Nurse on Wheels

NURSE ON WHEELS does feel very much like a non-canon CARRY ON film, a feeling exacerbated by the presence of not one, not two, but three CARRY ON big names: Gerald Thomas as director, Peter Rogers as producer, and Norman Hudis as writer. Add in the presence of a number of CARRY ON players in support and you have pretty much a CARRY ON movie in all but name.

The tag line proclaims this as "funnier than CARRY ON NURSE!" and I would have to disagree with that statement. The early black and white CARRY ONs were all very good indeed; there was no time taken to get the series up to speed, they had the formula correct from the word go and the resulting films feel fresh and sparkly even now. NURSE ON WHEELS spoils things a bit by including a large romantic sub-plot which makes this sometimes feel like a light romance from the 1940s rather than an early '60s comedy.

Still, there are plenty of reasons to tune in, not least the efforts of the solid cast. Juliet Mills is full of warmth and humour as the district nurse lead, although the fish-out-of-water type humour feels very quaint and even antiquated for a modern viewership. Ronald Lewis is stuck with the stodgy role of a farmer, although Noel Purcell shines as the eccentric general store owner. Sadly, one of the best known of the CARRY ON actors, Joan Sims, has her comic talents wasted in the part of a jealous rival. Still, Esma Cannon is delightfully eccentric, old talents like Joan Hickson and Renee Houston remain amusing, George Woodbridge is cast delightfully against type, and Jim Dale makes a mark early on in his career.

Nurse Joanna Jones finally passes her driving test and thus is eligible to take the job as District Nurse in a small country village. When she manages to get to her new location with her dotty mother in tow, she finds that she has got to fill the very large shoes of her predecessor Nurse Merrick. Settling into her job, Jones gets to know the eccentric set of patients she has to deal with – not to mention the attractive Dr Golfrey and the embittered local vicar.

Modern packaging and marketing of this film would have you believe that it is part of the Carry On series but even a viewing of the first 15 minutes will tell you that, other than Joan Sims, this has very little in common with Carry On Nurse (which was of the similar period). Instead of the freewheeling irreverence of that series this is much more structured and actually a mix of a light humour with a reasonable story. This is not to say that it is brilliant of course, because it is a fairly unremarkable affair although it is enjoyable if you meet it on its own terms. The humour is consistently gentle but does coax out some laughs while producing an amusing tone throughout, it isn't hilarious of course but I quite liked it and did find it a bit more refined than the other Nurse film (although it does have some similar joking, including a "bottom" joke at the end that is reminiscent of Nurse's famous daffodil conclusion).

The cast are quite pleasing and they seem to take to the relaxed tone of the material easier than the rather forced "wackiness" of the Carry On films. Mills is pretty and pitches it well in the lead role, but many of her scenes are stolen from her by Cannon's wonderfully comic dotty mother. Support features some good turns from Sims, Dale and a few others but I must admit that I wasn't overly taken by Howard as Dr Golfrey.

Overall this is an enjoyable film even if it isn't anything special and is never hilarious at any point. The cast do well with the tone of the material and the film delivers a consistent good humour within a story that is well enough structured to stand up better than some of the Carry On films that did feel a bit like a collection of sketches at times.

Underneath the opening credits of this gentle, old-fashioned (even when it was made) corny comedy, we see Juliet Mills riding her bike through a provincial town. She looks very nervous; probably because she knew there'd only be one take, and that there were no safety measures. The producers of this British relic (I don't mean Ms Mills) were known for their cheese-paring parsimony. It shows in the lighting set-ups and the straightforward, episodic storytelling. That's not to say that Gerald Thomas didn't know how to tell a story. He had plenty of practice. He also knew that the host of tried and true character actors who populate this mild comedy, were prone to hamming outrageously if given the chance; he gave them the chance and they don't disappoint - with the exception of Mr Huntley and Ms Seyler, who are restrained. The handsome (and, film-wise, under-used, for health reasons, I understand) Ronald Lewis stars as the nurse's love interest; and Ms Mills, in her professional English way is a very charming nurse. I thought it very light when I first saw it at the Regal cinema, in Putney, in South London. Even then I was surprised it scraped in as a main feature. I expect it had some pretty strong support - a western perhaps, in colour. Nowadays Nurse on Wheels seems almost amateurish; but if you like those thesps of yore, check it out. They're the main attraction.

Nurse on wheels is directed by Gerald Thomas and adapted to screenplay by Norman Hudis from the novel Nurse Is a Neighbour written by Joana Jones. It stars Juliet Mills, Ronald Lewis, Joan Sims, Noel Purcell, Esma Cannon, Raymond Huntley, Athene Seyler and Norman Rossington. Music is by Eric Rogers and photography by Alan Hume.

With much of the production team and some of the same actors coming from the British institution that is the Carry On series of films, Nurse on Wheels has been marketed over the years as being an unofficial Carry On movie. Even the Region 2 DVD release proudly proclaims that it is "funnier than Carry On Nurse" (1959), while the back of the cover wrongly states that folk legends like Sid James and Charles Hawtrey also star in the movie! It certainly feels like a Carry on movie in production terms, from Eric Rogers' musical score to the characterisations on show, it carry's the same attributes. What it doesn't have, however, is the bawdy nature and dialogue innuendos so firmly ensconced in Carry On lore.

Nurse on Wheels is a throw back to a quaint time in British cinema, where comedy structure was simple and the actors enjoyed their work. The plot takes young new District Nurse Joana Jones (Mills) into the village of Blandley (hee hee), where she has the unenviable task of replacing the previous, older and much trusted, nurse of the village. Not only does she have to put up with gossip and suspicion, but also the attentions of red blooded males; some unwanted, one other encouraged. It holds absolutely no surprises and the comedy, even with the odd slapstick moment, is as gentle and harmless as it gets. With its eccentric characters, a sweet affecting backdrop of village life and all round warm glow, it's perfect afternoon viewing for the family really. The stalwart cast are faultless, with Mills utterly lovely and Cannon lighting the screen up with another of her jumping-bean performances. While Gerald Thomas was a good pro, and here he once again proves to be unobtrusive with his direction.

It's more about putting a smile on your face and a glow in your belly than splitting your sides, and there's nothing wrong with that. 7/10

This film is funny. Make no mistake about that. It's a gem of a comedy which provokes out-loud laughter in abundance. A whole host of comic characters are at hand to deliver some unforgettable lines amid a very simple, ungarnished plot.

Passing her driving test qualifies nurse Joanna Jones (Juliet Mills) for a position as a district nurse. So she, together with her dotty mother, moves into an out-of-the-way village to take up her new duties. After twenty-odd years under the care of an elderly district nurse, the villagers are somewhat distrustful of the young and beautiful Nurse Jones. This leads to some hilarious situations as the new district nurse is thrown amongst the village's inhabitants. Abel Worthy (brilliantly played by the irascible Noel Purcell) is felled by a tin of corned beef - just one in a series of delightful mishaps. And the dialogue is even funnier. `You know Dr Golfrey's secretary? That flighty young thing? Well, she's flown.'

Esma Cannon relishes the role of Joanna's eccentric mother and Norman Rossington plays a blinder as George Judd, the lovelorn hob-jobber but Juliet Mills is nothing short of outstanding in the lead role.

All in all, Nurse On Wheels is a wonderful example of English comedy. It may be a cliché but they don't make 'em like this anymore.