Two nuns come to Rome to protest to an airline about its jet planes which have been flying over their convent school, disrupting teaching of the little orphans who study there and damaging t... Read allTwo nuns come to Rome to protest to an airline about its jet planes which have been flying over their convent school, disrupting teaching of the little orphans who study there and damaging the ancient fresco of their patron saint through sound vibrations.Two nuns come to Rome to protest to an airline about its jet planes which have been flying over their convent school, disrupting teaching of the little orphans who study there and damaging the ancient fresco of their patron saint through sound vibrations.
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Jimmy il Fenomeno
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This is well on par with the best English comedies of the 50s and very remindful of the French classic comedy "The American Beauty" of almost the same year - the idyll is the dominating character of the film, and no matter what monstrous modernities and terrifying industrial tycoons the little nuns encounter on their crusade to Rome to make an airline change a line between Rome and Milan to avoid disturbing their mountain monastery, which frescoes are damaged each time an airplane thunders above them, the little nuns by their sheer naïvety get their way. Their driver is an old drunk, his car is antique and almost falling apart, they can't move fast, and they get a stowaway in the car as well, a small boy who loves to take surprising initiatives. The leading tycoon with whom the little nuns have to struggle is Amedeo Nazzari, who from the beginning and for good reasons are scared to death of them. The complications and funny situations tend to amass to an impressing pyramid of hilarious circumstances and intrigues, making this one of the best Italian comedies after Vittorio de Sica. It is human, delightfully charming, very innovative, there is even a spectacular judo match with an unexpected outcome, and as usual in Italian films, the children top everything.
The Little Nuns is a delightfully funny comedy, one of the best and brightest from Italy's golden age of comedy, the 1960's. Unfortunately it seems to be almost unknown now, at least in the English-speaking world.
The nuns in a rural Italian convent are being driven to distraction by the noisy commercial jet aircraft flying overhead, disrupting the classes in their orphans school. The vibrations are even damaging the ancient fresco of their patron saint. When it is discovered the convent owns a single share of stock in the offending airline, two nuns are dispatched to the airline's next stockholder's meeting in Rome. The naive sisters may not understand the worldly ways of the city, but they have very decided notions about the way things should be. Their innocent misadventures make life hilariously miserable for the sophisticated CEO of the airline (Amedeo Nazzari) just as effectively as if they had really intended it. International beauty Catherine Spaak, uncharacteristically well covered in a traditional nun's habit, shines as the formidable Sister Celeste. Nazzari, who seems to have been in every other Italian movie of this period, though in his fifties, was still a robust, handsome man with a remarkable resemblance to Errol Flynn. His suave, urbane demeanor made him the perfect straight man for this genteel farce.
I caught The Little Nuns a couple of times back in the 1980'a on something like the Late, Late, Late, Desperate Night Owl Theater. There appears to be no DVD of this minor classic, and that's a shame. The Little Nuns is a delightful, lively, charming, little madcap comedy from an Italian cinema industry which was turning out first class entertainment at a time when Hollywood had almost forgotten how.
The nuns in a rural Italian convent are being driven to distraction by the noisy commercial jet aircraft flying overhead, disrupting the classes in their orphans school. The vibrations are even damaging the ancient fresco of their patron saint. When it is discovered the convent owns a single share of stock in the offending airline, two nuns are dispatched to the airline's next stockholder's meeting in Rome. The naive sisters may not understand the worldly ways of the city, but they have very decided notions about the way things should be. Their innocent misadventures make life hilariously miserable for the sophisticated CEO of the airline (Amedeo Nazzari) just as effectively as if they had really intended it. International beauty Catherine Spaak, uncharacteristically well covered in a traditional nun's habit, shines as the formidable Sister Celeste. Nazzari, who seems to have been in every other Italian movie of this period, though in his fifties, was still a robust, handsome man with a remarkable resemblance to Errol Flynn. His suave, urbane demeanor made him the perfect straight man for this genteel farce.
I caught The Little Nuns a couple of times back in the 1980'a on something like the Late, Late, Late, Desperate Night Owl Theater. There appears to be no DVD of this minor classic, and that's a shame. The Little Nuns is a delightful, lively, charming, little madcap comedy from an Italian cinema industry which was turning out first class entertainment at a time when Hollywood had almost forgotten how.
Details
- Runtime
- 1h 40m(100 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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