Le manoir de la terreur

A list of the neat elements of the film a.k.a. " Horror ", a.k.a. "The Blanchville Monster,"...1. It's Italian, 2. black and white, 3. "Horror" sneakily appears as an occult film but really a psychological horror film, and 4. the ultra-creepy background music. I watched this movie when I was a 10-year old watching it on shock theater late Saturday night. There are a few boring parts and some parts that should never been put into the film, such as Rodrigues playing the keyboards. But I'm a little prejudiced on bragging on this movie because I've never seen an Italian horror film I didn't like ( Black Sunday, Black Sabbath, Suspiria, Inferno, etc. ).

I had no idea what to expect from this one, but it turned out to be Italy's response to the Roger Corman Edgar Allan Poe films, and it's actually pretty good.

In late 19th century northern France, lovely Emily De Blancheville returns to her ancestral home from finishing school to find that her brother has sacked the entire staff and all the new servants are creepy. Worse yet, her father – whom she had believed to be killed in a fire – is actually alive but hideously burned and criminally insane, and locked up in the tower. Her brother explains that there is a curse on the De Blancheville line, and their father believes that the curse can only be broken if Emily dies before her 21st birthday, which is coming up so close that they've already got the castle bedecked with festive balloons. Well, to make 89 minutes short, the father escapes and pretty soon Emily is in for a bad time of it.

What I liked about this film: It's produced by "Llama Films", which has to make a person smile. The leading ladies are all lovely, and Emily's little peekaboo nightie is extremely flattering (yeah, yeah, I know, men are pigs. Oink, oink). The location and sets are amazing, with real castles and genuine ruins (it's so cold, even indoors, that you can constantly see the actors' breath). The monster's makeup seems to be some kind of Kharis mask, Italian style. The dialog is priceless, if a tad wordy ("You will follow me, Emily. To your tomb. To your death. To die. To die. To die. To die"). Have I mentioned it was produced by Llama Films? Oh, and the brother ("Roderick", what else) is played by a guy who looks like Vincent Price. At least, in the context of this film. There are a lot of other shenanigans, with a doctor who is not what he appears, a housekeeper who is exactly what she appears, a premature burial, et al, but I don't like to give away too much of the plot. Sometimes, you have to just let the film run its course and try not to think about what it all means for months, or even years.

This "pretty good" Corman-styled quasi-Poe entry complete with Vincent Price lookalike, and red herrings, is a little too plodding for it's own good and needs some more frequent and stronger moments of horror to make it to the "very good" level. The same can be said of the Corman-Poe films and such, yet they had great indelible scare moments, fabulous art direction in color and Vincent Price to keep them interesting. This looks like a late night spook show staple from the 60s and 70s, and is fine as such, except I saw it without commercials. I kept thinking it would be better if I'd watched it on an old B&W 20" portable TV on a wire-rack TV stand with potato chips and soda, and a chair with lumpy cushion on a chilly and windy October night just to get into the period.

Though it has somehow or other managed to escape all the standard reference books, this film is a real and unheralded discovery--a visually distinguished and absorbing Gothic thriller, halfway between Bava country and the Mexican gothics like "The Witch's Mirror".

"Blancheville Monster" where have you been hiding? Right off the bat, we are treated to a deliciously evocative visual opening--a wintry, bare tree ridden country road, awash with an icy looking rain, beyond which stands the distant castle on the mountain.

Ann Radcliffe would be well pleased! And the film keeps on delivering: two attractive female leads, a mysterious and scarred man locked in a tower room, frequent thunder and lightning, and all the necessary accoutrements of remote castle Gothic, from flickering torches to doleful turns on the family harpsichord.

The countryside in which the film is shot has the desolate beauty of a November day, and strongly suggests the Brittany in which the film is set, (though not shot). In this sense, some of the landscapes resemble those in Bresson's "Diary of a Country Priest." Devotees of the genre are herewith advised to seek this out. It's far more deserving than some of its over-hyped relatives.

This is an early Italian Gothic concerning the Blancheville family , as the daughter, Ombrella Colli, of an insane count returns her home to pay a visit, being accompanied by her boyfriend : John Taylor and his sister : Iran Eory. At the mansion they are received by a doctor : Leo Anchoriz, the grumpy housekeeper : Helga Line, the butler : Paco Moran and finally her brother : Gerard Tichy. But this count is turned nutty, fearing his daughter will fall victim of an ancient curse that has plagued his family throughout centuries, the reason for he wants to kill her and to be sacrified to fullfil the eerie legend.

A terror movie with chills, thrills, creepy scenes and plot twists. Interesting script from Giovanni Grimaldi, Bruno Corbucci, Natividad Zaro, being freely inspired on Edgar Allan Poe novels as The fall of the House of Usher . The plot is plenty of surprises, terror moments , ghastly atmosphere with thunder and lightning, twists and turns. One of the first Italian horror, this time in co-production with Spain, that's why it is full of Spanish actors as Leo Anchoriz, Iran Eory, Gerard Tichy, Paco Moran, Helga Line, while the Italian ones are the unknown Ombrella Colli under pseudonym Joan Hills and Matterasi as John Taylor.

This coproduction is financed by Spanish producers : Alberto Aguilera, Natividad Zaro and Italian as Italo Zingarelli. It displays an evocative cinematography with gloomy atmosphere by prestigious cameraman Alejandro Ulloa who photographed the classic Horroe Express . Shot on location in San Martin de Valdeiglesias (Madrid) where several terror films have been filmed, specially Paul Naschy/Waldemar Daninski movies. Furthermore, thrilling and frightening musical score by Carlo Franci and uncredited Piccillo. The motion picture was well directed by Alberto de Martino. He was a prolific artisan who wrote and directed during the 60s, 70s, 80s ordinary genres of the Italian B series as Peplum : Invincible Glatiator, Triumph of Hercules, Seven Spartans. Eurospy : Operation Lady Chaplin, Upperseven, OK Connery . Macaroni Combat : Dirty Heroes. Thriller, Giallo and Poliziesco : The insatiables, The Counselor, Rome versus Chicago, Puma Man , The Killer is on the Phone, Magnum special for Tony Saitta . Spaghetti Western : Django shoots first, 7th Cavalry, 100 000 dollars per Ringo. Terror : Antichrist , Holocaust 2000 and Horror.