Mourir à Madrid

I thought I had watched all the works about the Spanish Civil War. But this suddenly came across me. An incredible documentary from 1963. It puts today's so-called documentaries to shame. I saw images about the civil war that I had never seen before. For example, I had read a lot about the burning of churches, but I saw it here in detail for the first time. I deducted one point. The reason for that was that the images of death were displayed in a somewhat pornographic way. If it were a documentary from today, I would have deducted more points, but a work should be judged according to its period. When we judge this work according to its period, I think that the discussions on ethics were not as advanced at that time. Apart from that, you can find the answer to the question of how a documentary should be in this work...

i saw this movie over 30 years ago at the carnegie theatre in new york city. i have never forgotten it and in subsequent years have tried to obtain a dvd or vhs for my collection. unfortunately it doesn't seem to be available and the film is rarely shown any more. whether you agree or disagree with the plot of the film, it is a cinematic experience.

To Die in Madrid,follows a documentary filmed in 1938, released in 1939 The Spanish Earth. Both documentaries chronicle the Spanish Civil War. From Andre Segovia's guitar in the background,to the voices of Irene Worth and Sir John Guilguld, it's wonderful. To Die in Madrid is a testament to the first anti-fascists as the veterans of the Abraham Lincoln Brigade refer to each other. I recommend both documentaries to any one that is interested in the roots of WWII. I am also looking for a copy of To Die in Madrid in VHS format if anyone knows where i could purchase, please contact me through the above e-mail address. Thank you.

All the comments reflect my own experience and feelings. Frédéric Rossif is a cineast who touches both heart and mind by his documentary work, as well as Ken Loach does in his social-political statements. More than the latter's "Land of Freedom" in color, the black-and-white of Mourir à Madrid reveals as much Spain's tragic sufferings of civil war as it pictures an archaic rural world now almost vanished.

The film score by Jarre, which I taped from the movie once shown on TV, is magnificent: it's Spanish guitar themes are still as beautiful and haunting as the ones of "Jeux Interdits". And yes, it's deplorable indeed that it hasn't already been re-edited and remastered on DVD; it can't be that difficult to bring it out and distribute it, seen the rubbish that does nowadays... An idea for Criterion?

40 years later I still remember seeing a movie showing real people fighting for real freedom - in particular a scene where bullets hit a empty hilltop, then rebels run through the same space, then bullets again - the sense that two seconds earlier or later in their actions would have meant real death (not movie death). I feel that we all should see understand what was shared in this film. ALSO - the music of Maurice Jarre was simple and beautiful.