Le défi du Maltais

It's obvious that this movie was supposed to be the German answer to the popular James Bond franchise. In the '60's, actually quite an handful of these sort of spy/detective movies got made but most of them are forgotten now days, including the British and American ones, while in fact they actually were some quite amusing movies to watch. And this movie is also definitely an enjoyable one but not really the best to be based off Edgar Wallace's work.

It remains a bit weird to see all of these German movies, based on Edgar Wallace his novels, which are set in London and features some all-British characters, with all-British names. But no, this all seems to matter very little when watching this movie, since it's quite hard to take it all very seriously. It's a movie made purely for entertainment and it's being a quite silly one with its story and somewhat quirky characters (just like a James Bond movie).

But the series of movies based on the Edgar Wallace novels definitely have some better movies to offer than this one. This isn't really the most exciting watch and at times I wished more would be happening in the story. It all remains quite simplistic, which does certainly go at the expense of its entertainment value at times.

Other than that, it still remains a well made movie. It obviously didn't cost an awful lot of money to make but they did a more than decent job with its resources. It's actually also being a quite creative movie to watch at times, with it directing and cinematography. Perhaps you could say that the movie also benefits from the fact that it's shot in black & white, since somehow I think the movie would had been a far more silly one to watch had it been done in full color.

Not the greatest but still a enjoyable enough, short watch.

6/10

http://bobafett1138.blogspot.com/

I did enjoy this watch: to me, clearly a humorous take onto crime solving. The characters are vividly displayed (even if the femal leads remain rather dull and dump... by intention) and the storyline is a huge quest of "who is the actual murderer" as we don't know the face of the perpetrator as an audience.

Personally, I was especially drawn in by the set design with various historically accurate (and inaccurate) gadgets, such as secret doors, car telephones, underground pipelines, miniature submarines and (my highlight) a security system hidden in a taxidermied bear mounted to the wall with blinking eyes and switches pulled inside the bear's ear.

The movie is well paced, with many entertaining highlights, dialogues, chase scenes and those strange incidents that make you question who might be the 'bad man' in disguise.

Fun to watch! For me as film history student it was a must, but I'd recommend it to anyone who is in for a retro detective fun ride based on old stories transported to the 60s.

The first series of replays of the German Edgar Wallace i did see as a child and i have loved it ever since (at least the top items, where this one and "Der Zinker" are top notch. Very much German style British made, this is always still suspense, thrill, charming ladies and light entertainment perfectly combined. And we all know things will end well as they must in 60s movies in Germany of this Wirtschaftswunder era. It is reliably replayed in Germany in series by the multiple stations, where the reels seem to be rotate around, don't miss it if you can get it (forgo the latter, especially the colored ones. What was won in color was more then lost in suspense and coolness).

Many of the German Krimi movies in the Edgar Wallace collection that I've seen thus far are enjoyable, for sure, but also excessively complex and featuring a climax that is both too grotesque and made less impactful by the many plot-twists that came before already. With that in mind, I can honestly state that "Der Hexer" is the best and most effective Krimi of the whole collection! The plot is simple, relatively straightforward, and steadily builds up to a fantastic climax. And the climax truly is fantastic, I assure you, with a dazzling revelation and an even more dazzling surprise ending.

Following the murder of his sister, a wanted criminal known as The Magician is expected by Scotland Yard to pop up in London and extract vengeance on the murderers. Inspector Higgens must even accept the help of the now retired but former Scotland Yard top-agent Warren, and meanwhile also uncover the reason by who and why The Magician's sister got murdered in the first place. The lame humor (as usual provided by Siegfried Schürenberg and Eddi Arent) is luckily kept to a minimum and replaced by good red herrings and feminine beauty. As the tense climax approaches, there's a joyous gimmick where the screen turns black and displays the question: "do YOU already know who The Magician is?". I loved it. Reminded me of William Castle, in fact.

When the Edgar Wallace horror thrillers from the 1960s were shown repeatedly on German-language television in the 1980s, THE RINGER was certainly the most popular villain in the series. As a man of 1000 masks who prefers to take the law into his own murderous hands, THE RINGER could be anywhere and nowhere.

In London, THE RINGER's sister is murdered by a gang of criminals without knowing her origins. This crime electrifies the London criminal world and Scotland Yard alike. Inspector Higgins (Joachim FUCHSBERGER) and Sir John (Siegfried SCHÜRENBERG) rightly fear that THE RINGER will not leave the murder of his sister unpunished for long. And indeed, THE RINGER's elegant wife (Margot TROOGER) soon turns up in London. Inspector Higgins' fiancée (Sophie HARDY) has every reason to be jealous. After all, she has a hard time keeping her "Higgi" away from the well-proportioned Yard secretary (Ann SAVO). Fortunately, retired Inspector Warren (Siegfried LOWITZ) turns up, the only policeman to ever see the RINGER's true face.

A classic of the popular film series that attracted millions of moviegoers to the cinemas between 1959 and 1973. The cast was big: alongside FUCHSBERGER, Heinz DRACHE also plays one of the main roles. And there is also a reunion with Carl LANGE, Karl JOHN and Eddi ARENT.

Director Alfred VOHRER had the right approach when it came to Wallace: scary moments in dark black and white alternate with humorous interludes. It is not for nothing that this film is still repeated every year on various television programs in German-speaking countries.