La révolte des indiens apaches

Now I have not checked the timeline, there possibly is at least another movie adaptation of Winnetou before this movie was made. But this is the first one of a trilogy that quite likely changed the landscape - no pun intended. I may also not be entirely correct, but I'm fairly certain that this is a nice and progressive look on native Americans ... something we did not really get from America - the land where you'd think they should have been eager to give us both sides of the story.

I have not read the novels by Karl May (shame on me), but I remember the movies I watched in my childhood fondly. Rewatching them now is really refreshing and while they have aged to a certain degree, the message is still clear! And a good one - giving a moral compass that was really good and helped in creating a mind set. It still has cliches and it certainly is not perfect, but the intentions are more than noble. I really like what they did here and the cast is incredible too. Not sure how this translates and apparently there are english versions that cut out some of the jokes (inappropriate ones if I understand correctly). So many side characters here ... so much fun, but also a lot of action in this one too.

One stunt in particular is quite incredible! Someone hanging of cliff and it seems to be the actor himself - there was no green screen back then, so I can only imagine how tough it was to shoot that ... really great work there. Of course there is the obligatory plastic lances, dolls being thrown from high grounds (though I've seen worse ones than are being used here) ... still these are things that you can easily just overlook ... because of the strong story and bond that gets established here ... I hear and see you brother.

It was so nice to remember times when this film was shot in the former Yugoslavia, what is today Croatia. I was not born then but they told me how wonderful it was to work with those people at those times.They filmed at what is today Plitvice Lakes and Dubrovnik, Popovo Polje area. Old people still remember that.

I wish making films was simple and nice as it was during those times.

It is great to take a ride in the past and revisit those old movies.

You the younger generation should do the same.

For details of film see the other reviews, everything there has been well said.

Arguably the start of the notable German Western cycle of the 60's, along with Treasure of the Silver Lake (Der Schatz I'm Silbersee of the previous year). In this early adaption of the tremendously successful Karl May novels which formed the backbone of the series, Ex Tarzan Lex Barker, blonde hair slicked back in vague echo of Kirk Douglas, plays Old Shatterhand. French actor Pierre Brice is Winnetou, good Apache, his Indian blood brother. Unlike the cynicism of the Spaghetti Westerns which followed shortly afterwards, the German version is backward looking - nostalgic, perhaps, for the more simplistic and romantic version of the genre, common in Hollywood before the psychological complications wrought by the 50's. Thus Shatterhand and Winnetou are more Lone Ranger and Tonto than Trinità and Bambino. The present film is fully equal of its rivals elsewhere on the continent in recreating the old west in mid europe, wagon trains marauding indians and all. Winnetou 1 also has the distinction of a marvellous score by Martin Bottcher, its sweeping main theme instantly memorable and looks superb in the widescreen transfer. Recent months have seen the release of three or four boxes of the films featuring Winnetou et al, with another one including the 1980's TV series, also worth investigating. However prospective buyers should note that the English dialogue/subtitling is not consistent; box 1 for instance only has 2 out of the 4 films in English while even in those that do minor characters and small scenes often lapse back into German - not a problem when the plot is relatively straightforward but unless bought cheaply the annoyance is enough to dampen a full recommendation of a greatly entertaining series of films hardly known to western fans, at least in the UK.

"Winnetou 1" is packed with images not only I shall remember forever: the train crashing into the house, Nscho-tschi sitting on the edge of the canyon (shot in Yugoslavia as usual for the Karl May productions), Klekih Petra giving his life to save Winnetou, Old Shatterhand freeing Winnetou secretly, and much later becoming blood brothers. This is a myth larger than life, and it is admirable how well balanced it is with all its ingredients, Ralf Wolter playing the funny Sam Hawkens and Mario Adorf the intense villain Santer, while Marie Versini as Nscho-tschi adds a bit of romance. How often do you find a movie that has nothing to improve and you wish you just could see again and again? Yet I do understand people who think this is a naive or even lame flick - they just weren't at the cinema all those years ago, I suppose.

To my mind, "Winnetou I" is the second from the best movies about Winnetou after "Old Shatterhand" ("Apache's last battle"). These movies are different. "Winnetou I" or "Apache's gold" is very romantic, a nice fairy-tale about noble and human Indian and his blood brother. It's idealized story, far from cruel reality. "Old Shatterhand" has some similar features, but it is more realistic. However, I can see both these movies after 40 or 35 years with pleasure despite of the naiveness of both these films as examples of excellent cinema art reminding me about ideals of childhood and youth. Director Harald Reinl is a great master of romantic cinema. This movie is very beautiful with a great deal of poetic. A beauty of nature (filmed in Croatia) is a background for romantic drama. Two contrasting actors - Pierre Brice (Winnetou) and Lex Barker (Shatterhand) - looks excellent together. To my mind, this is the best Barker's movie: he acts with true passion. Unfortunately, he lost it in last Winnetou's movies.. Pierre Brice is very intelligent actor with a good taste and wit some mystery in his noble face. This mystery makes him very attractive. Marie Versini's Nscho-tschi is the best Indian woman I see in the European westerns. He looks excellent alongside Pierre Brice and his acting is touching. Mario Adorf is very strong as villain Santer, Ralf Wolter's comical characterisation is also very good. And music (Martin Boettcher) is very beautiful. .