IMDb RATING
7.1/10
112K
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A poor boy named Arthur learns the power of love, kindness, knowledge and bravery with the help of a wizard called Merlin in the path to become one of the most beloved kings in English histo... Read allA poor boy named Arthur learns the power of love, kindness, knowledge and bravery with the help of a wizard called Merlin in the path to become one of the most beloved kings in English history.A poor boy named Arthur learns the power of love, kindness, knowledge and bravery with the help of a wizard called Merlin in the path to become one of the most beloved kings in English history.
- Directors
- Writers
- Stars
- Nominated for 1 Oscar
- 1 win & 1 nomination total
Rickie Sorensen
- Wart
- (voice)
Sebastian Cabot
- Sir Ector
- (voice)
- …
Karl Swenson
- Merlin
- (voice)
Junius Matthews
- Archimedes
- (voice)
Martha Wentworth
- Madam Mim
- (voice)
- …
Norman Alden
- Sir Kay
- (voice)
Alan Napier
- Sir Pellinore
- (voice)
Richard Reitherman
- Wart
- (voice)
Robert Reitherman
- Wart
- (voice)
Jack Albertson
- Knight in Crowd #1
- (uncredited)
Barbara Jo Allen
- Scullery Maid
- (voice)
- (uncredited)
Fred Darian
- The Minstrel in opening sequence
- (voice)
- (uncredited)
James MacDonald
- The Wolf
- (voice)
- (uncredited)
- …
Tudor Owen
- Knight in Crowd
- (voice)
- (uncredited)
Thurl Ravenscroft
- Black Bart
- (voice)
- (uncredited)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I'm really not much of a Disney fan, and a lot of their films I find are sentimental rubbish, to put it bluntly. This, however, is different. I remember watching this when I was little and finding it hilarious. I hadn't watched it for years until recently when my younger siblings borrowed some videos from a friend. I still find it funny. The animation's nothing amazing, it's done more or less in the style of 101 Dalmations, and the storyline is basic King Arthur stuff (but I do like King Arthur stories anyway). It's the humour that really makes it memorable and charming. The characters have personality, there are no bimbo princesses or princes, and I find myself warming greatly to Merlin and Arthur and even grumpy Archimedes. Well worth watching.
This very nice Disney Classic was based on the children's novel by TH White. This was not yet that very well-known, heavy novel titled "the Once and Future King" that so many later movies were based upon, but the lighthearted earlier version. Many agreed that the later novel has disfigured the first, so that we may be thankful for the Disney version!
Though it does not quite follow the book (this is hardly possible, at times) it is a very good version as animated movies go. Not tedious, though of an age where children were meant to learn something from a movie...
A collectors item!
Though it does not quite follow the book (this is hardly possible, at times) it is a very good version as animated movies go. Not tedious, though of an age where children were meant to learn something from a movie...
A collectors item!
I used to watch the Sword in the Stone quite a number of times as a kid, and I know why later on in my years. It's actually quite a fun little movie considering its a quasi-history lesson on how Arthur (aka 'Wart') became King of England. It includes Merlin, and his 'educated Owl' Archamedes, and a whole lot of wacky adventures trying to get Arthur, who can't read or write, into a mode of thought higher than how he's been raised. For a Disney film, as well, it's also quite the quotable film at times, with some lines and situations still sticking out in my mind years later. For example, the sequence involving Arthur and Merlin as squirrels in the trees, and a small lesson in love (or lack thereof) a lady squirrel presents in the face of danger. Or the story involving Arthur as a bird, trapped in the clutches of Madamn Mim (maybe one of the funniest sequences in any Disney movie).
So, as one can figure from what I've described (if you haven't seen the film yet), it's fairly over-the-top, loaded with silly-songs (one of which a true charmer involving Merlin's proclivity for organizing a packing up of his house) and little lessons for kids. But it actually is also funny for adults too, I'd guess, or at least funny to watch along with the kids. It may not be in the absolute peek of the period in Disney films (one may try to look to the Jungle Book or Winnie the Pooh for that, or the underrated Aristocats), however I sometimes come back to this film in my mind. It has a catchy attitude that made being in the 'dark ages' as fun as possible- Archamedes in particular is maybe one of the great side-characters in any Disney film.
Alakazam!
So, as one can figure from what I've described (if you haven't seen the film yet), it's fairly over-the-top, loaded with silly-songs (one of which a true charmer involving Merlin's proclivity for organizing a packing up of his house) and little lessons for kids. But it actually is also funny for adults too, I'd guess, or at least funny to watch along with the kids. It may not be in the absolute peek of the period in Disney films (one may try to look to the Jungle Book or Winnie the Pooh for that, or the underrated Aristocats), however I sometimes come back to this film in my mind. It has a catchy attitude that made being in the 'dark ages' as fun as possible- Archamedes in particular is maybe one of the great side-characters in any Disney film.
Alakazam!
Pleasant Disney animation, without being a classic. It has its moments, particularly the magic-fight between Merlin and Mim, but is light on characterisation and especially good songs. The soundtrack tunes are very simplistic both melodically and especially lyrically and resolutely refuse to stay in your brain.
The narrative itself is unusual, introducing the sword in the stone legend immediately and then dispensing with it until the last five minutes or so, concentrating its energies instead on young Arthur (read Wort) and his upbringing by the kindly Merlin and his obstinate talking owl Archimedes.
I kept seeing recollections of past Disney (and other) cartoon forebears, everything from, naturally enough the Sorcerer's Apprentice from "Fantasia" and "Cinderella" while the chasing wolf early on is a blatant lift of Wile E Coyote in the "Road Runner" shorts. The old Disney trick of an experienced elder mentoring a young innocent had of course been done before in "Pinocchio" and "The Jungle Book" although I could also see some ideas which were adapted in future projects, the animated crockery anticipates "Beauty and the Beast" for instance.
Disney never did return to the Arthurian Legnd in future animations as was hinted might happen here which is a pity but for me there's far too much diversion from the legend itself so that I was willing young Arthur to hurry up and give the sword the required pull long before the ending, which when it does arrive seems far too rushed in any case.
No, not the best Disney by a long way and certainly not in the vanguard of the studio's work.
The narrative itself is unusual, introducing the sword in the stone legend immediately and then dispensing with it until the last five minutes or so, concentrating its energies instead on young Arthur (read Wort) and his upbringing by the kindly Merlin and his obstinate talking owl Archimedes.
I kept seeing recollections of past Disney (and other) cartoon forebears, everything from, naturally enough the Sorcerer's Apprentice from "Fantasia" and "Cinderella" while the chasing wolf early on is a blatant lift of Wile E Coyote in the "Road Runner" shorts. The old Disney trick of an experienced elder mentoring a young innocent had of course been done before in "Pinocchio" and "The Jungle Book" although I could also see some ideas which were adapted in future projects, the animated crockery anticipates "Beauty and the Beast" for instance.
Disney never did return to the Arthurian Legnd in future animations as was hinted might happen here which is a pity but for me there's far too much diversion from the legend itself so that I was willing young Arthur to hurry up and give the sword the required pull long before the ending, which when it does arrive seems far too rushed in any case.
No, not the best Disney by a long way and certainly not in the vanguard of the studio's work.
The 90 minute cartoon is in fact the first chapter of T.H. White's novel The Once and Future King. Made for the kids, Disney does it again taking a classic story and adding fictional animal characters that can talk. Still, Disney remains loyal to the story by keeping many of the characters in the story including Kay, Sr. Pellinoire, and Sir Ector.
Worth watching twice with the family. An animated classic
Worth watching twice with the family. An animated classic
Did you know
- TriviaArthur was voiced by three different boys - Rickie Sorensen, Richard Reitherman and Robert Reitherman. The changes in voice are very noticeable in the film because of the way Arthur's voice keeps going from broken to unbroken, sometimes in the same scene. One of the easiest noticed is in the last scene in the throne room when Arthur asks in his "changed voice", "Oh, Archimedes, I wish Merlin was here!" Then, the camera cuts farther back and Arthur shouts in his "unchanged voice," "Merlin! Merlin!"
- GoofsThroughout the entire film Wart's voice keeps on changing from being child-like to adult-like. One of the easiest spots to notice this is in the throne room towards the end when Wart is trying to get somebody else to take his place. He says "Oh Archimedes, I wish Merlin were here!" in his adult voice, then the camera goes to a distant view and he calls "Merlin, Merlin" in his child voice.
- Quotes
Madame Mim: Sounds like someone's sick. How lovely. I do hope it's serious. Something dreadful.
- Alternate versionsThe UK DVD version omits part of Madam Mim's first line "Sounds like someone's sick. How lovely. I do hope it's serious. Something dreadful." She now says "Sounds like someone's sick. How lovely."
- ConnectionsEdited into Le Livre de la jungle (1967)
- SoundtracksThe Legend of the Sword in the Stone
(1963) (uncredited)
Music and Lyrics by Richard M. Sherman and Robert B. Sherman
Sung by Fred Darian
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- La espada en la piedra
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $3,000,000 (estimated)
- Gross US & Canada
- $12,000,000
- Opening weekend US & Canada
- $2,230,614
- Mar 27, 1983
- Gross worldwide
- $12,000,000
- Runtime
- 1h 19m(79 min)
- Color
- Aspect ratio
- 1.37 : 1(original & negative ratio, open matte)
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