La famille Addams

The Addams Family always has been one of my favourites. The costumes and sets look sumptuous and the photography to me hasn't dated. The music was iconic when I first was familiar to the series and it still is. The stories are always interesting, and I have never found the laughter track inappropriate or annoying. The cast are superb and perfectly suited to their characters, you won't find a better Gomez or Morticia than John Astin and Carolyn Jones, and Jackie Coogan is born for Fester. Wednesday and Pugsley are adorable and genuinely look as though they care for one another, and Lurch is a character you are amused by and feel sympathy for. The humour also works wonderfully, the writing is superb and the slapstick is subtle and appropriately weird and surreal. All in all, this series is a classic and always will be. 10/10 Bethany Cox

The Addams Family comes from a very cultured place: the nimble mind and pen of Charles Addams, a cartoonist whose work appeared in the entertainingly droll "The New Yorker" magazine. Charles' "family" were a macabre and quaint set of well to do people who just happened to take pleasure in pain and who dressed in dark colors. This means that the cartoonist was the unofficial Grandaddy of Goth! When the concept of converting these ink doodles into a live action television program took place, the timing coincided with another "odd" family who also arrived on our Television doorsteps that same season: "The Munsters." In a way, that was a disservice to both programs, since the common traits they shared made them a constant comparison. Personally, though I don't believe they are in the same league.

Where "The Munsters" went for the slapstick schtick nearly every time, "The Addams Family" used more wordplay and more clever, witty attempts to bring a laugh. But even that wasn't the main difference between the programs.

The secret ingredient that The Addams Family had over their Mockingbird Lane counterparts was a single word: PASSION. Yes this was a family with a creepy home, kooky hobbies, mysterious eating habits, and spooky pets. But at the root, at the heart, at the altogether ooky core of the story was this one, great, huge love between Gomez and Morticia and the love they shared for all of the people in their lives. John Astin and Carolyn Jones were incredible, and for my money, are still the sexiest couple in TV history.

Though it was often played for laughs, as when the matriarch uttered a word in French and Gomez couldn't resist kissing up her arm, it was very palpable, in the pet names they called each other, in the way they tangoed or in how the pair chatted in each other's company. This was a family that cared about all of its members deeply, and that read as clear as a full moon over a cemetery.

The laughs of the program were just the spider on the web, and the laughs were plentiful and great. A stellar cast, very good special effects and smart story lines, plus a great set of music cues from Vic Mizzy that added just the right finish to a fantastic program. Next time you have a chance to view an episode, keep that love story in mind as the show's centerpiece and see if you don't appreciate it in a new and deeper way.

'The Addams Family' was one of my favourite TV shows growing up because of it's overall weirdness, which appealed to my sick sensibilities having been raised on a diet of Mad magazine and Hammer horror movies, and because it was genuinely funny. And all these years later it still is. As an adult I appreciate it on even more levels. With hindsight it manages to look like one of the most subversive shows ever shown on TV, while simultaneously showing one of the most loving, and well adjusted families in TV history! How ironic is that?

John Astin as Gomez Addams shows outstanding comic flair, and is still a delight to watch. (Try and track down the ahead of its time comic western 'Evil Roy Slade' for another wonderful Astin performance.) The chemistry between Astin and on-screen wife Morticia (the lovely Carolyn Jones) is smoldering AND hilarious, and the two are backed up by a fine supporting cast, especially former child star Jackie Coogan as the bizarre but lovable Uncle Fester.

Forget the hit and miss movies, these are the original and still the best Addams family. Wonderful fun!

One of the funnier and more enjoyable series of the period about a ghoulish family that just seems to be totally unaware of their strangeness. Led by John Astin and Carolyn Jones, the group included the two aforementioned performers as the parents to two creepy youngsters and the odd voices of reason to various other family members. Jackie Coogan definitely stole the show as the creepy Uncle Fester. A short run of success for three seasons ended in 1966 with only 64 episodes being made. Used to have a home in syndication, but is harder to find on television these days. The series had a renaissance in the early-1990s with two theatrical installments starring Raul Julia, Christopher Lloyd and Anjelica Huston. The movies are not on par with the series, the main reason for this is the fact that the situations and characters play out so much better on the boob tube. 4 stars out of 5.

Believe it or not, as I watched this show in syndication when I was a tyke, I wanted to be Gomez Addams. Gomez was rich, happily married, dripping with Old World charm, had loving children, kind relatives, a devoted butler, lived in a great house, and the whole family did everything THEIR way, convention be damned!

He made wild, passionate love to his wife (and could turn his libido on and off like a light...yet all Morticia had to do was speak French!), and instead of drinking with the boys, he'd unwind with either yoga, juggling Indian clubs, bouncing on his trampoline, or blowing up his train set. His only vices were smoking cigars and drinking brandy, yet he seemed to do both in moderation.

I loved the little touches the show had. The coffee table with bundles of $100 bills in the drawer ("Petty cash, my good man!"), Lurch's Basso Profundo groan, the Butler's Chime that shook the entire house (with the pull cord a full-sized hangman's noose), the torture chamber turned into a "play room", the quirky decor of the house and the family taking in the moon while others took in the sun.

Gomez and Morticia were the first TV sitcom couple to have an implied sex life (a rather kinky one at that!), and the whole family was healthy and happy...if rather detached from established norms. It was a cleverly subversive program that shows one could be happy without fitting into society's standards. It was so touching to have the family thinking of OTHERS as being troubled and confused, while their own world was so blissful and joyous...even if everything around them was either Gothic or draped in black.

A show like this deserves to be re-issued onto DVD...and if possible, with the laughtrack removed (That would make it even MORE surreal!).