After a car accident in England, an American develops amnesia and tries to find his true identity, using various clues, but ends-up in the midst of a mysterious murder.After a car accident in England, an American develops amnesia and tries to find his true identity, using various clues, but ends-up in the midst of a mysterious murder.After a car accident in England, an American develops amnesia and tries to find his true identity, using various clues, but ends-up in the midst of a mysterious murder.
Maxwell Craig
- French Girl's Husband's Friend
- (uncredited)
Frank Forsyth
- Man Walking on Embankment
- (uncredited)
Derek Martin
- Waiter
- (uncredited)
John Tatham
- Man on Embankment
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Hysteria is directed by Freddie Francis and written by Jimmy Sangster. It stars Robert Webber, Anthony Newlands, Jennifer Jayne, Maurice Denham and Lelia Gordon. Music is by Don Banks and cinematography by John Wilcox.
From the long line of Hammer Thrillers with one word titles that followed in the wake of Psycho, Hysteria is a decent addition to the roster. Plot in simple terms finds Webber as Chris Smith, a survivor of a car crash who is suffering with amnesia. Upon finding out some mysterious benefactor has been footing the hospital bills for him, he is naturally intrigued as to who it is. Following the bare minimum of clues, while struggling with angry voices he hears in his head, Smith finds himself in a vortex of mystery and shifty shenanigans.
What follows is a monochrome murder mystery laced with psychopathic tendencies, paranoia, dangerous attractions, twists and extended flashbacks. It's all a bit flimsy if you wanted to dissect it as a viable story, but Sangster comes up with some good ideas in the name of entertainment, and Francis is able to eek out suspense at regular intervals. Cast are fine, including the sometimes maligned Webber who sits the role well, while Denham offers up a good one as the detective who is not to be taken lightly.
Good solid twisty thriller from Hammer. 7/10
From the long line of Hammer Thrillers with one word titles that followed in the wake of Psycho, Hysteria is a decent addition to the roster. Plot in simple terms finds Webber as Chris Smith, a survivor of a car crash who is suffering with amnesia. Upon finding out some mysterious benefactor has been footing the hospital bills for him, he is naturally intrigued as to who it is. Following the bare minimum of clues, while struggling with angry voices he hears in his head, Smith finds himself in a vortex of mystery and shifty shenanigans.
What follows is a monochrome murder mystery laced with psychopathic tendencies, paranoia, dangerous attractions, twists and extended flashbacks. It's all a bit flimsy if you wanted to dissect it as a viable story, but Sangster comes up with some good ideas in the name of entertainment, and Francis is able to eek out suspense at regular intervals. Cast are fine, including the sometimes maligned Webber who sits the role well, while Denham offers up a good one as the detective who is not to be taken lightly.
Good solid twisty thriller from Hammer. 7/10
I really liked this film, lots of suspense with an interesting story line full of twists and turns as the plot unfolds.
I quickly recorded this on late night TV in the UK without knowing anything about it just because i seen it listed as a hammer film and seen it stared Robert Webber who i knew from "12 Angry Men". I thought that would make a interesting combination but when you think of the kind of films that Hammer are more well known for this dose`nt quite fit in now that i`ve seen it. But i`m glad i did record it.
What i like about it is Robert Webber seems to be going mad but is he? is he going mad or are we being made to think he is going mad? more to the point is someone trying to make him think he is mad ..... try and find a copy and find out, fans of psychological mysteries will love this one.
I quickly recorded this on late night TV in the UK without knowing anything about it just because i seen it listed as a hammer film and seen it stared Robert Webber who i knew from "12 Angry Men". I thought that would make a interesting combination but when you think of the kind of films that Hammer are more well known for this dose`nt quite fit in now that i`ve seen it. But i`m glad i did record it.
What i like about it is Robert Webber seems to be going mad but is he? is he going mad or are we being made to think he is going mad? more to the point is someone trying to make him think he is mad ..... try and find a copy and find out, fans of psychological mysteries will love this one.
I am used to better from director Freddie Francis, at least for this kind of plot. He was rather a horror movie director, and this film should have been made by a John Gilling or even Terence Fisher, to remain in the UK film industry producing yarns involving American actors. This one is not bad however, and the suspense very tense and sharp. That's only it is not twisted enough for my taste. And with other UK and American Hammer co productions, I found something more satisfactory, especially for the ending. This one looks very like an American Hitchcock like feature. But, I repeat, it's still worth the watch.
Robert Webber is "Christopher Smith," an amnesiac accused of "Hysteria" in this 1965 low budget film directed by Freddie Francis, known mostly for his fine cinematography work. An American wakes up with amnesia in a British hospital after a car accident in which the driver was killed. After working with a psychiatrist (Anthony Newlands) on staff at the hospital, he's released, the doctor unable to do any more for him to regain his memory. His hospital bills have been paid by an unknown benefactor who pays in postal drafts, and this same benefactor has provided him with a place to live. It turns out to be the penthouse of a high-rise. As he tries to sleep, he hears the people next door having terrible fights... except there isn't anyone next door. He also finds a bloody knife in his apartment.
The only clue Chris has to his identity is a magazine photo of a model that was found in the car. He hires a detective (Maurice Denham) to find out who paid his hospital bills and who the woman is but also embarks on his own investigation. He tracks down the photographer of the photo, who tells him the woman is dead from multiple stab wounds. Then he sees the woman drive by him in a car, and she finally shows up at his apartment. She's the wife of the driver and Chris' benefactor. She sets out to help him find out what happened and who he is.
Though this is a low-budget film with very little in the way of production values, it is a completely absorbing film with some fascinating twists and turns.
The actors are all good. Robert Webber was a good-looking character actor who died of Lou Gehrig's disease in 1989 and is probably best-remembered now for playing Cybill Shepherd's father on Moonlighting, though he had a very prolific career. He's very effective in the lead. Maurice Denham is appropriately down and out looking as the detective, and Leila Goldoni is quite beautiful as the model.
Highly recommended for a great story.
The only clue Chris has to his identity is a magazine photo of a model that was found in the car. He hires a detective (Maurice Denham) to find out who paid his hospital bills and who the woman is but also embarks on his own investigation. He tracks down the photographer of the photo, who tells him the woman is dead from multiple stab wounds. Then he sees the woman drive by him in a car, and she finally shows up at his apartment. She's the wife of the driver and Chris' benefactor. She sets out to help him find out what happened and who he is.
Though this is a low-budget film with very little in the way of production values, it is a completely absorbing film with some fascinating twists and turns.
The actors are all good. Robert Webber was a good-looking character actor who died of Lou Gehrig's disease in 1989 and is probably best-remembered now for playing Cybill Shepherd's father on Moonlighting, though he had a very prolific career. He's very effective in the lead. Maurice Denham is appropriately down and out looking as the detective, and Leila Goldoni is quite beautiful as the model.
Highly recommended for a great story.
Hysteria concluded the trilogy of psychological thrillers that Freddie Francis directed for Hammer. The series began with Paranoiac (1963) and Nightmare (1964). The plot concerns an American amnesia victim Chris Smith (Robert Webber), whom is being used as a tool by the ruthless Dr Keller (Anthony Newlands) and his beautiful mistress (Lelia Goldoni). Between them they plan to frame Chris for the murder of Keller's wife, but their clever plan proves to be their own outdoing. In 1965, it was poorly received by critics and the public, but it's a gripping thriller and Freddie Francis directs the somewhat far fetched script by Jimmy Sangster with pace, building it neatly to it's climax. The black and white Cinematography by John Wilcox manages some decent compositions of a gray and dank 1960's London. The only criticism is the somewhat unsuitable music score by Don Banks, which is too jazzy for this type of film.
Did you know
- TriviaBoth Lelia Goldoni and Sue Lloyd are dubbed.
- GoofsA pulse is visible in the neck of the first 'corpse' found in the shower.
- ConnectionsReferenced in Popcorn (1991)
Details
- Release date
- Country of origin
- Languages
- Also known as
- Истерия
- Filming locations
- Kew Green, Richmond, London, England, UK(park after Smith sees the photographer)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 25m(85 min)
- Color
- Aspect ratio
- 1.85 : 1
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