Le ciel vous regarde !

This film is great fun, well written and well acted. While the ending is unexpected, if you haven't seen it before, it is difficult to know how all the issues could've been resolved in any other way except as unresolved as it is here! They did the same thing to John Steed in the very last episode of The Avengers, appropriately titled "Bizarre", some six years later! That episode featured Roy Kinnear as the marvellously named Bagpipes Happychap who also features here amongst a wealth of famous faces including the original Doctor Who, William Hartnell, in the year that he took that role. Again, considering the ending, that too seems appropriate now and brought a wry smile to this viewer's face especially as another of the film's cast, Mark Eden, also appeared, in the title role of "Marco Polo", opposite Hartnell in that series!!! Peter Sellars is on fine form as the hopelessly idealistic new vicar as is Eric Sykes as a chain smoking butcher! Best of all is the plethora of verbal and visual irony which should be enough to keep any discerning viewer entertained!!!

This was a marvelous little comedy that in many ways is reminiscent of the great Alec Guinness film, THE MAN IN THE WHITE SUIT. Like this other film, the movie's main theme is unintended consequences that arise from some selfless and altruistic acts of the leads.

Peter Sellers plays a rather "straight" role as a well-meaning and decent Anglican minister. Unlike Inspector Clouseau and Dr. Strangelove, this character is much more subtle and believable. He didn't play the part strictly for laughs but was more of a characterization. Sellers was a truly gifted and amazing man in how he could seemingly become the people he was playing. His gentle manner and working-class accent worked perfectly to create one of the nicest and sincere priests in film history.

The movie is exceptional in that I think the movie can be enjoyed by religious and non-religious people alike. The film is very cynical and explores human nature in such a way that everyone can take something profound from the film. It is also unusual in that while technically a comedy, it is also serious social commentary. It had a lot to say about the teachings of Jesus and just how impossible it would be to truly implement them in a basically selfish world! Aside from a bad word used here or there, none of this should put off by the film. It isn't heavy-handed or preachy and isn't meant to offend organized religion.

The only reason the film only merits an 8 is because the ending is a bit of a let-down. It really didn't make much sense and was impossible to believe and because of this it really blunted the overall effect of the movie.

"Heaven's Above!" is a wonderful, well-crafted satire that mocks not Christianity but hypocritical and cold "religious" people. It is a British version of "In His Steps" turned on its head and inside-out: what if a sincere believer (Sellers) attempts to live out the gospel in the middle of a spiritually dead English parish? Unchristian attitudes range from the Bishop who complains that Rev. Smallwood (Sellers) "keeps bringing God into everything," to two women arguing over free food they have just (undeservedly) received as handouts telling a black man (Brock Peters) "You don't belong here" under a banner that reads "Love one another."

The script is rife with topical political and social comments but the real focus is timeless: do people really believe what they say they believe? Is there a place for Christianity in a secular, materialistic society? The ending, which baffles some, gives the answer to this. All serious questions aside, "Heaven's above!" is a satirical, incisive look at human nature.

Peter Sellers plays a minister with a new assignment in "Heavens Above!" a 1963 film written by John Boulting and directed by John and Roy Boulting.

Sellers is the Rev. John Smallwood, and he's assigned to a new parish from his current prison ministry by mistake when he's confused with another Rev. Smallwood. He gets to the parish and really shakes things up, so much so that he practically brings down the entire British economy.

Smallwood is well-meaning, but not very practical. He convinces the wealthy woman in town, Lady Despard (Isabeal Jeans) to give away food. Naturally the grocers are upset.

Then he trashes the product the big factory in town produces, and their stock crashes. While he's at it, he takes in a huge family that was forced off of their property.

The film makes fun of religion with a straight face. Smallwood tells Lady Despard that she won't go to heaven because she hasn't given up her earthly belongings and followed Christ. He preaches God to such an extent that when the Despard butler tells him off, he does it with two different Bible quotes - for me, that was the funniest scene in the movie.

The British economy suffered greatly after World War II, and there are many films about it. This is but one, taking its place with "The Man in the White Suit," "I'm All Right, Jack," and others.

Peter Sellers is amazing as Smallwood, modeling the character on a former teacher of his. He's a gentle man, not given to temper outbursts, who stands by his principles, even though he's a complete airhead.

Very good.

Heavens Above! has so much going for it - a wonderful and very gentle performance by Sellers, a who's who of British comedy from the late 1950s, and the Boulting Brothers at the helm. This is a film that stands the test of time and remains both fun and interesting and a fascinating take on Anglicanism. In Britain, children of a certain class went to privileged school with the eldest son being shipped off to serve as an officer, or join the Foreign Office for the larger good of the Empire, and the second son would go to the City or the Church.

Anglican vicars aren't meant to be like Peter Seller's John Smallwood - who really does hold to the Gospel rather than doctrine, and is appointed vicar, by mistake, of a decidedly complacent and snooty town. What follows gently pokes fun at the double standards.

All in all, this remains one of Seller's gentlest, truest, and straightest characterisations. Like Alec Guinness he really does become the character he's playing - from the hair to the accent to the smallest gestures, but more than that, here, is the heart. He captures something ethereal that we would all recognise as sincerity and good intentions.

When he introduces true gospel values everything, of course, starts to fall apart. Historically, this is interesting in that Billy Graham has come to Britain and there is something of that spirit about this; but it is no way heavy handed or blunt.

Heavens Above! resorts to a weak ending - wish he'd been sent to the East End of London or Liverpool - but it remains a wonderful film well worth the time to catch when it comes around.