Joe limonade

An excellent satire of the Great American Way, with Lemonade Joe a "clean living" gunfighter who drinks only Kola-Loca Lemonade and convinces everyone else in town (with his gun skills) that all "real men" drink ONLY lemonade! The style of the film mirrors that of silent westerns, including humorous sped-up bar brawls and color-tinting (!). You can either root for Joe or his whiskey-drinking adversaries; it's clear that although the town "bad girl" adores Joe and wants him to "change" her, he is only using her for his cause, as indeed he is using everyone for his opportunistic goals.

Worth a look for western fans looking for a spoof that goes beyond "Blazing Saddles" and adds satire to the mix, or for anyone interested in Euro-Westerns in general for an Eastern European take on the genre.

A funny, charming, and even sometimes graceful film.

Although this film is (obviously) all in Czech, most English speakers won't have any trouble figuring out the story, since it's an extremely broad parody of a genre most people are familiar with. The hero is dressed all in white, the bad guys wear black and skulk around like Snidely Whiplash. On the women's side, we have your basic saloon girl with a heart of gold and the virginal ingenue, who we know will eventually end up with Lemonade Joe. Considering this movie was made under Communist rule, it's a pretty dead-on satire of the American Western.

I saw this film in the early seventies with a number of friends at Portland State University. I've seen it once and only once. Still, I can easily say it is one of the ten funniest movies ever. I am amazed to find it in your database! It is indeed a broad parody of the western movie genre: cliche piled upon cliche, yet still surprising and delightful. This movie can hold its own with Dr. Strangelove and The Marx Brothers. Its that good. I don't know where PSU got their hands on a dubbed in version, but if there is one out there on video tape, I know a lot of people who would do almost anything for a copy.

"Lemonade Joe" is one of the funniest movies ever made. Certainly it is the funnest western. It is also a triumph of expressionism.

The sequences are dazzling. The opening sequence catches you by surprise; you're watching the funniest western fight in a saloon without warning. Throughout, the film just explodes with these sequences that are hysterically funny and reflect a world gone mad.

The last third of the film begins to slow down. It also becomes very expressionistic, which annoys people who do not allow themselves to appreciate disruptions to how they process their cinema.

However, the film finishes very strongly. "Lemonade Joe" is a wildly adventurous and pleasurable experience.

For forty years (oops, revealed my age, oh well), I have been trying to track this down. I first saw this film at age twelve, in a drive in theater, on a double bill with (I think) a re-release of "The Great Race". Historical note: the version I saw was dubbed, not subtitled (I long thought it Italian in origin); the tinting was not sepia with yellow highlights, it was just glaring yellow; and it was called "The Lemonaid Kid" not "Lemonaid Joe" (hence part of the difficulty tracking it down). (Since this release title is reminiscent of "The Lemondrop Kid", I can imagine paranoid lawyers at MGM giving this film's release a lot of hassle, which may explain how it got so buried.) I thought it the funniest thing I had ever seen and that impression stuck with me as I grew older and developed a taste for the more absurdist and aggressive style of comedy, e.g., the Marx Brothers, Monty Python, etc. i knew I had seen something very special in "Lemonaid", but found no references to it in movie catalogs like the Maltin book, and nobody who knew films seemed to know anything about it - and I come from Rochester, NY, home of the second largest collection of film in the country, the Dryden-Eastman collection. People there know film. But nobody knew this film.

This film had a major impact on a very young man and changed his taste in comedy forever, and perhaps changed all of his perceptions, insofar as humor is one of the most important responses we make to the world. That says a lot for the power of this film. I certainly hope another viewing will justify my warm memories of it.

Note added August 26, 2009:

Well, I finally found it - it is currently available in 10 chapters at Youtube.

It is not only everything I remember it for, but far more - one of the wildest visual comedies of its era and one of the sharpest satires I have ever seen.

The only weakness is the ending - while it makes its point, it's too blunt and too easy.

But the rest of the film is basically Brecht-Weill remaking "Support Your Local Sheriff" (which hadn't been made yet, of course) - absolutely incredible mix of pop culture and art-house comedy styles, as unforgettable now as it was 40 years ago (well beyond mere 'camp,' it hasn't aged a bit), decidedly one of a kind.

(PS - I've read Leone fans wondering if this film references "fistful of Dollars" - oh, no - Leone, Corbucci, and other Italian directors were almost certainly influenced by this.)