves as the assistant revolves is inventive. The plot is mediocre and you can identify the killer early on but taking the journey is most of the fun. A wonderful recreation of London with plenty of smoke and fog makes an excellent backdrop for this krimi thriller. Add to it an early 60's jazzy lounge soundtrack and you can't spend a better 96 minutes in my book.
The killings in question take place around a seedy Soho den of ill repute known as the Sansibar, run by the wheelchair-bound crime boss Joanna Filiati (Elisabeth Flickenschildt). Somebody in sparkly golden Michael Jackson gloves is running around in the shadows stabbing people in the heart, something Joanna is trying to keep quiet, so as not to draw attention to her ring of prostitution, insurance scams, and other plain and sundry dirty dealings. Unfortunately for her, Scotland Yard is on the case, specifically Chief Inspector Hugh Patton (Dieter Borsche). Even more unfortunately for her, crime novelist Clarinda Smith (Barbara Rütting) is dogging him to let her tag along on the case, and the more he refuses, the more she seeks to prove herself an even better investigator than he is.
Despite this film featuring the comings and goings of the criminal element of London and their interactions with the Scotland Yard, this is a sort of a slasher thriller- the serial killer whodunit is front and center, forming the backbone of the entire plot. It's fast-paced, dark, seedy and sleazy with some surprising nudity by a dancer in the club. It's dripping with black and-white atmosphere, with cigarette embers lighting dark corners of the grimy street, and pale white disembodied faces peering around corners in harsh contrast with the dim London fog. Solid atmosphere, but it can be a bit too seedy for me. Surprising unraveling of the killer, with a tragic motive.
Despite this film featuring the comings and goings of the criminal element of London and their interactions with the Scotland Yard, this is a sort of a slasher thriller- the serial killer whodunit is front and center, forming the backbone of the entire plot. It's fast-paced, dark, seedy and sleazy with some surprising nudity by a dancer in the club. It's dripping with black and-white atmosphere, with cigarette embers lighting dark corners of the grimy street, and pale white disembodied faces peering around corners in harsh contrast with the dim London fog. Solid atmosphere, but it can be a bit too seedy for me. Surprising unraveling of the killer, with a tragic motive.
The Phantom of Soho takes us to a setting of dark alleys and the dirty, crime infested streets of Soho England. We meet a varied assortment of characters including strippers and prostitutes. This is where we are taken in this movie which has a combination of horror, mystery, sexual backgrounds and situations. All of these together make this 1966 movie a bit different from the typical `who done it' movie. I didn't have high expectations for this movie but found myself to be pleasantly surprised having been caught up in it's suspense and mystery. In my opinion, there are a lot of better horror/mysteries out there, but this one is still worth watching and makes an enjoyable viewing. Give it a chance.
Did you know
- Crazy creditsWhen the credit "by Bryan Edgar Wallace" appears on screen, a narrator reads it to us.
- ConnectionsFeatured in Frissons teutons - Les Films Edgar Wallace (2011)
Details
- Runtime
- 1h 37m(97 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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