Sylvester Cat has caught and eaten every messenger the Mexican revolutionary mice send to General Gracias. So, Speedy Gonzales is summoned to outwit and outrun Sylvester and reach the Genera... Read allSylvester Cat has caught and eaten every messenger the Mexican revolutionary mice send to General Gracias. So, Speedy Gonzales is summoned to outwit and outrun Sylvester and reach the General with an important message, which turns out to be a birthday greeting!Sylvester Cat has caught and eaten every messenger the Mexican revolutionary mice send to General Gracias. So, Speedy Gonzales is summoned to outwit and outrun Sylvester and reach the General with an important message, which turns out to be a birthday greeting!
- Director
- Writer
- Stars
Mel Blanc
- Speedy Gonzales
- (voice)
- …
Roger Green
- Manuel
- (voice)
- …
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- Writer
- All cast & crew
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Featured reviews
Speedy Gonzales, on the verge of becoming the top Warner Bros. cartoon star (as they retired most of the characters), starred in Robert McKimson's "A Message to Gracias". This one has Speedy getting hired to deliver a letter to a revolutionary general - who looks like a mouse version of Ernest Borgnine - after Sylvester eats the other messengers. You can probably guess what sorts of things Speedy does to Sylvester.
This isn't exactly related, but I would like to talk about why Warner Bros. closed its animation department in 1963. The Looney Tunes were products of vaudeville-style entertainment. This type of humor was becoming old-school by the Kennedy era, and members of the baby boom were starting to come of age. So, WB closed its animation department. I don't really know why Friz Freleng established a new studio and sold cartoons to WB. Granted, I like Looney Tunes cartoons as much as the next person, but anyone can see that they were starting to lose steam by this point. This cartoon is OK in a pinch.
This isn't exactly related, but I would like to talk about why Warner Bros. closed its animation department in 1963. The Looney Tunes were products of vaudeville-style entertainment. This type of humor was becoming old-school by the Kennedy era, and members of the baby boom were starting to come of age. So, WB closed its animation department. I don't really know why Friz Freleng established a new studio and sold cartoons to WB. Granted, I like Looney Tunes cartoons as much as the next person, but anyone can see that they were starting to lose steam by this point. This cartoon is OK in a pinch.
This was made well past the Termite Terrace heyday, and it shows. The animation is mediocre (note the longer sequences of running / travel that help pad out the running time), and the timing for the cartoon is terrible. It's just perfunctory and depending on your generosity of spirit towards the characters to work at all.
Love animation, it was a big part of my life as a child, particularly Disney, Looney Tunes and Tom and Jerry, and still love it whether it's film, television or cartoons.
Speedy Gonzales is not a favourite character of mine and his cartoons overall are very variable (the worst cartoons being the worst of his outings with Daffy Duck and 'Mexican Cat Dance'). Am a fan though of Sylvester, regardless of any character he was paired with he was always the funnier and more interesting while also being one to root for. Generally, their outings are better than Speedy's with Daffy though some are better than others, and their pairing makes much more sense and isn't too much of a mismatch. This is evident here.
'A Message to Gracias' has the same strengths and faults as 'Pancho's Hideaway' and 'Nuts and Volts', hence the reiteration. Like those two cartoons, 'A Message to Gracias' is generally one of the better Looney Tunes cartoons to appear in a patchy decade and during a severe declining period that got worse 1965 onwards. There are serious issues still here in 'A Message to Gracias', though fewer than many of the cartoons from 1965 onwards (namely the worst of the Daffy/Speedy series and that for Roadrunner/Wile E. Coyote) certainly and all done far worse in those cartoons. There are also things that are done well.
Budget and time constraints, with the budget being lower, resources being fewer and time constraints tighter, show in the animation. This aspect is very limited, apart from some good flow in how the characters move, especially in the scrappy and incomplete-looking backgrounds. The story is basic and obvious, not an awful lot to it and the predictability factor is high.
Know that comparing Bill Lava unfavourably to Carl Stalling and Milt Franklyn is unfair, but it is difficult not to when the quality difference is so big. Lava did worse later, but the score is not an appealing one in sound, lacks energy and doesn't fit very well with the action.
On the other hand, Speedy is not too annoying thankfully and his chemistry with Sylvester is fun. Sylvester as was predicted is the funnier and more interesting character of the two by quite some way, he's cunning, provides the laughs more than naturally and is easy to root for.
The dialogue is not particularly fresh but it is quite sharp-witted and amusing and there is a crisp pace throughout. The gags are nothing innovative but raised still a number of smiles and laughs. There is an unexpected twist that gives a little more freshness than most Speedy Gonzales cartoons.
Mel Blanc's vocals as expected are very exuberant and full of vigour, few actors have voiced multiple characters in one cartoon alone and give all of them a different identity with such conviction.
Overall, pretty good once again for past prime Looney Tunes. 7/10 Bethany Cox
Speedy Gonzales is not a favourite character of mine and his cartoons overall are very variable (the worst cartoons being the worst of his outings with Daffy Duck and 'Mexican Cat Dance'). Am a fan though of Sylvester, regardless of any character he was paired with he was always the funnier and more interesting while also being one to root for. Generally, their outings are better than Speedy's with Daffy though some are better than others, and their pairing makes much more sense and isn't too much of a mismatch. This is evident here.
'A Message to Gracias' has the same strengths and faults as 'Pancho's Hideaway' and 'Nuts and Volts', hence the reiteration. Like those two cartoons, 'A Message to Gracias' is generally one of the better Looney Tunes cartoons to appear in a patchy decade and during a severe declining period that got worse 1965 onwards. There are serious issues still here in 'A Message to Gracias', though fewer than many of the cartoons from 1965 onwards (namely the worst of the Daffy/Speedy series and that for Roadrunner/Wile E. Coyote) certainly and all done far worse in those cartoons. There are also things that are done well.
Budget and time constraints, with the budget being lower, resources being fewer and time constraints tighter, show in the animation. This aspect is very limited, apart from some good flow in how the characters move, especially in the scrappy and incomplete-looking backgrounds. The story is basic and obvious, not an awful lot to it and the predictability factor is high.
Know that comparing Bill Lava unfavourably to Carl Stalling and Milt Franklyn is unfair, but it is difficult not to when the quality difference is so big. Lava did worse later, but the score is not an appealing one in sound, lacks energy and doesn't fit very well with the action.
On the other hand, Speedy is not too annoying thankfully and his chemistry with Sylvester is fun. Sylvester as was predicted is the funnier and more interesting character of the two by quite some way, he's cunning, provides the laughs more than naturally and is easy to root for.
The dialogue is not particularly fresh but it is quite sharp-witted and amusing and there is a crisp pace throughout. The gags are nothing innovative but raised still a number of smiles and laughs. There is an unexpected twist that gives a little more freshness than most Speedy Gonzales cartoons.
Mel Blanc's vocals as expected are very exuberant and full of vigour, few actors have voiced multiple characters in one cartoon alone and give all of them a different identity with such conviction.
Overall, pretty good once again for past prime Looney Tunes. 7/10 Bethany Cox
Did you know
- TriviaThe title is a pun on "A Message to Garcia", the title of an essay by Elbert Hubbard and of two movie features (1916 & 1936).
- ConnectionsSpoofs Message à Garcia (1936)
Details
- Release date
- Country of origin
- Language
- Also known as
- Il messaggio del rinnegato
- Production company
- See more company credits at IMDbPro
- Runtime
- 6m
- Sound mix
- Aspect ratio
- 1.37 : 1
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