Maciste et les cent gladiateurs

I first saw this in the mid 1960s and was impressed then as I still am. Great story which has Mark Forest righting wrongs in ancient Rome and falling for a young Christian girl. If you like lots of Gladiator fighting and clashing armies, this is the movie for you. The original title was MACISTE; GLADIATOR OF SPARTA which is a more fitting title for this story. However, they needed movies to fit into THE SON OF HERCULES series and this fit in well Enjoy it for what it is ...an action packed Gladiator movie with lots of action. Mark Forest fits the part well. The only thing I didn't like about it was that they always changed these movies to include a Religious theme even when it didn't make any sense to include it.

Mark Forest never looked better then in this lavish gladiator story. Maciste schemes against Caesar to free a group of Christians whom the emperor plans to feed to the lions. Above average peplum with some lovely color photography, nice sets, and well staged battle scenes...this one obviously had a bigger budget then most films of it's kind. A bit overlong, but still enjoyable as Mark Forest and others put forth some fairly decent performances, marred only slightly by the annoying dubbing.

I've seen quite a number of the Italian, mythological muscle man movies, and I find this one to be pretty slow going. Mark Forest does his job as the powerful stalwart, and all the other elements are here (horses, chariots, pretty women and daring do), but the movie keeps coming to a screeching halt about every ten minutes for lengthy verbal plot points. I saw the English dubbed version, which may have contributed to this, but lengthy talking scenes are just as long in any language. These are supposed to be action films, aren't they?

I thought the Steve Reeves/Hercules movies moved along best. (BTW, why did the Italians import Americans for these roles; Forest, and Steve Reeves? Didn't they have any Italian body builders to utilize?) Even one of the action sequences here, with our hero up against a great ape, was a rather drab, ho-hum affair. A number of these movies could have been well served by some Dynamation from Ray Harryhausen.

For fans of the genre, this movie is watchable, as long as you aren't looking for anything new or particularly exciting. If you're not a fan, don't start with this one. It will put you off from watching the better efforts.

Surprisingly engaging peplum featuring one of the most popular muscle-bound heroes – Maciste, a home-bred figure who had first appeared in the Silent epic CABIRIA (1914)…which leads one to pose the question: how did he come to be the Son Of Hercules (in the English-language version of the film), even if he is in fact made to emanate from Greece in this particular outing (as per the original Italian title MACISTE, GLADIATORE DI SPARTA)?

Incidentally, this appears to have been a pretty rare item until its recent release on Italian DVD – for I could only find the ambiguous and idiotic English title above attached to it, slapped on dubbed TV prints of the film! The epithet “Terror Of Rome” may, in fact, be a reference to any of the following: the Roman Emperor (who’s actually quite genial here!), his influential but vindictive aide, and a giant ape(!) whom the hero fights and defeats in the arena (for the record, other enjoyably inventive challenges he has to overcome during the course of the film are a gladiatorial bout in which Maciste’s outnumbered four-to-one, a blindfolded swordfight between hero and villain, and also being tied to a number of horses and dragged across the field of the Circus Maximus).

Anyway, this is easily the best of the recent spate of such low-brow spectacles I’ve been watching (if somewhat overlong at 103 minutes) – which still isn’t saying much perhaps; even so, the fact that the movie was presented in Italian and Widescreen (albeit with an aspect ratio of 1.85:1 rather than the official 2.35:1) certainly helped in this regard. Once again, Mark Forest is the impossibly youthful hero – with THE TRIUMPH OF HERCULES (1964)’s Marilu' Tolo as the female lead (interestingly, however, she’s a popular Roman courtesan who’s accustomed to getting her way but whom Maciste spurns after falling for a blonde, and bland, Christian: nevertheless, Tolo remains faithful to him and even goes so far as sacrifice her life for his new cause!). Speaking of which, an unintentionally funny incident occurs when Maciste (and a handful of Spartan gladiators) beats up the Roman garrison guarding the dungeon prisons and, upon freeing the aged Christian bishop, the latter naively enquires of the hero, “Have you turned Christian?”

The supporting cast is also above-par for this type of film: the villain is played by Robert Hundar (whom I first got to know via his role of the ill-fated revenge-seeking hero of the fine but notoriously nasty Spaghetti Western CUT-THROATS NINE [1972]); typically, he’s a rival to Forest for Tolo’s attentions and, of course, a fervent enemy of the Christian faith – at one point, he promises to throw Forest’s new girl to the lions completely naked but, naturally, this never comes to pass (pity, therefore, that the film wasn’t made by De Mille back in the day!). Hundar’s death, by the way – knifing himself by accident after Maciste slips from his grasp – was an unexpected but welcome ironic touch. Another important figure in the film is the corpulent Roman Emperor – depicted as jaded, volatile and, needless to say, perennially-hungry; on the side of the Christians, providing the comic relief (which, for once, is agreeable rather than intrusive), we get Ferruccio Amendola – father of popular actor Claudio and who’s better known for dubbing the performances in native editions of titles featuring such heavyweight American stars as Dustin Hoffman, Al Pacino and Robert De Niro!

As for director Caiano, he was another versatile artisan of the “Euro-Cult” school: I’ve watched a number of his films over the last few years…though, ironically, I was personally let down by what is probably considered as his best-known work – NIGHTMARE CASTLE (1965), an atmospheric but derivative Gothic chiller starring iconic “Scream Queen” Barbara Steele!

Poseidon must battle a gladiator quartet in ancient Rome. If he wins, the son of Hercules will have his life and anything else he wants. Sure enough, he wins and asks that the life of a Christian girl be spared. But the girl refuses her liberty until all of her fellow believers are also released.

Mark Forest fights the most unconvincing looking gorilla in an unconvincing scene, faces a sword duel blindfolded (great scene), takes on three gladiators in one go, falls in love with a Christian girl and gets dragged by three horses around the stadium in this entertaining peplum. It has a Quo Vadis type storyline but without its enormous budget and scope. The "Nero" here doesn't warble songs and play the harp tunelessly, but is hungry all the time, eats a lot, chuckles at the most unfunniest thing, even when a person dies, however he isn't any less cruel and narcissistic. The beautiful Marilu Tolo plays a courtesan who is spurned by Forest when he falls for a Christian but still helps him by giving him an alibi while he's rescuing Christians from imprisonment. Mark Forest is excellent in his role, he's a better actor than most peplum stars and he's got the charisma.

The Terror of Rome Against the Son of Hercules is a thoughtful and action-packed peplum that moves briskly and with keen direction. Maybe it's a tad overlong, though.