Les rois du soleil

In 1963 there was a number of Hollywood fantasies based on historical and cultural themes that made the conoscenti cringe. I mean, Mayans migrating to the Gulf Coast, other Mayans using iron artifacts, arriving in the new world and speaking the same language as the locals? Well, back in those Hollywood days in the middle sixties, audiences were not quite so demanding as now. So, George Chakiris, fresh from his West Side Story triumph and Yul Brynner, known now from a number of hits, are pitched against each other in a sixty's version of a martial arts film. Veteran character actors like Barry Morse (Gerard of The Fugitive), Brad Dexter, Richard Basehart and Ford Rainey are seen sprinkled among the good guys and classic Villain, Leo Gordon heads the bad guys. The beautiful Shirley Anne Field offers the feminine interest in a departure from her roles in grade B movies and adds to the pageantry of the film. And, the usual cast of hundreds provides some nice texture and action to off-balance Brynner's hamming it up in the close-ups. This is a fine old film that doesn't have legs that was entertaining in its time. It is available but be warned: this film would be definitely grade B fare today.

The Mayas, one of the most mysterious and interesting civilizations that the world has ever seen, have not been popular movie heroes in cinema history. Except for Mel Gibson who recently directed APOCALYPTO, a stunning picture showing the twilight of the Mayan kingdom, not many people know that there was also J. Lee Thompson before who made KINGS OF THE SUN. He directed it in the early 1960s and, as a result, the film is filled with its era, with the style of the 1960s film-making. The reason why this movie is short of popularity is its highly limited access, not many TVs broadcast it, in most stores it is entirely skipped. Yet, recently, I had a chance to see KINGS OF THE SUN on Polish TV. And how did I feel about it? At first, I said to my friend who gave it a viewing with me: „Nice little movie" but after the second viewing, I noticed something captivating in it, I began to like it.

It is so because of entire different reasons than in case of APOCALYPTO. I don't like the idea to compare these two movies because they are totally different. What KINGS OF THE SUN lacks APOCALYPTO has and vice versa, including authenticity of language, cinematography, performances and music. The major reason why I was stunned by KINGS OF THE SUN is the presence of Yul Brynner. He is terrific as Black Eagle, a heroic chief of the Indian tribe who, at first, is hostile towards the new invaders; consequently, he is to be sacrificed to the God of Waters, and finally, finds himself in the absolutely unexpected circumstances. Brynner had many roles that were great but whoever claims that it is one of his very best ones is right. The way he says to Balam „Your woman is beautiful" enthralled me. The moment he observes a peculiar new city from a high tree remained in my memory as exceptionally outstanding. The final sequence is supplied with emotions also thanks to him. I admit that other cast do fine jobs, including George Chakiris as king Balam and Richard Basehart as priest Ah Min, but Brynner absolutely rocks. While he was the king in THE KING AND I, he is "the king of KINGS OF THE SUN."

The pure film factors like cinematography, direction, editing are quite fine here, yet, they are not top notch. Perhaps, that is the reason why the movie has not become one of the top movies of the genre like other films of the time. But one thing is important to mention: it is a pure adventure, not an epic but the fictitious nice little story of love, courage, fight for independence, coping with social problems, building up a new life in a new place. The character of Balam is well developed he is the King for his people, the one who says „NO" to the fanatical religion and the insane idea of human sacrifice. His final speech is pretty thought provoking „What do gods really want of us? What sort of sacrifice?" Yet, nothing draws your attention to profoundity or history - all is there around adventure goal, like in other films of the time, including THE VIKINGS (1958) by Richard Fleischer or THE LONG SHIPS (1964) by Jack Cardiff. Pity that these two cultures, the Vikings and the Mayas, have not been put on screen more often in purely historical films while there are much more educational films about Rome, Egypt or Greece. But that is a different story. KINGS OF THE SUN, for entertainment's sake, is really a rousing adventure.

The last interesting aspect of the movie I'd like to mention is its musical score which is really memorable, not very easy to tune but fits well to the scenes and the entire spirit of the movie. Music is affected by adventure, fighting, emotion... all that leaves an impact in the viewer. Consider, for instance, the rapid tunes interrupted by gentle ones when Ixchel (Shirley Anne Field) is trying to „tame" the Black Eagle. Another wonderful musical moment is when they sail on the sea, the whole picture is stunning. It is so thanks to cinematography, authentic locations, including popular pyramid of Chichen Itza, but music adds much as well.

I have a fresh memory of this movie since I have seen it recently. The case with you may be different, perhaps it has faded in your memory due to many years that have passed since you last saw it. Maybe, it is the first time you have heard of this movie. But I give you my honest advice, look for it because it is really worth seeing. Whether KINGS OF THE SUN is going to be released on DVD or not, it is absolutely worth seeking out. Doesn't have the power of APOCALYPTO, doesn't offer the authentic use of languages as well as native cast, yet, Brynner will leave you breathless and some other aspects will unexpectedly satisfy you. 7/10

"Kings of the Sun" is the story of a civilization burst into full flower…

In their profound desire to win favor from the deities, the Mayans made human sacrifice the keystone of their religion…

Keeping the Buddhist monk hairstyle as his trademark, Brynner easily steals the show with his virile personality, distinctive look, speech and mannerism… He is Black Eagle, the barbarian chief who comes to the defense of the Mayans…

George Chakiris plays Balam, the jaguar, king and son of kings to the ninth generation… Although in spite of being young and brave and untried, Chakiris lacks the heroic stature with which the role might have been satisfied…

Shirley Anne Field is the delicate Ixchel who would never leave Black Eagle except if he ever used to tell her that he loved her…

Richard Basehart is the high priest who tried to make the king understand that he cannot bring this new life to his people without giving a life… For a thousand years they've been bound by this law… The gods cannot be cheated…

Leo Gordon is the tyrant Hunac Kell… His strength is a sword of metal and the Mayans are powerless against it…

Filmed beautifully in Chichén Itzá, Yucatán – Mexico, J. Lee Thompson's motion picture is colorful and highly entertaining

Pretty-boy George Chakiris wisely keeps his shirt on opposite a buffed up Yul Brynner on whose form Joseph MacDonald's camera dwells with unadorned admiration. Had he paid similar attention to the insipid love interest Shirley Anne Field, people would complain about the sexual objectification of women, but Brynner seems to enjoy all the attention. J. Lee Thompson keeps the action moving along and the story entertaining, even though it is all highly predictable, and Richard Basehart looks suitably embarassed to be seen in an assortment of silly headgear and hairdos.

One major advance films have made since the "classic era" of the 1960s and before that, is in realism of characters. You don't see white people playing Asians or blacks or Indians anymore. When you do see it, in these old films, it now looks ludicrous and takes away from the seriousness of the movie.

Yul Brynner, however, is one guy who could get away with it. Here, he plays Mexican-Indian warrior "Chief Black Eagle" and he's believable. Whether it's his deep, menacing voice or bald head with striking feature, Yul was cool no matter role he played.

I can't say the same for the rest of the cast. The co-star, George Chakaris as "Balam (the ninth)" as the same pretty-boy hairstyle right out of the late '50s/early '60s; Richard Basehart ("Ah Min," a Mayan priest) has coloring on his face and wig you have to see to believe! Barry Morse ("Ah Zok") will forever be typecast as "Lt. Girard" the man who harassed for years TV's "The Fugitive." Meanwhile, there is film-TV-tough guy Leo Gordon as "Hunac Kell" and Shirley Anne Field as "Ixchel." Field is beautiful and looks the part, but a British accent in Mayan territory? However, as the film goes on, Field is more and more believable, for some reason.

Whatever, there's always the story and a nice widescreen print now out on DVD, which I was fortunate enough to obtain for rent. It was filmed in the Yucatan, so the scenery is real - not some studio back lot.

In the story, Balam's Mayans get pushed out of their area by a war-mongering neighbor, led by Kell. There is nowhere to escape except by water over the Gulf of Mexico. This was no easy feat back in these early days. They make it, start to build their new homes and civilization, only to run into the Indians who already reside nearby. They are led by Chief Black Eagle and he's not too friendly.

The rest of the film answers two big question: 1 - What will happen between the two groups? Will one annihilate the other, or can they live in peace? 2 - What if the old enemies - Hunac Kell's barbarians - show up? And......of course, the big question: who gets the girl?