Sa majesté des mouches

After reading Golding's classic novel, my class watched this adaption of "Lord Of The Flies" in our literature class. I found it to be quite good, and a hell of a lot better than the 1990 version, which alters all too many important moments and characteristics of the book. Reading over these comments, I was very confused. 1. The story and moral of "Lord Of The Flies" is so haunting and powerful that it does not need an overly dramatic score. The tune that Jack and his choir sing around the island is just the right touch. 2. Of course the acting wasn't as amazing as it could have been! Everyone seems to be forgetting just how young and inexperienced these boys were. Besides, the character's in Golding's story are just as young, and act their age (however violent and disturbing it may be). I found the camera work to be quite lovely. The film uses beautiful shots, which only enhance it even more. The final scene is one of my favorites. My only bone to pick is how quickly the film goes through the events in the book. I really do wish it would have slowed down a bit, and concentrated more on such characters as Simon, as well as the boys transformation into savages. Overall I found this adaption of "Lord Of The Flies" to be fantastic. My advice to future viewers of this film is to read the book first, definitely watch this 1963 version afterwards,and completely avoid the 1990 version all together.

Director Peter Brook delivered a very powerful and artfully done film based upon the classic book by William Golding. To those who have commented here about the differences between the book and this film: these are two very different mediums. Brook did not attempt a straight adaptation, he presented Golding's story through his own vision and emotional lens.

The use of non-professional children is one of the things that make this a brilliant film, and vastly superior to the obnoxious 1990's version. If you pay attention to the opening minutes of Brook's film, you will notice that the world presented is nice, normal, clean, and functional. The boys deliver their lines well and the story flows smoothly. Once the boys are on the island, the scenes aren't nearly so smooth in transition, the speech becomes very awkward and the boys interaction with each other is stilted and unnatural.

That is the point! These children know the direction they are going is wrong, to a boy they know this. Yet as individuals they are helpless to stand up to the group. Their awkwardness flows from their fear of being cast out, while yearning to be rescued and return to their homes. The nightmarish quality of the situation is well reflected in the hesitant speech and graceless movements. The uneasy stringing together of scenes makes the viewer squirm, hopefully making the connection to how ill at ease and unnatural the boys themselves must feel.

I'm sure most of you have been around boys of this age at some point in your life. They are prone to being tongue-tied, have few social graces and lack physical co-ordination. That's what makes this film so utterly believable, the boys are real boys, not pimped-out Hollywood trick ponies, delivering their lines in perfect Shakespearean English, while nimbly doing complicated dance moves and mugging their perfect little faces square at the camera.

Golding's book is a masterpiece that can be taken on several levels. Brook's film offers no fewer interpretations of the deeper meaning while presenting a realistic and horrific vision of the basic story. I know most people simply will not get this film. That's too bad because it is a classic.

Peter Brook's film adaptation of William Golding's "The Lord of the Flies" is still an interesting piece of cinema one doesn't get a chance to see too often. After more than forty years of its release, the film is still a good way to get to know Mr. Golding's masterpiece, as Mr. Brook stayed truthful with the screen play he wrote.

The mere idea of children shipwrecked in an island to fend for themselves, as they make a world of their own, was quite revolutionary when Mr. Golding wrote the story. To witness what children are capable of doing in extreme circumstances is an eye opener. In fact, the children put into practice what they have seen of their society as they realize they are stuck in an island without any indication of anyone looking out for them.

Although some criticism has been expressed in this forum about the way the accident happens, and the way the boys come from all parts as they first gather in the beach, Mr. Brook's intentions seem to be more into the theatrical staging of this scene as the different groups come together. The best scene being the group lead by Jack as they march on the beach singing Kirie Eleison in their sweet and melodious voices.

Cruelty is the most notorious trait the boys display for one another. That, and the leadership that Jack wants to take away in forming his own tribe and the complete breakdown in the communication among the boys. Mr. Golding was telling us that given to certain circumstances, man, or children in this case, will revert into being savages and that perhaps society's role is to keep people controlled into what is known as a civilized world.

Peter Brook made an excellent film, but perhaps his biggest achievement is the magnificent work he got out of the mostly unknown cast of young children. There are no false notes, especially in the principals. With the notable exception of James Aubrey, who plays Ralph, none of the other boys had a film career, although one sees the promise in some of them. Tom Chapin is good as Jack. Hugh Edwards gives a heart wrenching account of Piggy, the boy that is ridiculed by the rest and betrayed by Ralph in telling the new arrivals about his nickname. Tom Gaman as Simon also had some good moments.

This film shows Peter Brook at his best.

".......May I start by saying a pox on those who do not love the cast....The young cast are frighteningly talented" Thank You! Yes, the cast was talented in a non-professional way and that is perhaps what made the film work. But the real story of how the film was made is this: Off set was very much like on set. We lived in an abandoned pineapple warehouse and all called each other by our movie names. There was a split in the cast - sort of one "gang" against another - although in the real life one Jack and Ralph were on the same side (the leader of the other gang being one of the other choir boys). The gangs would make "war" on each other with Jack and Ralph's bunch headquartered out in the cane fields while the other bunch had a metal scaffold "fort" near the warehouse. In the beginning the cast was more of less evenly split but in the end I found I was on the "losing" side since we were down to only two people! So, filming was not all that difficult for the kids and much of it was simply letting us go at it. For instance the hut building scene was turned into a contest of who could build the best hut with a watermelon being the prize. That the cameras were going was only a secondary concern for the kids. Anyways, it was fun and make for some great childhood memories. Kent Fletcher (Percival), Corvallis OR USA

After a plane crash in the ocean, a group of British students reach an island. The boy Ralph (James Aubrey) organizes the other kids, assigning responsibilities for each one. When the rebel Jack (Tom Chapin) neglects the fire camp and they lose the chance to be seen by an airplane, the group split under the leadership of Jack. While Ralph rationalizes the survival procedures, Jack returns to the primitivism, using the fear for the unknown (in a metaphor to the religion) and hunger to control the other boys. His group starts hunting and chasing pigs, stealing the possession of Ralph's group and even killing people.

When I saw the 1990 "The Lord of the Flies", I found the impressive story very scary since it shows the lost of innocence of children fighting to survive in a society without perspective and rules. My immediate association was with my and other Third World countries, where many children are abandoned by the Government in their poor communities, and without education, perspectives in life and laws, become very young criminals working in gangs of drug dealers and thieves. In this movie, it is exposed how primitive a kid can be without the authority and respect, and this sort of violence is in the headlines of our newspapers almost every day. I have never the chance of reading this visionary novel, but both movies are very similar and I believe that they are good adaptations, with a frightening study of characters and sociology. My vote is eight.

Title (Brazil): "O Senhor das Moscas" ("The Lord of the Flies")