Le Corniaud

This new team-up of Bourvil and Fufu have the same recipe that "La Grande Vadrouille". Bourvil is a kind, simple mind whereas Fufu is a Machiavellian crook. However, Bourvil always bores me while Fufu is a delight: he may be nervous but i can feel behind a great humanity and i really like his beat.

Here, they are filmed in Italy in the sixties and it's cool to see how it was like 50 years ago. Personally, i found this movie funnier than the one mentioned above but it lacks its dramatic background as well. The idea of someone who is spied who is spied is original and I don't think it has been used often. Maybe the great surprise of this movie should be its score because Delerue finds a lot of very great themes!

And the car repair scene at night edited with Rossini's TARENTELLA is one of the best comedy scene ever: it's crazy, funny, punchy, lyrical: everything is told without a single words: BRAVISSIMA🇮🇹

Of course this movie is dated (43 years by now), but in my opinion that rather adds to the fun. We get to see quite many street scenes of the time, in France and Italy, and of course lots of cars from that period (including two Rolls-Royces). For railfans, even a "Picasso" railcar is thrown in...

I'm normally not a fan of Louis de Funès' frantic humour, which is also evidenced here, but he also has very admirable (non-talking) moments, like the Cadillac repair to a classical music score, or the muscle comparison in the camping shower.

In all, a turbulent comedy plus Italian road movie. Very lovely. The German DVD I bought (Universal 2008, titled "Louis, das Schlitzohr") also has English, Spanish and Dutch dubs, but not the original French soundtrack. Still, jolly good fun which made my Friday night perfect :^)

Le Corniaud is a hilarious french movie from the sixties. It is the kind of feel good movie I like to watch on a sunny sunday afternoon.

The story is a ridiciulously funny crime story about a guy (Bourvil) who just left home for the holidays when he gets hit by a car (owned by De Funes). De Funes settles the case by providing Bourvil with a brand new cadilac to continue his holiday to Italy. Of course Bourvil does not know that he is now smuggling gold, heroin and a giant diamand hidden in that cadilac. The coupling of actors Louis de Funes and Bourvil is ace, the locations are beautiful (France and Italy during summer) and the fun is enormous. Sad thing only that Studio Canal just released all Louis de Funes movies on dvd without any subtitles... sham

It's a fun ride and there's no time to get bored. Some scenes in particular are genuinely funny (the shower scene with Louis de Funes is a classic, the whole shooting scene in the gardens is superb) and the film makers were positively inspired to produce quality comedy rather than just injecting generic humor into the movie just to fill in the scenes. It's more a case of actual gags, with natural organic humor, that were thought up carefully rather than just cramming a bit of processed haha to get through to the end.

It's carefully written and crafted, and it's quite a ride with all sorts of twists and bumps and new characters adding an extra dynamic to the story and Bourvil and De Funes do very well to add that warm organic feel to it as it easily could've been a film which comedy tag would only be honorary, and focused mostly on the plot. Many comedies are tagged as 'comedy' but aren't actually funny, they're just comedy in tone but won't actually make you laugh.

The last part, say about the last half hour, is a little bit stretchy, kind of takes a turn of its own and feels a tad different from the rest of the film, somewhat slows down the momentum, and does feel like they had to mix it up and were compelled to come up with content to finish off the picture, although the very last image is very true to the film.

7.5/10.

a lot of gags and humor of situation. parody of a popular genre. and a couple who gives memorable mark to a film not real different by many others from the French cinematography of ''60's. Louis de Funes and Bourvil. a Cadillac. and a ruined plan. and many hilarious situations who mix ingenuity and neurosis, fights and revenges, stupid characters and insignificant small man who reimpose justice. and the end is a gem. clichés of crime films are exploited with great art. the love has its slice. the tension is not ignored. and few Italian/French classic landscapes are the perfect spices. a popular comedy, off course. special for the art of two great comedians. and for the freshness of irony about lifestyle's aspects from the period, not different by present.