A wealthy young man tries to woo a university student, while her two uncles work to popularize a local club.A wealthy young man tries to woo a university student, while her two uncles work to popularize a local club.A wealthy young man tries to woo a university student, while her two uncles work to popularize a local club.
Ellen Burstyn
- Dr. Pauline Swenson
- (as Ellen McRae)
Paul 'Mousie' Garner
- Mousie
- (as Mousie Garner)
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Unfortunately, I can't think of many good things to say about the film.
FOR THOSE WHO THINK YOUNG functions basically as a long, long commercial for Pepsi-Cola. Even the title of the film is the direct quote of a catch phrase used in Pepsi radio and TV commercials of the early 1960s. There are blatant product placements throughout the film, notably a huge Pepsi dispensing machine placed directly in the center of several shots of a night club bar.
The story line is a rip-off of the BEACH PARTY genre, with James Darren doing his best Frankie Avalon imitation, even down to look alike hair style and obviously phony suntan. Poor Pamela Tiffin looks terribly uncomfortable trying to fill the shoes (and swimsuit) of Annette Funicello. To bridge the gap between shots of Pepsi logos, there are the typical "crazed youth" beach activities (tribal-style ritual dances, a bunch of actors grabbing surfboards at the call "Surf's Up!", then paddling out into a perfectly flat ocean, followed by stock footage of real surfers riding huge waves).
There are also several long sequences of comedian Woody Woodbury doing his night club act. The humor in these segments is extremely dated, and falls flat, only serving to bring the story to a grinding halt while on screen. Tina Louise adds some visual spice as an exotic dancer, but Paul Lynde is wasted in the role of a wisecracking musician. Bob Denver plays his typical off-center Gilligan/Maynard G. Krebs character (seemingly the only thing he is capable of).
Darren and Tiffin were also featured together in a companion piece called THE LIVELY SET, a similar but more interesting film with a racing car theme. This film also served to plug Pepsi-Cola, and the cast even featured Joanie Sommers (the manufactured singer who hit the charts with "Johnny Get Angry"), and who provided (coincidentally, no doubt) the singing voice for Pepsi commercials in real life.
Overall, FOR THOSE WHO THINK YOUNG is an curio from a bygone age, contrived and derivative. Any similarity to real life in the pre-flower power, pre-Vietnam era is purely coincidental.
FOR THOSE WHO THINK YOUNG functions basically as a long, long commercial for Pepsi-Cola. Even the title of the film is the direct quote of a catch phrase used in Pepsi radio and TV commercials of the early 1960s. There are blatant product placements throughout the film, notably a huge Pepsi dispensing machine placed directly in the center of several shots of a night club bar.
The story line is a rip-off of the BEACH PARTY genre, with James Darren doing his best Frankie Avalon imitation, even down to look alike hair style and obviously phony suntan. Poor Pamela Tiffin looks terribly uncomfortable trying to fill the shoes (and swimsuit) of Annette Funicello. To bridge the gap between shots of Pepsi logos, there are the typical "crazed youth" beach activities (tribal-style ritual dances, a bunch of actors grabbing surfboards at the call "Surf's Up!", then paddling out into a perfectly flat ocean, followed by stock footage of real surfers riding huge waves).
There are also several long sequences of comedian Woody Woodbury doing his night club act. The humor in these segments is extremely dated, and falls flat, only serving to bring the story to a grinding halt while on screen. Tina Louise adds some visual spice as an exotic dancer, but Paul Lynde is wasted in the role of a wisecracking musician. Bob Denver plays his typical off-center Gilligan/Maynard G. Krebs character (seemingly the only thing he is capable of).
Darren and Tiffin were also featured together in a companion piece called THE LIVELY SET, a similar but more interesting film with a racing car theme. This film also served to plug Pepsi-Cola, and the cast even featured Joanie Sommers (the manufactured singer who hit the charts with "Johnny Get Angry"), and who provided (coincidentally, no doubt) the singing voice for Pepsi commercials in real life.
Overall, FOR THOSE WHO THINK YOUNG is an curio from a bygone age, contrived and derivative. Any similarity to real life in the pre-flower power, pre-Vietnam era is purely coincidental.
I read a few of the other comments. So critical! I loved the movie. Just to see Tina, Bob, James, Nancy and Paul in their prime. The movie was meant for fun...not a literary study for correctness. True the jokes were corny...but hey...anything that attempts to make us laugh and be clean at the same time is so rare today. The movies today have more violence more cursing more junk...I tell ya i sure miss the days of jerry lewis and dean and Abbott and Costello...Ernest P Worrell...Movies like these are treasures. I remember sitting with my mom as a kid and watching James Darren. It wasn't the movie, it was the man...and the cast...Or where are the Red Skeltons of today? Remember the times when entertainers ended with and "May God Bless" and meant it. Roy Rogers ended his TV show with "May the Good Lord Take a Likin to ya" I see movies to day that are really funny and have so much profanity in them, when the movie would had been funny without them. I sure miss movies like "For those who think Young". I miss the musicals. James Darren singing...Elvis singing, Dean Martin singing, Ricky Nelson singing, Frank, Bing, and beach movies with Gary Lewis, Jan and Dean...Frankie and Annette...and the movies left a song you could hum, sing a long and feel good about yourself...the romance...made you think of good things and good hopes for the future. I am in my 40's and hardly ever go to movies anymore. Maybe one a year. Sure there are the DVD's but there are not the entertainers that just make you want to go see them, as it used to be...Where are the John Waynes? Where are the movies that made feel good about being an American? So in conclusion...this movie may not be a critics love-lore but it sure is better than most of the crap on screen today.
Having reviewed a number of beach movies, I can say that I have not seen one yet that has high reviews. So going into this movie, I was not expecting too much form the offering. Yes, the movie is corny and had a beatnik feel but you have to remember that was most American kids in the early 1960's. It is something that a person born after 1970 cannot relate in life.
For a beach movie the film had an almost regular plot where a parent or guardian is not wanting their child involved in a relationship. But I found that this script was more interesting than others. We have a rich grandfather not wanting his child hanging around 'bad-blood'. So he sets off to discredit people with some far-reaching, but humorous, activity.( I mean the slot machines in the place should have been a small hint.) Everything is going fine until the very end when the entire cast breaks out in a 'surf's-up' type musical that also includes some zesty arm movements. Something that may be all right for young people but this far-out scene including the aged actors which proved more embarrassing than entertaining. Plus I was never sure why the old man just made a 180* turnabout about his kid's partner.
For me, the bright spot of the movie was Woody Woodbury, Sure his jokes were even old for that time period and most were so corny that Hee-Haw could have used - but for some reason the exchange with the audience made me laugh. Was not expecting that type of humor from the show but it worked.
This is far from a classic but it did exactly what it was intended. People having a good time is suppose to reflect to the viewing audience. For the most part the viewer feels good about the people involved in the program. How groovy is that!
For a beach movie the film had an almost regular plot where a parent or guardian is not wanting their child involved in a relationship. But I found that this script was more interesting than others. We have a rich grandfather not wanting his child hanging around 'bad-blood'. So he sets off to discredit people with some far-reaching, but humorous, activity.( I mean the slot machines in the place should have been a small hint.) Everything is going fine until the very end when the entire cast breaks out in a 'surf's-up' type musical that also includes some zesty arm movements. Something that may be all right for young people but this far-out scene including the aged actors which proved more embarrassing than entertaining. Plus I was never sure why the old man just made a 180* turnabout about his kid's partner.
For me, the bright spot of the movie was Woody Woodbury, Sure his jokes were even old for that time period and most were so corny that Hee-Haw could have used - but for some reason the exchange with the audience made me laugh. Was not expecting that type of humor from the show but it worked.
This is far from a classic but it did exactly what it was intended. People having a good time is suppose to reflect to the viewing audience. For the most part the viewer feels good about the people involved in the program. How groovy is that!
This horrendous mish-mash of "Beach Party" movie, showcase for "comedian" Woodbury and love story between Darren and Tiffin has so much excess junk in it that none of the elements succeed. The cast list is jaw-dropping. There's Burstyn (doing an admirable enough job) in a role far removed from the meaningful work she would later do. Middleton plays Lee's father even though he is TWO YEARS older than her in real life. "Gidget" TV co-star Nader wiggles and jiggles around next to Darren (who starred in the original movie "Gidget".) Denver has the camp highlight of the movie. He paints his chin to look like a person, buries himself in the sand and sings a surfing chant while curvy, tan teens gyrate everywhere. Louise is shown stripping (which is one of the few acceptable things about the movie!) It's hard to believe that Denver and Louise appeared in a feature film together the year that "Gilligan's Island" premiered. (For decades, she groused about how she was a star who got stuck on TV. If this is what she was making, she didn't miss much from her film career!) The delectable Tiffin looks spaced through much of the film (or is her eye makeup too heavy to keep her eyes open?) She promotes Pepsi in this film after promoting Coke in "One, Two, Three". Her career was through before she could do one for RC. Woodbury is agonizing. Not only are most of his jokes just plain awful, the way he delivers them is abysmal. He is yet ANOTHER of the "Introducing ________ as_______" who was scarcely heard from again....for good reason! He's what Tab Hunter would look like with a gap in his teeth, a hellacious comb-over, wrinkles and even less talent. Beyond all these people, toss in Raft, Hart and Dino and Frank's daughters! You'd think something interesting could have come of all these personalities. But no...... The biggest crime the film makes (and one that it just can not be forgiven for) is billing Lynde third and giving him absolutely nothing to work with. He barely appears on screen and is exactly what this film needs. HE should have played Woodbury's part! He and Woodbury are amusing in that they are brothers, but they live and act like two old queens. They sit on the beach like two old sisters and even sleep together in one scene! Another scene has Louise handing them some dangerously phallic hot dogs. Woodbury, after toying with it briefly, hands his to Lynde and says, "Here...keep this warm." That moment alone causes one of the few laughs in the film. They should have run with it!
Although they share no on-screen time, Bob Denver and Tina Louise (reported rivals on TV's "Gilligan's Island") make their one and only film together, with Denver playing a beatnik and Louise stealing the show as a tone-deaf dancer. Acting accolades are really quite scarce here as the movie--a comedy about college kids awakening to civic rights while partying on the beach--is fairly dim-witted and slow on laughs. As one of the adults on hand, Ellen Burstyn (née McRae) does a drunk act with the best of them, but romantic leads James Darren and Pamela Tiffin are easily forgotten. Brunette Nancy Sinatra (pre-"Boots") is cute as Denver's girlfriend, and it is fun to catch all these stars together in one place. Few of them ever crossed paths again. ** from ****
Did you know
- TriviaThe 1964 Buick Riviera that James Darren drives was customized by George Barris.
- GoofsAfter the song, "I'm Gonna Walk All Over This Land", the audience begins to clap but the audio of the clapping starts a few seconds afterwards.
- Quotes
Sandy Palmer: No.
Gardner 'Ding' Pruitt III: No what?
Sandy Palmer: No anything. I told you I can't see you again this week. Now, if you want a playmate for your awkward age, Ding Pruitt, I'm sure there are dozens of girls who'd be more than happy to fill the job.
- ConnectionsReferences Les incorruptibles (1959)
- SoundtracksFor Those Who Think Love
Written by Mack David and Jerry Livingston
Sung by James Darren
[opening credits]
- How long is For Those Who Think Young?Powered by Alexa
Details
- Runtime
- 1h 36m(96 min)
- Aspect ratio
- 2.35 : 1
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