Emil and the Detectives

First saw this in a movie theater when I was 11 years old and just saw it again this week on Turner Classic Movies. It made a big impression on me when I was a kid and I'm pleased the experience stood up. Understand that this is completely a kids movie. The characters are very broad and actually quite cartoonish (though the same could be said for Quentin Tarantino movies). Gender stereotypes are consistent with the period. The plot is wildly implausible, like many children's books, but who cares?

So what did I like about it so much? All the main actors had charisma to spare and the minor actors were quirky and more than a little unusual. Bryan Russell and Walter Slezak are particular favorites. Though I hardly understood World War II as a child I now appreciate seeing Berlin less than 20 years after that war ended. And the attitudes towards Germany at this time. The photography is vividly colorful and flattering to Berlin. The bouncy score is happy-making and infectious. Mostly, I loved the sense of ebullient, delirious adventure and camaraderie among the detectives. Really echoes my idea of the limitless adventure of childhood at its best. Bravo!

During the 1960s and 70s, Disney released a lot of live action films. They were clearly aimed at kids, as if you watch them as an adult, many of them are simply awful. While I wouldn't call "Emil and the Detectives" awful, it is tough going for adults because Disney clearly was thinking only of kids when it inserted all sorts of goofy sound effects and made a film featuring a large cast of kids...some of which weren't very good actors.

I have no idea how closely this story follows the original story by Erich Kästner. I do know, however, that his story was very popular and they made at least six film versions of the "Emil and the Detectives".

The story begins with Emil about to get on the bus for Berlin. His mother does something a bit foolish...she pins a letter with money in it inside his jacket...and then says loud enough for a nearby thug to hear, that he has the money and should give it to his grandmother when he arrives. Naturally, a scum-bag overhears it and ends up stealing the money. But Emil is a very determined kid...and follows the man. Along the way, he also gets help from another boy who has a group of friends he calls his 'detectives' and they go about following the man and his compatriots. Why? Because in this weird world, the police don't listen to children when they report crimes!

So what's good about the film? Well, it actually was filmed mostly in Berlin and it's nice to see the city. It's also interesting to see that some of the town is STILL in ruins almost 20 years after the war. But it also seemed very odd that almost no one had a German accent!

Overall, a mixed bag that I'd rate a 6 or perhaps 7 for kids and a 4 for adults. If your kids want to watch it, it's harmless entertainment, albeit a bit dark in places. But if you are an adult, you might want to have a book or handheld video game handy so you want pay attention to this instead of the film as the kids watch this one.

Back when I was in school taking high school Spanish, this book in a Spanish translation was a text used in my course. We read it for about a third of the semester. Of course it was called Emilio Y Los Detectivos.

So of course I had to go see Emil and the Detectives when it was out in the theater and I found it to be a very good Disney production of the story. To make it cinematically viable parts of the story were emphasized and others were not.

Walter Slezak looked like he was having a great old time playing the master criminal who just can't get good help. Young Bryan Russell is on a train to Berlin to visit his grandmother and he had a sum of money which unfortunately attracts the attention of Heinz Schubert one of two lugnuts who are Slezak's henchmen. Slezak, Schubert, and Peter Ehrlich are planning a bank robbery, a tunnel job. Slezak is understandably upset that Schubert would risk arrest for a petty theft and thereby put the bank job in jeopardy.

But it's no petty theft to Russell who falls in with a gang of Berlin street urchins headed by Roger Mobley. Since this is a Disney film, I think you can guess the rest of it. The kids deal with the crooks in their own unique way.

I remember it was a fun movie and I did so enjoy Walter Slezak in the role of the master criminal done in by kids. I do so hope TCM runs this at some point.

This is the third movie version of Eric Kastner's oft-filmed story I've seen in the last few years. Once again, Emil, in the form of Bryan Russell, is on his way to spend the summer with his grandmother and cousin in the big city of Berlin; again, the Man In The Bowler Hat steals the money he is carrying for grandma; again, he encounters local kids, who organize and eventually bring justice.

In this Disney version, a major subplot is added (or perhaps restored; I've never read Herr Kastner's story). The Man With The Bowler Hat is involved in a bank robbery ringled by Walter Slezak. There's a nice amount of the effectiveness of gangs of children versus gangs of adults (including the stodgy and thoughtless police), with the points going to the kids; adults refuse to take them seriously at their peril.

The movie is shot in a bright and clean world that emphasizes the benign nature of reality for children, while the bank robbers toil in the grim underworld, trying to tunnel to the bank. the score by Heinz Schreiter is full of woodwinds which constantly informs the audience of the harmless silliness of this particular cinematic universe -- a mistake, I think, but what's a composer to do?

In the end, this is another pleasant version of the story, adding little to it of moment, but giving it a contemporary, 1960s air. I think the best version I've seen remains the original version, released in German in 1931, in no small part because the world in that movie is not so sunny, but the children ignore that in favor of their own constructed world.

One of the most dreadful adaptations of a book I've seen in a long time. Disney took the delightful and touching 1929 novel by Erich Kästner and turned it into something utterly ridiculous. In the first half-minute I knew something was going to be off when they revealed straight away who the robber was for certain, thus destroying any sense of mystery and tension the book had. Moreover they made the Grundeis character so grossly unbelievable as a person, it was hardly watchable. And the detectives...all the charm and comradery of the group of boys who help Emil in the book was lost in this film. In the film, they were basically hired for a tenner.