A scientist experimenting with suspended animation decides to use himself as a test subject. Before he is frozen, his wife is killed, and he is suspected of her murder.A scientist experimenting with suspended animation decides to use himself as a test subject. Before he is frozen, his wife is killed, and he is suspected of her murder.A scientist experimenting with suspended animation decides to use himself as a test subject. Before he is frozen, his wife is killed, and he is suspected of her murder.
Walter Rilla
- Sir Keith
- (as Walter Rilia)
Albert Bessler
- Martin - Lab Tech
- (as Albert Ressler)
Wolfgang Günther
- Sgt. Grun
- (as Woflgang Gunther)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Amiable Mark Stevens and scientific partner, the enigmatic Marianne Koch combine to tackle malignant diseases through cryogenics, but their experiments on apes are just a prelude to their ultimate test on a live human being which Stevens himself undertakes shortly following a murder in which he's implicated in absentia. Koch attempts to resuscitate Stevens to answer the allegations under the watchful eye of a Detective (Lukschy) and an independent observer (Lohde), concerned she may sabotage the experiment to protect Stevens from punishment.
Capable German-US-British cast deliver realistic dialogue and create a genuine tension that is based less upon the primary plot (cryogenics) and more on Delphi Lawrence's character as Steven's almost perpetually inebriated wife, jealous of his working relationship with Koch, seeking solace in the scotch bottle and that of her old flame and work mate Joachim Hansen. Lawrence's performance dares to be bold and obnoxious, and while sometimes intense, doesn't become melodramatic. I thought her performance injected a maturity that was a welcome diversion to what could have become a simple science experiment gone awry picture.
While the momentum is not always fluent, the pace sometimes stilted, and the suspense often telegraphed too early, the acting compensates to some degree, Stevens and Koch enjoying a on-screen rapport that serves the narrative well. My only significant criticism is the overly-simplistic conclusion - the elements are present for a firecracker ending, but it's resolved too quickly and conveniently to do the rest of the movie justice. Should have been better, but in my opinion still superior to the average 3 rating it currently attracts.
Capable German-US-British cast deliver realistic dialogue and create a genuine tension that is based less upon the primary plot (cryogenics) and more on Delphi Lawrence's character as Steven's almost perpetually inebriated wife, jealous of his working relationship with Koch, seeking solace in the scotch bottle and that of her old flame and work mate Joachim Hansen. Lawrence's performance dares to be bold and obnoxious, and while sometimes intense, doesn't become melodramatic. I thought her performance injected a maturity that was a welcome diversion to what could have become a simple science experiment gone awry picture.
While the momentum is not always fluent, the pace sometimes stilted, and the suspense often telegraphed too early, the acting compensates to some degree, Stevens and Koch enjoying a on-screen rapport that serves the narrative well. My only significant criticism is the overly-simplistic conclusion - the elements are present for a firecracker ending, but it's resolved too quickly and conveniently to do the rest of the movie justice. Should have been better, but in my opinion still superior to the average 3 rating it currently attracts.
Are you ready for this? A scientist(Mark Stevens)and his attractive assistant Dr. Helen Wieland(Marianne Koch)are working with suspended animation and while trying to prove their theory he subjects himself to the big freeze. Meanwhile his jealous and drunkard wife(Delphi Lawrence)is murdered and being in a frozen state does not an alibi make. In spite of a cult following this chunk of ice is hardly worth defrosting. Suspended interest. Unanimated suspense. Predictable story line. Still it is fun to watch. Also in the cast are: Joachim Hansen, Walter Rilla, John Longden and Wolfgang Lukschy. Lawrence is over-the-top and her character is so easy to dislike. On the other hand it is obvious to see why she would be jealous of her husband's assistant. Catch this as part of AMC Monsterfest.
One of my sci-fi/horror/fantasy reviews written 50 years ago: Directed by Bernard Knowles; Produced by Ronald Rietti and Artur Bruaner, Presented by Harold Goldman, released as "Frozen Alive" by Feature Film Corp. Of America. Screenplay by Evelyn Fraser; Photography by Robert Ziller; Edited by Steve Collins; Music by Eric Spear. Starring Mark Stevens, Marianne Koch, Delphi Lawrence, Wolfgang Lukschy, Joachim Hanson, Albert Kessler and Walter Rilla.
Anglo-German straight sci-fi film made in the English language, notable for the fine acting and attractive presence of Marianne Koch, who co-starred in "A Fistful of Dollars" around this time. The plot of a scientist freezing apes and humans experimentally is too often sideswiped by romantic subplots.
Anglo-German straight sci-fi film made in the English language, notable for the fine acting and attractive presence of Marianne Koch, who co-starred in "A Fistful of Dollars" around this time. The plot of a scientist freezing apes and humans experimentally is too often sideswiped by romantic subplots.
Frozen Alive is an odd mishmash of science drama, murder mystery and soap, but the narrative never really reconciles any of the threads. Moreover, when the frozen solid 'action' finally arrives, the pace is so slow that you may think that your screen has frozen. In this context, the creakiness of the film often makes it feel like a film made much earlier than the 1960s. Perhaps it was made earlier and kept in suspended animation? Anyhow, 1960s low-budget potboilers are often fun, but I'd recommend that if you get the chance to see this frozen-based caper, let it go.
Yes, I'm probably giving it way too many stars, but I really have a proclivity both for British films of the 60's and sci-fi thrillers about cryogenics and suspended animation. I didn't pay too much for this (it was part of my now-infamous Mill Creek 50-pack called 'Nightmare Worlds'), it wasn't very long (around 70 minutes in my cut), had jazzy, African and crooning music that I found highly enjoyable, had two gorgeous actresses at its core and a bizarre plot (which intercut plot lines of becoming the first to safely freeze and re-animate a human being, with an accidental shooting death that the scientist/first human subject is the main suspect of), and though it was rather predictable, I have to admit I thoroughly enjoyed it, and would easily recommend it to anyone that likes B-movies from the 60's. You could do a heck of a lot worse.
Somewhat relatedly, I would to see any other films that either Marianne Koch or Delphi Lawrence were in. I loved both of them dearly in this film.
Somewhat relatedly, I would to see any other films that either Marianne Koch or Delphi Lawrence were in. I loved both of them dearly in this film.
Did you know
- TriviaMarianne Koch and Mark Stevens will work together again in 1965 ('Tierra de fuego') and 1968 ('Espana otra vez').
- GoofsDuring the nightclub scene you clearly hear a clarinet being played.
- Quotes
Dr. Karl Merkheimer: I would like to thank all of our contributors for this very interesting symposium on hypothermia.
- ConnectionsFeatured in Shiver & Shudder Show (2002)
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Frozen Alive
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 21 minutes
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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