L'ange pervers

Kim Novak after leaving her long term contract at Columbia made "Boys Night Out" at MGM and then this fine version of the great classic novel. MGM filmed "Of Human Bondage" on location in Ireland first billed over British star Laurence Harvey assigning Henry Hathaway,a very well known but gruff, 'shoot em up' Western Director, to helm this film. Hathaway and Novak clashed from the beginning of the filming and Kim Novak walked off the film. MGM had to decide who was more important and soon Kim Novaki was back on the film but a new director assigned. This film had a lot of bad press during the filming due to the Novak-Hathaway feud, but seen today it is a very fine film with Kim Novak superb in the role of Mildred that made Bette Davis a superstar worldwide. In fact I feel Kim Novak is better in this role than Bette Davis was, less shrill, and Ms.Novak is particularly moving in the End of the film. Kim Novak was always regarded as a big box office star, but her work in review demands a more intelligent appraisal of her varied work from "Picnic" thru "Vertigo" to "Middle Of the Night," "Strangers When We Meet" this film and another film bashed when it debuted "Kiss Me Stupid". Walter Matthau before he died gave an Interview where he stated he learned more from Kim Novak than any other person in Hollywood on screen acting.

One of the best films I have yet seen. (Then again it helps if you have lived a life in strong coincidence with the lives portrayed; and not merely a commentator, a mere critic of film)

This film was my first introduction to Ms. Novak, and yes I admit I was, am, smitten. Ms. Novak brings great depth to her role, a woman seemingly comprised of true grit, this only serving to hide her truths, truth which she never admits to herself.

Love will always be an ever-spring subject, and morality tales their best method to ambitiously telling the nature of human pain and suffering, of which there is much of in this film. The tale of a woman always lost, a woman whose redemption lies solely with the only man that would ever truly Love her.

Love can be a grand thing, though so often, Love disposes of people with nary a backwards glance.

I've not seen a version with Eleanor Parker in the lead made in the Forties, but the version in 1934 with Bette Davis and Leslie Howard set an impossible standard that sad to say Kim Novak fell short of as the acid tongued amoral Mildred Rogers in Of Human Bondage.

W. Somerset Maugham's classic of a scheming woman of the low classes is one of the great works of literature in the past 150 years, The role takes a great actress to perform it. Kim was quite a bit out of her depth as compared to Davis and Parker.

Lawrence Harvey is the club footed and socially unskilled Philip Carey, a medical student who becomes completely infatuated with a woman of the lower classes whom he first meets when she waits on he and his medical school peers in a restaurant. Harvey who in real life was quite the lady killer really took a part so totally opposite his nature. The role he got an Oscar nomination for, Joe Lampton in Room At The Top was far closer to the real Harvey. Still he does pull it off.

There are a lot of similarities to the other Maugham classic Rain, in fact Of Human Bondage is almost a looking glass version. Both concern very moral and straight forward men degrading themselves over a woman of easy to non-existent virtue. The difference is that in Rain the protagonist Reverend Davidson does destroy himself and Carey pulls himself back from the abyss.

A couple of other performances of note are Robert Morley in a serious part as Harvey's medical professor and Roger Livesey as a patient who has a daughter who's a nice girl who takes an interest in Harvey. But for the moment he's enthralled with Novak.

Kim has the beauty for the role, but there is really only one Bette Davis.

In Paris, the clubfooted aspirant painter Philip Carey (Laurence Harvey) is advised by an acquaintance to give-up his artistic ambition since he would be a mediocre artist. Philip joins the medical school in London using his inheritance to pay schooling and to have a simple but comfortable life.

When he meets the waitress Mildred Rogers (Kim Novak) in a restaurant, the shy Philip has a crush on her but she rejects him. Philip stalks Mildred and dates her; however the easy woman scorns him. When Philip proposes Mildred, she tells him that she is going to marry her lover Mille, leaving the brokenhearted Philip obsessed for her. He tries to move on, dating the intellectual Norah Nesbitt (Siobhan McKenna) in an unrequited love. However, when Mildred returns alone and pregnant, Philip lodges her at home.

Sooner Mildred becomes lover of Philip's best friend Griffiths (Jack Hedley) and leaves Philip again. When Philip finds Mildred prostituting on the red light district, he brings Mildred and her baby to live with him. Mildred unsuccessfully tries to seduce Philip but he loathes her. Mildred feels humiliated and wrecks his apartment, and Philip quits the medical school. Meanwhile Philip befriends Thorpe Athelny (Roger Livesey) that introduces his daughter Sally Athelny (Nanette Newman) to him. But Philip is still haunted by his passion for Mildred.

"Of Human Bondage" is an unpleasant romance about unrequited love, betrayal and sexual obsession. I have never read the W. Somerset Maugham's novel but John Cromwell's version of 1934 is better than this 1964 version, with a better development of the whole romance. This 1964 version reduces the whole story to an unrequited romance between Philip Carey and Mildred Rogers and does not emphasize important aspects of the romance. But Kim Novak shines with her beauty and performance, and it is easy to understand why Philip Carey falls in love with Mildred. My vote is six.

Title (Brazil): "Servidão Humana " ("Of Human Bondage")

It is unfortunate that the 1934 version of this film has become the precedent by which all following adaptations seemed to be judged. This version does not try to imitate the "classic" and is an entirely different animal (making up for many of the flaws in the original).

Whereas Bette Davis portrayed Mildred as an over-the-top shrew, Kim Novak gave her an almost childlike naivety. It is not that Mildred wants purposely to hurt men but rather that she simply does not know how to behave better. Novak's interpretation gives Mildred the much needed humanity that was absent in the first version. Since Mildred now has genuine moments of kindness, it is much easier to see how Philip (Laurence Harvey) becomes obsessed with her.

Harvey, however, is greatly miscast in this film. As a crippled young man who likes art and helping people through medicine, Philip has a great deal of sensitivity (as seen through Leslie Howard's performance in the original). But Harvey, the actor who relished in being unlikable, is completely unable to deliver this. He fared much better in grimy roles ("Walk on the Wild Side," "Darling") and so he is only convincing in the scenes where he yells and slaps Mildred. (Given the reports that Harvey and Novak loathed each other, it is easy to see why these scenes are the most convincing). He is terrible, however, at looking smitten.

Performances aside, this version is refreshingly modern. Rather than glaze over the seedier bits to appease the censors, you will actually hear words like `whore' and `syphilis.' The final scenes are quite touching too, thanks in part to Novak's humility (she truly looks decrepit towards the end). The score cascades a little too loud and often though in all the pivotal scenes and this version would have benefited greatly from a more realistic approach.

This is a must see if you are a fan of the story and Kim Novak. Somerset Maugham supposedly adored Novak's interpretation of Mildred and it truly is a refreshing take on Of Human Bondage.