Sa majesté des mouches

After a plane crash in the ocean, a group of British students reach an island. The boy Ralph (James Aubrey) organizes the other kids, assigning responsibilities for each one. When the rebel Jack (Tom Chapin) neglects the fire camp and they lose the chance to be seen by an airplane, the group split under the leadership of Jack. While Ralph rationalizes the survival procedures, Jack returns to the primitivism, using the fear for the unknown (in a metaphor to the religion) and hunger to control the other boys. His group starts hunting and chasing pigs, stealing the possession of Ralph's group and even killing people.

When I saw the 1990 "The Lord of the Flies", I found the impressive story very scary since it shows the lost of innocence of children fighting to survive in a society without perspective and rules. My immediate association was with my and other Third World countries, where many children are abandoned by the Government in their poor communities, and without education, perspectives in life and laws, become very young criminals working in gangs of drug dealers and thieves. In this movie, it is exposed how primitive a kid can be without the authority and respect, and this sort of violence is in the headlines of our newspapers almost every day. I have never the chance of reading this visionary novel, but both movies are very similar and I believe that they are good adaptations, with a frightening study of characters and sociology. My vote is eight.

Title (Brazil): "O Senhor das Moscas" ("The Lord of the Flies")

Having just completed the novel, I was eager to see the film adaptation, and I was pleasantly surprised at how well William Golding's ideas were captured. It isn't very often that a movie can help you understand the book better. All of the actors were wonderful, particularly the four leads. They nailed the characters of Ralph, Jack, Piggy and Simon dead on. I was also pleased that the director didn't attempt to re-create the "conversation" between Simon and the Lord of the Flies, it would have been nearly impossible to make it as effective as it was in the novel. In general, it was very well done and well worth the time spent viewing it.

Director Peter Brook delivered a very powerful and artfully done film based upon the classic book by William Golding. To those who have commented here about the differences between the book and this film: these are two very different mediums. Brook did not attempt a straight adaptation, he presented Golding's story through his own vision and emotional lens.

The use of non-professional children is one of the things that make this a brilliant film, and vastly superior to the obnoxious 1990's version. If you pay attention to the opening minutes of Brook's film, you will notice that the world presented is nice, normal, clean, and functional. The boys deliver their lines well and the story flows smoothly. Once the boys are on the island, the scenes aren't nearly so smooth in transition, the speech becomes very awkward and the boys interaction with each other is stilted and unnatural.

That is the point! These children know the direction they are going is wrong, to a boy they know this. Yet as individuals they are helpless to stand up to the group. Their awkwardness flows from their fear of being cast out, while yearning to be rescued and return to their homes. The nightmarish quality of the situation is well reflected in the hesitant speech and graceless movements. The uneasy stringing together of scenes makes the viewer squirm, hopefully making the connection to how ill at ease and unnatural the boys themselves must feel.

I'm sure most of you have been around boys of this age at some point in your life. They are prone to being tongue-tied, have few social graces and lack physical co-ordination. That's what makes this film so utterly believable, the boys are real boys, not pimped-out Hollywood trick ponies, delivering their lines in perfect Shakespearean English, while nimbly doing complicated dance moves and mugging their perfect little faces square at the camera.

Golding's book is a masterpiece that can be taken on several levels. Brook's film offers no fewer interpretations of the deeper meaning while presenting a realistic and horrific vision of the basic story. I know most people simply will not get this film. That's too bad because it is a classic.

"Lord of the Flies", a piece of literature written by William Golding and originally published in 1954, is still a very famous novel, and is often studied in schools (many can say that's where they became familiar with it). Nearly a decade later, the first movie adaptation of the book saw the light of day. Adaptations of novels can be excellent, while others may generally be disappointing. This 1963 adaptation of William Golding's famous novel turned out to be sort of a mixed blessing.

A large group of English schoolboys find themselves stranded after a plane crash, without any surviving adults. Shortly after the crash, two of them meet for the first time. One of them is Ralph, and the other's real name remains unknown. The other boy tells Ralph about his undesired nickname, Piggy, and unfortunately, that is what he is called from then on. Ralph and Piggy don't see any other boys around, so Ralph uses a shell (or a conch) to call them. With all the boys gathered, Ralph is elected as the leader for the time they are stranded, and it is soon discovered that they are on an island. Ralph tries his best to keep the rest of the boys civilized, and tells them that a smoke signal must be kept going in order for them to be rescued. However, a rivalry soon begins between Ralph and the power-hungry Jack, and many boys end up on Jack's side, creating a group of savages!

The first thing you may be wondering about this movie is how faithful to the novel it is. Quite a bit of detail from the story was removed for this movie (which often happens with adaptations of novels), so if you've read the book, remembering some parts that you found really interesting, and you'd like to see how they're done in this movie, you may be disappointed to see that some of them are not included. However, apart from that, I would say the movie tells the original story very well, but it definitely has some other problems. The cinematography is pretty amateurish, and the cast is, well, not terrible, but not great. Personally, I found some of the movie dull, so I had trouble getting into it at times, but also found certain parts interesting or somewhat moving (though not as much so as I was expecting).

This "Lord of the Flies" adaptation definitely hasn't impressed every admirer of the book, which I can understand. I was a tad disappointed myself (certainly not as much as some people, but still a tad disappointed). However, many other admirers of William Golding's piece of literature like this movie. For fans of the book who haven't seen this movie, if you want an adaptation that is faithful to the book (despite the unsurprising fact that the story is shortened), and you can get over the shortcomings I've mentioned, I recommend this movie. You just might not want to expect a work of genius.

Peter Brook's film adaptation of William Golding's "The Lord of the Flies" is still an interesting piece of cinema one doesn't get a chance to see too often. After more than forty years of its release, the film is still a good way to get to know Mr. Golding's masterpiece, as Mr. Brook stayed truthful with the screen play he wrote.

The mere idea of children shipwrecked in an island to fend for themselves, as they make a world of their own, was quite revolutionary when Mr. Golding wrote the story. To witness what children are capable of doing in extreme circumstances is an eye opener. In fact, the children put into practice what they have seen of their society as they realize they are stuck in an island without any indication of anyone looking out for them.

Although some criticism has been expressed in this forum about the way the accident happens, and the way the boys come from all parts as they first gather in the beach, Mr. Brook's intentions seem to be more into the theatrical staging of this scene as the different groups come together. The best scene being the group lead by Jack as they march on the beach singing Kirie Eleison in their sweet and melodious voices.

Cruelty is the most notorious trait the boys display for one another. That, and the leadership that Jack wants to take away in forming his own tribe and the complete breakdown in the communication among the boys. Mr. Golding was telling us that given to certain circumstances, man, or children in this case, will revert into being savages and that perhaps society's role is to keep people controlled into what is known as a civilized world.

Peter Brook made an excellent film, but perhaps his biggest achievement is the magnificent work he got out of the mostly unknown cast of young children. There are no false notes, especially in the principals. With the notable exception of James Aubrey, who plays Ralph, none of the other boys had a film career, although one sees the promise in some of them. Tom Chapin is good as Jack. Hugh Edwards gives a heart wrenching account of Piggy, the boy that is ridiculed by the rest and betrayed by Ralph in telling the new arrivals about his nickname. Tom Gaman as Simon also had some good moments.

This film shows Peter Brook at his best.