IMDb RATING
5.9/10
944
YOUR RATING
When A Union Army outfit of misfits and rejects is sent to the Western territory, Southern spies try to figure out what they're doing there.When A Union Army outfit of misfits and rejects is sent to the Western territory, Southern spies try to figure out what they're doing there.When A Union Army outfit of misfits and rejects is sent to the Western territory, Southern spies try to figure out what they're doing there.
Alan Hale Jr.
- Sergeant Davis
- (as Alan Hale)
Richard Adams
- Courier
- (uncredited)
Leon Alton
- Waiter
- (uncredited)
Robert Anderson
- Steamboat Captain
- (uncredited)
Ann Blake
- Member of the Law & Order League
- (uncredited)
Danny Borzage
- Trooper
- (uncredited)
Featured reviews
Advance to the Rear (1964) I love quirky romantic comedies, westerns (some with humor when it works), and fun action-adventure, but I can't stand anything about the Civil War. I DVR'd (if that's not a word, I'm making it one) this movie for two reasons. 1.) I have a newfound crush on Glenn Ford after seeing him in Dear Heart. 2.) A poster on the Dear Heart board said a good Glenn Ford comedy was coming on TCM this spring. So, when I saw this film was a Glenn Ford comedy, I just naturally assumed I'd stumbled across her recommendation and DVR'd it. All things happen for a reason. I was meant to discover a quirky romantic comedy action adventure western war movie all in one. That doesn't happen often. I'm not sure it can happen again.
Regardless, I was sort of ho-hum about the Civil War part, but I thought I'd cheer up my poor husband who was sick with food poisoning (duck from a nice restaurant, not my cooking). I was already pretty interested after Robert Osborne's introduction before the first scene played. The setup before the credits was a good teaser, and by the time the credits rolled I was hopeful. I knew I was hooked the minute Glenn Ford was taunting the rebs with talk of fried chicken. Then I was absolutely rolling when Ford and Douglas had their first scene and the first of many disagreements. They played off of each other so well. Douglas had his leading man days in his younger years, but some of my favorite roles are supporting ones. He sparred superbly with Cary Grant in Mr. Blandings Builds His Dream House.
By now I'd made up my mind that this was in no way going to be a dreary Civil War film. The next test was Stella Stevens. I saw her in a cute Dean Martin film and was just so thankful she didn't have on a buxom bikini and a Swedish accent and ended up liking the movie. To my delight, she's a beautiful rebel spy that appears to still have her virtue. That's hard to find in movies now, but it really makes for a clean, fun classic film which is what I enjoy the most. Through a series of preposterous events, Ford becomes involved with Stevens and their chemistry was just perfect and their banter adorable.
The supporting cast included Joan Blondell, Alan Hale (Jr.), Jim Backus, and a lot of other familiar faces from my days of watching great TV and movies on rainy days long ago. The stunts were very creative, the horse scenes were humorous, the crazy Company Q was comprised of the most perfectly matched bunch of misfits. The only one remotely sane was Ford, the suave and charming straight man. Finally, the film actually had a plausible plot that ended up making sense and everyone happy. Other than a few over the top slapstick scenes, I enjoyed this silly treasure. It even got a few chuckles out of my sick husband before he fell back asleep.
What a great Sunday afternoon treat and one I'll want to see again! I highly recommend it to anyone who loves fun classic but totally unique quirky romantic comedy action adventure western war movies all in one.
Regardless, I was sort of ho-hum about the Civil War part, but I thought I'd cheer up my poor husband who was sick with food poisoning (duck from a nice restaurant, not my cooking). I was already pretty interested after Robert Osborne's introduction before the first scene played. The setup before the credits was a good teaser, and by the time the credits rolled I was hopeful. I knew I was hooked the minute Glenn Ford was taunting the rebs with talk of fried chicken. Then I was absolutely rolling when Ford and Douglas had their first scene and the first of many disagreements. They played off of each other so well. Douglas had his leading man days in his younger years, but some of my favorite roles are supporting ones. He sparred superbly with Cary Grant in Mr. Blandings Builds His Dream House.
By now I'd made up my mind that this was in no way going to be a dreary Civil War film. The next test was Stella Stevens. I saw her in a cute Dean Martin film and was just so thankful she didn't have on a buxom bikini and a Swedish accent and ended up liking the movie. To my delight, she's a beautiful rebel spy that appears to still have her virtue. That's hard to find in movies now, but it really makes for a clean, fun classic film which is what I enjoy the most. Through a series of preposterous events, Ford becomes involved with Stevens and their chemistry was just perfect and their banter adorable.
The supporting cast included Joan Blondell, Alan Hale (Jr.), Jim Backus, and a lot of other familiar faces from my days of watching great TV and movies on rainy days long ago. The stunts were very creative, the horse scenes were humorous, the crazy Company Q was comprised of the most perfectly matched bunch of misfits. The only one remotely sane was Ford, the suave and charming straight man. Finally, the film actually had a plausible plot that ended up making sense and everyone happy. Other than a few over the top slapstick scenes, I enjoyed this silly treasure. It even got a few chuckles out of my sick husband before he fell back asleep.
What a great Sunday afternoon treat and one I'll want to see again! I highly recommend it to anyone who loves fun classic but totally unique quirky romantic comedy action adventure western war movies all in one.
Advance to the Rear is the last of a string of films that Glenn Ford made with director George Marshall. As an actor/director combination, they don't rate as high as John Wayne/John Ford or Robert DeNiro/Martin Scorsese, but they did turn out a succession of very funny films.
Back at the beginning of Ford's career, Marshall directed him in Texas along with another young star Bill Holden. Than it was almost a decade until they worked together again in one of Ford's best and probably funniest film, The Sheepman.
Ford had not done that much comedy up till then. Marshall took great advantage of Glenn Ford's really great gift for deadpanning some fabulous lines. They did five more films after that and Ford used him in his television series Cade's County. A good director/actor team turning out some great product.
I think George Marshall's not been given his due. He was best at comedy, but could also turn out good westerns. His most noted film, Destry Rides Again is a great blend of both.
Ford is a newly assigned lieutenant in a company that bears a striking resemblance to F Troop. Possibly this film was the inspiration for same. After a major snafu, they are assigned out in the west where it is hoped they cannot do too much damage to the Union cause.
And then it's discovered they are to be protecting a major gold shipment that Confederate guerrilla James Griffith is out to steal. Ford has an additional complication in that he's fallen for Confederate spy Stella Stevens.
You'll have a lot of laughs along the way in seeing if and how all these situations are dealt with. Another performance of note here is Melvyn Douglas as the commanding officer of the company. Douglas, two years past his Oscar for Hud, gets a real change of pace and he looks like he's having a ball playing the bumbling and pompous Colonel Brackenby.
Watch this one and you're in for good afternoon's share of laughs.
Back at the beginning of Ford's career, Marshall directed him in Texas along with another young star Bill Holden. Than it was almost a decade until they worked together again in one of Ford's best and probably funniest film, The Sheepman.
Ford had not done that much comedy up till then. Marshall took great advantage of Glenn Ford's really great gift for deadpanning some fabulous lines. They did five more films after that and Ford used him in his television series Cade's County. A good director/actor team turning out some great product.
I think George Marshall's not been given his due. He was best at comedy, but could also turn out good westerns. His most noted film, Destry Rides Again is a great blend of both.
Ford is a newly assigned lieutenant in a company that bears a striking resemblance to F Troop. Possibly this film was the inspiration for same. After a major snafu, they are assigned out in the west where it is hoped they cannot do too much damage to the Union cause.
And then it's discovered they are to be protecting a major gold shipment that Confederate guerrilla James Griffith is out to steal. Ford has an additional complication in that he's fallen for Confederate spy Stella Stevens.
You'll have a lot of laughs along the way in seeing if and how all these situations are dealt with. Another performance of note here is Melvyn Douglas as the commanding officer of the company. Douglas, two years past his Oscar for Hud, gets a real change of pace and he looks like he's having a ball playing the bumbling and pompous Colonel Brackenby.
Watch this one and you're in for good afternoon's share of laughs.
I have just finished reading Jack Schaefer's book, "Company of Cowards", and by coincidence, I watched this film on TCM this morning. I have to say that, apart from the names of some of the characters, this film bears very little resemblance to the book. For example, in the film, the character of Hugo Zattig, is a villainous and duplicitous, Confederate officer, played by James Griffith. In the book, the character is one of the "Company of Cowards", whose honour is redeemed at the end of the book.
Technically, the book was a historical novel, centred around the fictional character of Jared Heath, himself a disgraced Union officer, busted to sergeant, who was detailed to take charge of a company of other disgraced officers who had also been demoted for crimes such as desertion, disobedience, brawling and other such offences that are not tolerated in any Army, past or present. The end of the novel describes how Jared Heath and his "Company of Cowards" manage to redeem themselves during a heroic battle against Comanche and the Kiowa Indians, with a few of them giving their own lives in the heat of battle.
I should imagine that the producers and MGM had a lot of debate about how this film should be made. Was it to be a film about the true horrors of war and how disgraced soldiers were treated by the other troopers, as depicted in the novel? No, it was to be made as a knockabout comedy, directed by George Marshall, who had already directed James Stewart in "Destry Rides Again" and Glen Ford in a few other films, such as another comedy western, "The Sheepman".
A question had already asked as to whether the television comedy series, "F Troop" was loosely based on this film. Well, as the series was released on ABC a year later, it is probably more than a coincidence that the producers of the series did take some inspiration from this film. Ken Berry would have been a more naïve version of the Glen Ford character.
Jack Schaefer's novel was a very serious study on how the American Civil War was fought, which went on to describe the horror of fighting in the Indians Wars, when many hostile Indian tribes took advantage of the fact that the "white men" were distracted with fighting each other.
There were also some political comments about why the Union government kept changing its mind as to the reason for the war, starting out with political wrangles about why the Federal Government should have control over the distant Southern States; with the economic disparity between the Southern States and the Northern States; the need to keep the Union together; and, finally, the Abolition of Slavery.
Jack Schaefer wrote "Shane", one of the greatest and most realistic westerns ever written and filmed - I wonder what he thought of how his original novel was brought to the screen.
I will give the film 8 out of 10 for the lively performances of Glen Ford and the lovely Stella Stevens.
Technically, the book was a historical novel, centred around the fictional character of Jared Heath, himself a disgraced Union officer, busted to sergeant, who was detailed to take charge of a company of other disgraced officers who had also been demoted for crimes such as desertion, disobedience, brawling and other such offences that are not tolerated in any Army, past or present. The end of the novel describes how Jared Heath and his "Company of Cowards" manage to redeem themselves during a heroic battle against Comanche and the Kiowa Indians, with a few of them giving their own lives in the heat of battle.
I should imagine that the producers and MGM had a lot of debate about how this film should be made. Was it to be a film about the true horrors of war and how disgraced soldiers were treated by the other troopers, as depicted in the novel? No, it was to be made as a knockabout comedy, directed by George Marshall, who had already directed James Stewart in "Destry Rides Again" and Glen Ford in a few other films, such as another comedy western, "The Sheepman".
A question had already asked as to whether the television comedy series, "F Troop" was loosely based on this film. Well, as the series was released on ABC a year later, it is probably more than a coincidence that the producers of the series did take some inspiration from this film. Ken Berry would have been a more naïve version of the Glen Ford character.
Jack Schaefer's novel was a very serious study on how the American Civil War was fought, which went on to describe the horror of fighting in the Indians Wars, when many hostile Indian tribes took advantage of the fact that the "white men" were distracted with fighting each other.
There were also some political comments about why the Union government kept changing its mind as to the reason for the war, starting out with political wrangles about why the Federal Government should have control over the distant Southern States; with the economic disparity between the Southern States and the Northern States; the need to keep the Union together; and, finally, the Abolition of Slavery.
Jack Schaefer wrote "Shane", one of the greatest and most realistic westerns ever written and filmed - I wonder what he thought of how his original novel was brought to the screen.
I will give the film 8 out of 10 for the lively performances of Glen Ford and the lovely Stella Stevens.
It is impossible to see this film and not find it intelligently hilarious. You will laugh your way through it and never once feel your time has been wasted. The premise is simple and, in an odd way, that may in fact be it's strength.
During the last days of the Civil War, a contingent of Union soldiers, have made an uneasy accommodation with their Confederate counterparts stationed a few miles away. Every day at a certain time, each side fires a round of cannon fire at the other, timed to a deliberate miss. The aim of both sides is to, hopefully, last out the war in this manner: reasonably safe and secure.
This arrangement works quite well, until a brash headstrong Union Captain (played well by Glenn Ford)decides,on his own, to go out and capture a few of the "enemy". This of course forces their equally reluctant "enemy" to retaliate.
Ford's Commander,(played with exquisite timing by veteran actor Melvyn Douglas) is horrified. "What have you done?" he shouts at him, "take them back! How many times have I instructed you not to show initiative?" From this point on, the humor escalates and never ceases.
Staffed by some of the most recognized character actors of the time, we are treated to a highly skilled portrayal of an incredibly believable assortment of military misfits. What makes them believable is that their characterizations are delivered with depth. And this, in a sense, makes them somewhat realistic and all the more funnier.
This high caliber B-film is well scripted and, to it's credit, is finally being recognized for the cinematic gem that it is. My advice to all film lovers is to seek out this almost forgotten treasure. Trust me, you won't be disappointed.
During the last days of the Civil War, a contingent of Union soldiers, have made an uneasy accommodation with their Confederate counterparts stationed a few miles away. Every day at a certain time, each side fires a round of cannon fire at the other, timed to a deliberate miss. The aim of both sides is to, hopefully, last out the war in this manner: reasonably safe and secure.
This arrangement works quite well, until a brash headstrong Union Captain (played well by Glenn Ford)decides,on his own, to go out and capture a few of the "enemy". This of course forces their equally reluctant "enemy" to retaliate.
Ford's Commander,(played with exquisite timing by veteran actor Melvyn Douglas) is horrified. "What have you done?" he shouts at him, "take them back! How many times have I instructed you not to show initiative?" From this point on, the humor escalates and never ceases.
Staffed by some of the most recognized character actors of the time, we are treated to a highly skilled portrayal of an incredibly believable assortment of military misfits. What makes them believable is that their characterizations are delivered with depth. And this, in a sense, makes them somewhat realistic and all the more funnier.
This high caliber B-film is well scripted and, to it's credit, is finally being recognized for the cinematic gem that it is. My advice to all film lovers is to seek out this almost forgotten treasure. Trust me, you won't be disappointed.
I saw this movie in the basement movie studio of Ytterboe Hall (my freshman college dorm -- alas now only a memory) when it came out 37 years ago. After I got married and settled down, I started scanning the television listings regularly for it. After 20 years, one of the channels started showing it in the wee hours so I managed to tape it. 'Advance To The Rear' is a rare gem.
This movie was made during the short but glorious window of cultural innocence (between R & B and the Rolling Stones) when folk music was as popular as rock. The music is by Randy Sparks and sung by his New Christy Minstrals. The song 'Today' is from this movie.
Stella Stevens, as the Confederate spy, is gorgeous beyond description. Glen Ford plays the bemused hero trying to do things by the book admidst a collection of misfits ('We're a company of cowards and we've come to save the day.'). Jim Backus ('Gilligan's Island' and the voice of Mr. Magoo) leads a familiar cast of veteran supporting actors and actresses of the era. Did I mention that Stella Stevens is good looking?
'Advance To The Rear' is a B-movie masterpiece. One of those rare examples of everything coming together perfectly. For those of us who remember the era, it is also very evocative -- perhaps more so than any other movie of its time. It would be nice if whoever has the rights would release it, my VHS tape is getting a little flaky. By the way, they made an LP of the sound track. Now that be a major garage sale find.
This movie was made during the short but glorious window of cultural innocence (between R & B and the Rolling Stones) when folk music was as popular as rock. The music is by Randy Sparks and sung by his New Christy Minstrals. The song 'Today' is from this movie.
Stella Stevens, as the Confederate spy, is gorgeous beyond description. Glen Ford plays the bemused hero trying to do things by the book admidst a collection of misfits ('We're a company of cowards and we've come to save the day.'). Jim Backus ('Gilligan's Island' and the voice of Mr. Magoo) leads a familiar cast of veteran supporting actors and actresses of the era. Did I mention that Stella Stevens is good looking?
'Advance To The Rear' is a B-movie masterpiece. One of those rare examples of everything coming together perfectly. For those of us who remember the era, it is also very evocative -- perhaps more so than any other movie of its time. It would be nice if whoever has the rights would release it, my VHS tape is getting a little flaky. By the way, they made an LP of the sound track. Now that be a major garage sale find.
Did you know
- TriviaThe steamboat used in this movie was originally built and used as the Cotton Blossom, in MGM's Show Boat (1951). It was also used in L'arbre de vie (1957) and Les aventuriers du fleuve (1960). In the 1970s, it was one of the props auctioned off by the studio.
- GoofsIn the scenes where the cannons fire 30 rounds, some of the cannons fire before their fuses are ignited.
- Quotes
Martha Lou: All right. Let's say, just for the moment, that I *am* a spy.
Heath: A very pretty one, too.
Martha Lou: That would make us enemies, Jared.
Heath: Yeah, of course it would. And, we'd be starting out at a point in marriage that takes some couples twenty or thirty years to achieve!
- How long is Advance to the Rear?Powered by Alexa
Details
- Runtime1 hour 40 minutes
- Color
- Aspect ratio
- 2.35 : 1
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