Hamlet

I have to marvel at the production values in this wonderful film. Exquisite sets, lighting and costumes. Stunning location. Epic original music score by Dmitri Shostokovitsch -- the music alone is more than enough to recommend this film. Great acting by, among others, Innokenti Smoktunovsky as Hamlet. Every scene an artistically complete poem of light and sound. Oh, and if you wonder what it's like to hear Shakespeare in Russian . . . it's great! The translation is by Boris Pasternak, one of the finest poets in any language. An epic treatment of the epic story.

I have first seen Kozintsev's Hamlet back in 1963 and saw it again yesterday, as part of my job as music critic in a São Paulo newspaper, for the commemoration of Shostakovich's centennial -- he is the author of the soundtrack. The film has not aged, it is still one of the most beautiful adaptations of Shakespeare tragedy, Smoktunovsky's acting is thrilling and Shostakovich's soundtrack is marvelous. His irony reveals itself in the way he accompanies the scene at the graveyard: Hamlet's bittersweet dialog with the gravedigger (what an actor!) and his sad monologue about frailty having in his hand's Yorick's skull. A great film!

Utterly brilliant - I saw this film 17 times in the cinema when it first came out in 1964 - and I was all of 18. I'd never read Hamlet, never heard of Shostakovitch, couldn't speak a word of Russian - and yet this film changed my life! Now it's finally arrived on DVD in all its original splendour, complete with Shostakovitch's sensational score in stereo... The editing of Shakespeare's original by Pasternak is masterly, the direction faultless - but it's Innokenty Smoktunovsky's interpretation of Hamelt that lingers a lifetime in the mind. I've seen every other film adaptation of Hamlet, and none of them come anywhere close to this incredible cinematic masterpiece, which remains my #1 film of all time!

impressive. strange. monumental. subtle. wall of music, nuanced performances, Shakespeare play heart and Slav soul. it is an adaptation but in a strange manner. because out of words and images, out of Smoktunovski performance it is small light of mystery. that is its virtue. that sparkle like descending in heart of a world of shadows and ash. and the actors, the real actors, are Sostakovici music,the Russian language, the profound feeling front to a masterpiece. it is pure delight. with cinnamon flavor and salt taste. like an ice flower. or like looniest song.it is a dark large desert in night. and, in same measure, sand rope of existence like ladder to fundamental answer about art of unforgettable search of yourself. and Elisabethan costumes completed by Mikhail Nazvanov as Claudius - alter ego for a Henry VIII Philipp II of Spain or Anastasia Vertinskaya as Ophelia - prey of spider web - veil.

This 1964 'Hamlet' was quite a unique experience and unlike any other adaptation of the play seen. This is meant in a very good way. 'Hamlet' is one of Shakespeare's finest and one of his most quoted and parodied in popular culture, it is also one of his most adapted with mostly impressive results (amazing considering that it is one of Shakespeare's most difficult with the characters being so psychologically complex). Also love the Russian language, which is a major reason as to why this version stands out from the rest.

After watching, for me this film replaces the wonderful Laurence Olivier film (though that is to judged as an incredible piece of film-making and a standalone, not for those that want 100 percent fidelity) as the finest screen adaptation of 'Hamlet'. One of my favourite versions overall. Not only will it be of great interest value for fans of the play and Shakespeare, as well as those intrigued by Russian film, but it is exceptional film-making in its own right. Have loved Russian film for a long time, for me this 'Hamlet' is up there with the finest Russian films ever made and that is quite a compliment to give.

Visually, this 'Hamlet' is a work of art and the best looking version of the play to exist (yes even more so than Olivier's). Easily among the best looking Shakespeare film adaptations, with sets that are both sumptuous and brooding, very atmospheric lighting, costumes that are evocative and not cheap and cinematography that is achingly beautiful and bold. Have always appreciated Shostakovich's music, his haunting, intensely dramatic and emotionally rich music here made me appreciate him all the more.

Grigory Kozintsev's direction is nothing short of exemplary and shows a master at work, although justifiably lauded (and as well as his 'Hamlet', his 'King Lear', one of the best versions of that play too, and 'Don Quixote' are deservedly highly regarded) he deserves to be wider known worldwide and his films made more accessible. The script is poetry in words, thoughtful and emotionally complex.

The story is always absorbing and highly atmospheric, with plenty of high drama, intimacy and poignancy. Everything is done in good taste, no questionable, irrelevant or gratuitous touches, and it is one of the few adaptations to nail the psychology of the characters and their complexities (Orphelia can be potentially passive, she isn't here), the play within a play elements and also putting strong emphasis on the politics without being heavy-handed or rambling. All the performances make their mark, with one of the most powerful screen Hamlets in Innokenti Smoktunovsky. As well as a touching Anastasia Vertinskaya and sinister yet noble Mikhail Nazvanov.

Summing up, brilliant and a must for Shakespeare fans and if you want to see something different but in a way that is unique and done in good taste. 10/10.