Le dernier de la liste

for the actors in cameo roles. for Kirk Douglas and George Scott. for the story and its old fashion flavor. for the details and for the levels of way to the truth who reflects a manner to build a film noir who could be almost fascinating. a film of keys, crimes and theories. and not only a good script but splendid performances for define events, meetings, plots, errors. the similarities with Sherlock Holmes' stories is one of pillars of this seductive film about a rich family and the danger around it. and it is only the beginning. the mark of John Huston is basis for a dark film who remains memorable for the status of game with masks, for the ambiguity and for the great job of Kirk Douglas .

I wanted to say something in praise of the masked star gimmick - something I haven't seen anyone else mention.

Rather than viewing the various "heavily made-up" characters as a spot the star contest, look at it from the other side and, suddenly, the gimmick becomes an ingenious way of covering up the killer - hiding him from the audience. Since the filmmakers knew they couldn't find a way to make a full head latex "invisible" to the audience, (and presumably didn't want to go with a completely other actor) they went the Purloined Letter route and threw in a bunch of such "spottable" characters to keep the audience from guessing which one was the killer.

Much like the movie The Spanish Prisoner - where every person seems somehow fakey UNTIL you watch from the viewpoint of "spot the scam" and realize the EVERYONE sounds fake (i.e., like they're scamming someone) so you CAN'T spot the con artists.

Brilliant, really. In both cases.

An annoyingly smug mystery which isn't a tenth as clever as it seems to think it is. A "master of disguise" (who always looks exactly like the famous star portraying him no matter how much makeup he's under) is killing persons whose names appear on a secret list. It's up to dapper detective George C. Scott to solve the case, a task made relatively easy by a script filled with shameless contrivance and jaw dropping leaps of logic reminiscent of the way Adam West used to solve the Riddler's clues on Batman. In an attempt to lure audiences to this artificial, parlor-game excrement, the film-makers included the gimmick of having 4 other famous stars appear in cameos under heavy makeup and daring the viewer to identify them. The only one who speaks in his own voice is instantly recognizable, while two others cheat by being dubbed and one simply keeps his mouth shut. When the whole mess has come to a merciful end, the stars rip off their bad latex Halloween mask makeup and wink at the camera as if to say, "Wasn't that clever?" If you're still awake, your answer will be, "No."

When you take into account the enormous amount of talent involved on both sides of the camera, this is surely one of the most inexcusably bad films of all time.

(There are Spoilers) Visiting his good friend novelist Adrian Messanger, John Merivale, former WWII British intelligence officer and member of the secretive MI5 agency Anthony Gerthryn, George C. Scott, is puzzled by Messengers' somewhat cryptic sheet of paper that he gave him to investigate. The paper has ten names on it all seemingly having nothing to do with each other.

It's not long afterword that when Messenger goes on a business flight to Canada that things begin to get a bit clearer for Gerthryn when the plane that Messenger is on suddenly explodes, from a time bomb that was secretly placed on it, in mid-air over the Atlantic Ocean. It just happened that Messenger survived the airplane crash by shearing a raft with another passenger of the doomed flight WWII ace French intelligence man Raoul La Borg, Jacques Roux. La Borg who took down, in his photographic mind, the dying mans last words that reveal, if deciphered, the truth about his list and the person who's not only responsible for his impending death but the deaths of all the persons, some who at the time were still alive, on it!

Despite its novelty of guessing just who are the actors, Burt Lancaster Frank Sinatra and Tony Curtis etc. etc., playing in the movie with them having very obvious disguises. It's only Kirk Douglas as George Brougham, together with some half dozen other disguises, and Robert Mitchum as James Slattery who had any real role in the movies plot line. Instead of just showing up in the end and, when the film was finally over, taking off their disguise revealing to the startled viewers just who they were playing.

Gethryn and Borg who both worked together in WWII against the Nazis team up to get to the bottom of what the late Adrian Messenger meant in his list of names and as the two check out the names one at a time.It turns out that all of them, with he exception of James Slattery, died mysteriously over the last five years. Trying to get to Slattery before the killer did the nutty and paranoid rummy gave the two the run around. Claiming that he's James brother Joe, who doesn't exist not who he really is James. Which in the end, with Gethryn & Borg giving up on him, lead to his death when the killer pushed him, wheelchair and all, off the docks and into the bay where he drowned.

The killer***SPOILERS***finally reveals himself at a fox-hunt at the estate of the Marquis of Gleneyre, Clive Brook, as his long dead brothers son George Brougham. And gaining his confidence and being excepted by the Marquis as a member of the family he then manically plans to do him in on the next fox-hunt. Where Brougham sets a trap for the old man, who's expected to be riding on the lead, at the end of hunt.

It now becomes crystal clear that the reason that the murderous George Brougham had murdered all the people on Messengers' list, as well as Messenger himself. In that they all knew about Bougham's treachery toward his fellow POW's whom they all happened to be. The one thing that all the men on Messengers' list had in common in being POW's in a brutal Japanese prison camp in Burma during WWII. With having them gotten out of the way Bougham is now trying to murder the Maquis of Gleneyer and make it look like an accident so he, as his nephew, can inherited his estate and all the riches and royalties that goes along with it. But there's one or two things that he never figured on and thats Gethryn & Borg and that in the end would be his undoing.

This enjoyable suspenser contains intriguing events , emotion , and plot twists . A former intelligence officer called Anthony Gethryn (George C. Scott) is tasked by the heir to the Gleneyre estate to investigate the unusual deaths of a disparate group of eleven men on a list . Later on , a mysterious stranger (Kirk Douglas) visiting an English state whose owner is a Lord , Marquis of Gleneyre (Clive Brook) , and the puzzling series of killings that coincide with his arrival . As retired MI-5 officer has to figure out the unusual deaths of a varied group of eleven men on a list , each seems to have died in mysterious circumstances . Working with a survivor from a airplane disaster, Raoul Le Borg (Jacques Roux) he discovers weird clues until an unexpected conclusion . The main question is the following : Someone committed killings . Can you guess who's behind the disguise?

This whodunit packs crisp performance , intrigue , thrilling scenes , suspense , twists and turns . The main gimmick results to be the all-star-cast are all heavily disguised in the character roles . This is a family film made by John Huston , as it was partially filmed on John Huston's own estate in Ireland and played by Huston's friends as well as his son . The best scenes turned to be when the stars appeared at end of the film in unmasking sequence where they peeled off makeup . Highlights of the movie result to be the fox chase scenes under an impressive soundtrack by Jerry Goldsmith . Very good support cast such Robert Mitchum , Tony Curtis , Frank Sinatra , Herbert Marshall , Gladys Cooper , Marcel Dalio , Bernard Fox , being the fourth of seven films that Kirk Douglas and Burt Lancaster made together and final film of Clive Brook . And cameo by John Huston , who was an avid rider and hunter, appeared in a small role as Lord Ashton in a short dialogue scene in the last hunt . The filmmaker's child Tony , billed as Anthony Waller Huston plays Dana Winter's son . Evocative as well as atmospheric cinematography in black and white by Joseph MacDonald . Thrilling and suspenseful musical score by the great Jerry Goldsmith .

The motion picture well produced by Edward Lewis was stunningly by the great John Huston at his best , its tense filmmaking makes this crackerjack entertainment . The picture was made in a good time of the 60s , 70s and 80s when Huston resurged as a director of quality films with Fat City, (1972), The man who would be king (1975) and Wise blood (1979). He ended his career on a high note with Under volcano (1984), the afore-mentioned Honor of Prizzi (1985) and Dublineses (1987). Rating : Above average , this is one of John Huston's best films , a model of his kind , definitely a must see if you are aficionado to suspense films . Huston broke a new ground with this landmark movie , providing classic scenes and agreeable dialogs . Rating : Above average , as the intrigue is entertaining on its own .