Le cirque du docteur Lao

Woah...

I just saw this by chance. If you have the chance to see it, by all means don't pass it up. This is an extremely bizarre movie, but contains a few scenes of absolute brilliance. You just have to give it a chance.

Considering that it was made in 1964, it's really a masterpiece of "modern" cinema. Granted, by today's standards it is at times a little corny or dated, but overall it holds up.

You simply cannot miss this if it comes along on cable. There is nothing else quite like it.

I saw this film again yesterday, just when I needed to. I was a bit depressed and the film, with its essentially Taoist philosophy, picked me up. Is Dr. Lao really Lao Tsu, famous Taoist immortal? Maybe, maybe not. What matters here though is the message that the movie gives, and the charm with which it delivers this. There is a quote from the film that sums it all up:

"The world is a circus if you look at it the right way. Every time you pick up a handful of dust, and see not the dust but mystery, a marvel, there in your hand. Every time you stop and think, 'I'm alive. And being alive is fantastic.' Every time such a thing happens, you are part of the circus of Dr. Lao."

Go see this film, but not more than once in a while. Its message can be considered a bit "corny" by today's standards, but still has merit when taken at face value.

There's a proverb somewhere that states that youth is wasted on the young.One might similarly feel that the wisdom of fairy tales,folklore,and fantasy are wasted on children.While I,for one would hesitate to go that far,I feel that the messages contained in this film,like so many other classic children's stories,are best understood in an articulate fashion by adults.Kids will unconsciously and intuitively pick up the meanings,but it requires more maturity and life experience to fully appreciate what's going on here.So,here ends my pontificating,and begin the review.The plot with Arthur O'Connell trying to take over the town is a simple,relatively benign framework to introduce the real story;the necessity of looking at ourselves,our flaws,our foibles,and the illusions we need to protect ourselves,and to keep on living.And the circus of Dr.Lao does provide that chance,in a gentle and compassionate way.We can complain about the dated quality of the special effects,but don't forget,this was 14 years before Star Wars.The villains are a couple of stupid oafs who are easily disposed of in a benevolent fashion,and the other characters are shown the ways in which they stunt their own development,and then are given the chance to change IF THEY CHOOSE TO DO SO!(Let's face it,some of them decide to stay the same.)Randall gives a tour de force performance as the circus cast(although I believe that stuntman Janos Prohaska actually did the Abominable Snowman)and the true development of Merlin,from doddering has-been to capable miracle worker is am impressive display of character creation and sustenance.(I've always wondered if the bagpipes accompanying the growth of the Loch Ness Monster was some sort of inside joke.)This is the kind of film that the entire family should see together;everyone could get something out of it.

"This is the Circus of Dr. Lao. We show you things that you don't know. Oh, we spare no pains and we spare no dough, but we're going to give you one helluva show!"

And the Good Doctor certainly did, thanks to the boundless imagination of producer-director George Pal, the cutting-edge script from Twilight Zone veteran Charles Beaumont, and of course MGM's remarkably talented makeup wizard, William Tuttle, whose efforts for this film earned him a Special Achievement Oscar, long before Best Makeup ever became the more permanent category it is these days.

The story, based on the book by Charles Finney, takes place at the cusp of the early 1910's. The setting is a small Arizona town named Abilone, whose inhabitants are facing a crisis that threatens the overall future of the town. The greater crisis, however, lies in the townsfolk's own humanity, and the balance of our story follows Dr. Lao and his Circus as they transform that crisis into a better understanding.

At the heart of the town's battle to survive is the personal conflict pitting newsman Ed Cunningham (John Ericson) against town shyster Clinton Stark (Arthur O'Connell). Only the intervention of the Circus will permit them to come to terms with who they really are, as opposed to who they should become. Ed has also fallen in love with Angela Benedict, the town librarian (Barbara Eden), and must confront his own passions for her while covering Dr. Lao's Circus.

But when Angie's young son Mike (Kevin Tate) befriends Dr. Lao, the film is strengthened with its greatest wisdom, one that is best explored when the entire family watches this film. "The whole world is a circus if you learn to look at it the right way," the seven-millennia-old Dr. Lao reminds his new friend. "Every time you pick up a handful of dust, and see not the dust, but a mystery, a miracle, right there in your hands --- every time you stop to think, 'I'm alive, and being alive is fantastic!' --- every time such a thing happens, Mike, only then are you part of the Circus of Dr. Lao."

Even today, I still shed a tear when I see this film, especially during the scene in which Lao summons Merlin the Magician to perform for the good folks of Abilone. Most of them have pretty much lost their ability to believe in magic. But not Mike Benedict. How can you not be moved to tears when you see Merlin tenderly embracing the lad, to thank him for having believed in the wonder of Magic?

The 7 Faces of Dr. Lao is one of the few quintessential examples of the astounding range of Tony Randall's acting versatility.... a versatility we will most certainly miss.... and most certainly remember.

As my Wizardly alter ego Blackwolf will tell you, that one scene --- Merlin's magic show --- holds a special place in the hearts of all Magic-users. With the news of Tony Randall's death having just gone out over the wires, I think fans of Dr. Lao will want another look at this remarkable little film that reminds us all how important it is to take a look at ourselves and our future. This is Dr. Lao's greatest feat, and to accomplish it, he tells the tale of "The Fall of the City" to the townsfolk of Abilone. Using stock footage from George Pal's Atlantis: The Lost Continent, interspersed with new footage featuring the Dr. Lao adult cast performing double duty as various Atlantean inhabitants, and the awesome strains of Bach's Toccata and Fugue in D Minor booming in the background, "The Fall of the City" sequence is a masterpiece of drama, and an inspiring reminder that life is worth the battle so long as you learn something from it.

Overall, The 7 Faces of Dr. Lao is that rare curiosity of a movie, the kind that has something to say, and says it eloquently without preaching or sensationalizing its subject matter. We should all thank Tony Randall for having taken on this unique, one-of-a-kind filmmaking challenge. That, I think, is why we will miss him most of all.

A movie produced in the great times of Ameican movie making. Simple themes were required, for general entertainment, but that did not stop the writers and directors from putting in their own often very insightful comments.

The conversion by Dr Lao of Arthur O'Connell from a cynical property developer to "good guy" - "I've always hoped that someday a town would have enough get-up-and-go to band together and do the right thing" is, of course a simple and basic one.

So, to is the awakening of the love interest between John Ericson (if I have things the right way round) - by Pan, his pipes stirring the hormones of widow Angela Benedict (Barbara Eden, I Dream of Jeannie 15 Year Later amongst others).

And the simple lessons given to the young boy by the enigmatic Dr Lao, the wise philosiphising fool also fit a simple pattern.

But I've never seen anything quite like the short scene between (if I have it right) Sarah Benedict (Rose of Cimmaron, 1952) and Apollonius of Tyana, where she is told in no uncertain terms that her life is of no import, and she will grow old "without gaining wisdom, will die alone, and when dead, no one will mourn your passing". Her reporting of that fortune telling as a positive one, "I'm sure to marry Mr .." is one I will always remember.

For some reason, Tony Randall who plays 7 roles in this one never liked the film. A pity. It's played reasonably often, and I never tire of it.